The Thin Man in Rome, Part II: At the Jazz Club

My baby’s gonna pay for me.

The National

Dateline The Jazz Club: November 5th, 17:54

The thin man met Grey in the lobby as promised where Grey handed him several hundred Euros as well as some American dollars. “Just in case we get separated,” Grey said. The thin man could take care of himself ok at a poolside party in Singapore, however tonight’s action already felt a little different. He wondered if Grey was carrying a gun. Happy as he was to have the cash, the thin man hoped Grey would not stray too far afield. The driver had the car ready, and they drove the 20 minutes to the jazz club.

Once inside (the doors had actually soft-opened sometime before 18:00) the thin man takes the place in. It’s a pretty large club with a stage area at floor  in front, a bar to the left, and a sound booth in the middle with aisles on each side so that patrons can feed back into a lobby area where another bar is set-up, as well as space for the “merch table.”

There are already 20 or 30 people inside, drinking, talking, smoking. The thin man decides to buy a pack of cigarettes–cigarettes are a great ice breaker and the thin man will need to break some ice later on. He asks for American Spirits, purple, and the bartender hands them over.

“Who’s playing tonight?” asks the thin man in English.

“The Peter Andreessen Trio,” replies the bartender in the same language. “They are pretty popular, and a little far out.”

Far out, thinks the thin man. Far out is good. I can work with far out. He sees Grey across the room, sitting with two younger men. Neither of these looks much like a senior vice-president. The thin man starts to move toward the group but Grey shakes his head, almost imperceptibly. Guess we don’t know each other, thinks the thin man. Makes sense. He recalibrates mentally for a second–he’s just here to take in a little jazz and maybe hit on some women. Or one particular woman perhaps.

He orders a white lady, gin and Cointreau, on the rocks. The thin man is a dabbler, in life and in alcohol, and white ladies are there to be dabbled in. He starts to circulate, moving easily, just looking to make conversation. One of the men Grey had been talking to is at the back bar and the thin man approaches.

“Hi, I’m Jack.”

“Hey Jack,” says the man, “I’m Philip. You here for some jazz?” Philip has what sounds like an American accent, and the thin man guesses he works for Company X in some capacity.

“Sure am,” says the thin man. “I’m a big jazz fan, but I don’t know these guys tonight. Do you know anything about them?”

“Yeah, I saw them play before here in town. They’re from Norway and they’re pretty far out.”

“Cool,” says the thin man, “sounds like fun. Where are you from Philip?”

“From the USA man, Kentucky originally. But I’ve been living here in Rome for about two years.”

“What do you do?”

“I work for a company called Company X. I’m in the marketing department, and I report directly to a vice-president over here. It’s a pretty good gig.”

“Company X huh? I think I’ve heard of them. Aren’t they in talks to buy the Green Group or something?”

“Yeah, that’s right,” replies Philip. “You’re up to speed on the business news.”

“I dabble,” says the thin man, “but I don’t know much more than that. Is anyone else from your company going to be here tonight?”

“There should be a few of us, yeah. I think my boss is coming too, with his new girlfriend.” Philip leans closer to the thin man and says quietly “you gotta check this chick out man. She’s got it all going on. She’s called Maya and she just arrived in town like three weeks ago. My fuckin’ boss moves fast man.”

“It’s good to be the boss I guess,” says the thin man.

“Yeah man,” says Philip. “What ya drinking?”

“It’s called a white lady. You should order one too.”

“Maya’s a white lady too I think. Not really sure. I think she was in Eastern Europe before somewhere. Anyway, I should stop talking about Maya, it’s bad form I guess.”

The thin man laughed. “Not bad form at all. I’m interested. What does she do here in Rome?”

“I’m not really sure. She’s living at the Plaza, probably on my boss’ dime. I think she’s in corporate in some way. You can ask her yourself, she should be here soon.”

“I’d like to meet her,” said the thin man. “If you would be kind enough to make an introduction.”

“Sure thing. I’m not sure you’re her type but you never know. She likes action, and money.”

“Well I don’t have any money,” replies the thin man, “but maybe I can generate a little action. Let’s see how things go.”

The thin man and his new friend chat a little more, before a woman who looks to be in her early thirties comes in with an older man in a suit with no necktie. The suit looks sharp, maybe not as sharp as our driver’s outfit, but sharp, however the man inside it looks like he’s got some things going on. His hair is slightly out of place and he looks around the club rapidly. He’s a little jumpy. The woman is dressed in a stunning black dress with a fur coat on top, kitten heels, and a necklace with an inset ruby. Philip waves at them and they wave back. This must be Maya, thinks the thin man. Very intriguing.

As Maya checks her coat, the VP approaches the bar.

“Good to see you Philip,” he says. “Maya was running a little late as usual and I was afraid we’d miss the first part of the show. What are you drinking?”

“It’s called a white lady,” says Philip, “he turned me on to it.” Philip gestures toward the thin man who has already turned slightly to face the duo. The VP offers his hand to the thin man.

“Alan McKnight,” he says, “white ladies eh?”

“Jack Bishop,” says the thin man. “Yes sir, there is nothing more satisfying than a white lady after a long day.”

“I have no doubt,” says McKnight, “but I think I’ll just have a beer. Maya might try one of those though, she like her fancy cocktails.”

His beer arrives as Maya comes over to join the group. She glances at the thin man before turning to McKnight.

“Buy me a martini darling. Two olives.” She speaks with the absolute assurance of someone who never has to pay her own way.

As the bartender is mixing her martini a few notes from a saxophone drift back from the area of the stage. The band is setting up, testing instruments.

“I won’t even have time to enjoy my beer before the show starts,” complains McKnight. “I wish you didn’t take so long to get ready honey.”

Maya turns up her nose–McKnight’s salvo doesn’t even merit a reply. The thin man still hasn’t been introduced to Maya, so he comes one step closer and says “hi I’m Jack. I was just chatting with Philip before you guys came in. Philip says you’re new to Rome?”

“This time around, yes,” she says. “I used to live here though, so I know the city.”

“How long will you be staying?” asks the thin man.

“As long as he’ll have me,” she replies, turning to McKnight. “Right darling?”

McKnight is not paying attention. “Uh, right, uh huh.”

“I said you’re going to keep me around aren’t you?”

“Of course I am.” McKnight has regained his focus. “You know how much I treasure you honey.”

The thin man finds all this talk pretty banal, but it does provide some insight into Maya and McKnight’s relationship. McKnight might well treasure her, however he is also clearly unhappy with certain aspects of their relationship. In addition, he is continuing to look around as if he was expecting someone or something. The thin man wonders if McKnight has a suspicion that all was not what it seemed with Maya. He might realize this on an instinctual level without guessing, for example, that she might be a corporate spy.

“Shall we go up front? The show’s about to start,” says Philip.

The group takes their drinks and moves past the sound booth to get a good view of the stage. The thin man looks around surreptitiously but sees no sign of Grey. He does see the driver however, leaning against the inside bar and smoking a cigarette. The thin man makes a strategic decision to separate temporary from the Company X crew. If he’s going to make a move on Maya tonight it’s better that he approaches from a more oblique angle anyway.

The thin man walks across to the bar and stands next to the driver. Although Grey had indicated that the he should act like a stranger, the room is filling up and he feels like a little chat can’t hurt anything. He keeps his voice low though, just as a matter of tradecraft.

“I didn’t get your name before,” says the thin man. “Mine’s Jack.”

“Ali,” says the man. “Making any progress?” He is apparently entirely up to speed with this evening’s operation.

“Hard to say. I’ll need more time. Do you work for Company X as well?”

“Not I,” says Ali in perfectly inflected English. “Grey doesn’t either, really. We’re contractors.”

“I see. Have you worked together long?”

Ali looks at the thin man and pauses. For just a second the thin man sees something flash in the man’s eyes, something close to sadness. Then it’s gone, and the man says matter of factly, “I’ve known Grey for thirty years. We’re partners.”

All of the sudden a tallish women comes on stage and, without a word, begins playing what looks to the thin man like a mini-theremin. The keening notes of this unusual instrument fill the room, and Ali looks at the thin man with a slight smile and shrugs. Mini-theremin may or may be not be Ali’s cup of tea, but he’s a gamer, and the thin man feels warmly toward him. The theremin player starts ramping things up and a second musician joins her on stage and, again without a word, begins playing the saxophone, loudly and erratically. The show has begun.

to be continued…

My Brother Mike’s Bad Book

Subtitle: A Mariners game, a rowdy night, and the moment my brother defined himself with four perfect words

Several years ago I attended a Seattle Mariners baseball game with my bother Mike. The Mariners were playing the Toronto Blue Jays, and we went out for a few drinks before the game right next to the stadium. I was amazed by just how many Blue Jays fans there were in town for the game. They were all over the place.

Now, although I grew up in a baseball family, as I got older I kind of lost interest. The games are just too long and there are too many of them. However, going to a game in person is pretty cool. Mike is still a hardcore Mariner fan, which I respect. On this night the Mariner’s star pitcher Felix Hernandez was pitching, and the Mariners won the game. However, the result is far from the most memorable aspect of that night.

Our seats were pretty good, right next to, but not actually in, the “K Zone” where the Hernandez heads were. Over the course of the first few innings, Mike downed several more beers and he got a little rowdy, as he sometimes does. Mike, in Freudian terms, has more than a little “id” in him. As I mentioned, there were a lot of Blue Jays fans in town and Mike, as a good Seattleite, took this as a challenge. As the game went on he began calling out, loudly, various Canadian cities.

“Calgary suuuucks…Winnipeg suuuucks…Lethbridge suuuucks.” Like that.

I found this all pretty amusing, if a little unorthodox. It wasn’t how I would chose to enjoy the game, but this was Mike’s style. As the Mariners built a lead Mike’s chants started to escalate, and some Blue Jays fans began to take offense. Probably this was the point. These dudes were looking at Mike, pointing, saying things. There was no real risk of a fight; however Mike was mixing it up no doubt.

Around the 5th inning or so another dude in a Shawn Kemp jersey started making noise of his own. (Shawn Kemp was a star player for the Seattle SuperSonics back in the day before some asshole stole the franchise and moved them to Oklahoma City. Fuck that guy.) At first this was all fine, because anyone in a Sonics jersey was OK with Mike. However the Sonics fan started getting a little out of line and dropping the f***** slur.

“Look at this fucking f*****. Fuck this f*****,” stuff like that.

As far as I could tell there was no reason that this guy had to target an individual in this fashion. The difference, as I saw it, between his action and Mike’s was that Mike was basically operating in good humor and calling out all the Blue Jays fans present in the spirit of friendly competition, while the Sonics fan was picking on an individual, and using a slur. Although the exact nuances of the difference are perhaps debatable, the dude was definitely out of line.

Mike noticed this guy and didn’t like what he saw. He began saying so, and someone not in our group took notice. This other guy, in regards to the Sonics fan, said something to the effect of “he’s ok in my book.” Mike didn’t miss a beat at he uttered the classic line, one I will never forget.

“That’s a bad book,” he said.

That’s all he said; he didn’t challenge the guy to a fight or anything, didn’t even directly address him. The Sonics fan was getting so abusive that someone called security, and he was escorted out.

“That’s a bad book,” reminds me of my friend from high school Cameron Turner who liked to say of something he didn’t approve “that’s sick, and wrong.” Both of these are super memorable phrases, and highly redolent of the person behind them. Mike was a little lit. Mike was razzing Blue Jays fans as a collective. Mike was attracting attention. At the same time he felt that there was no need for gratuitous gay slurs. And he was right.

One of my favorite phrases in the world is “that’s some bad action.” Mike was speaking in the same vein with “that’s a bad book.” I’ve never been prouder of anyone in my life than when Mike called this guy out.

I fuckin’ love my brother Mike.

Postscript: Just a little while ago Mike and his fiancee had a baby, Felix. Named, of course, after the pitcher. So that’s pretty cool. I just hope he doesn’t grow up to be a Blue Jays fan.

Peter Berger and Thomas Luckmann’s “The Social Construction of Reality” and Related Issues

Author’s Note: This piece is a re-write of a piece from my first blog, Classical Sympathies. At that time I was interested in the relationship between the individual and his or her place of work/ organization. Classical Sympathies was fortunate to have a number of regular readers, some of whom took the time to comment, sometimes at length. The blog got a surprising amount of traffic for some reason, although it is now lost to time. Some pieces from back then are, looking back, a little too flowery, however the style was the style. Andrew Inch, a guy that a uncatagorizable cross-section of people here in Japan knew back in the day, was one of the most prolific and interesting commenters, and I have left his remarks in this re-write.

Berger and Luckmann’s The Social Construction of Reality:

This piece will look in some detail at Peter Berger and Thomas Luckmann’s The Social Construction of Reality, and comment on some of the ideas that it raises. Anyone who works in an organization will be aware that the intersection of the individual, in all of her preferences and particularities, and the institution can involve some friction. In The Social Construction of Reality, Berger and Luckmann spend 45 pages on the topic of “institutionalization,” so they had obviously gave the matter some thought.

They make the point that while man (The Social Construction of Reality, published in 1966, uses the gender-specific term), makes his world, he is given to losing sight of this and projecting (or “reifying”) aspects of the social world so that they are perceived as entirely external and beyond his control. They write:

“Man’s self-production is always, and of necessity, a social enterprise. Men together produce a human environment, with the totality of its socio-cultural and psychological formations” (51).

Human culture, then, is invented. However, being prone to reification, people tend to:

“{apprehend} the products of human activity as if there were something else than human products–such as facts of nature, results of cosmic law, or manifestations of divine will. Reification implies that man is capable of forgetting his own authorship of the human world {and experiencing it} as a strange facticity, {…} over which he has no control” (89).

When mis-apprehending social reality as something other than the product of his own action and consciousness, man forgets that:

“the social world was made by men–and, therefore, can be remade by them,” but, ironically that,“reification is a modality of consciousness {…} Even when apprehending the world in reified terms, man continues to produce it” (89).

We can extrapolate the statement “even when apprehending the world in reified terms, man continues to produce it” to suggest that the perception of sedimented, externally controlled or created, facticity continually creates the very facticity in question. Put slightly differently, the denial of agency diminishes, even uncreates, free-will, while the exercise of free-will depends in large part, perhaps entirely, on the strength of one’s belief in it.

Now, this is not to argue that reification is simply false-consciousness, or that groupings within society do not go to considerable trouble to perpetuate and legitimate reification of their activities. Berger and Luckmann make this quite clear in their analysis of what they call “socially segregated subuniverses of meaning” such as “Hindu castes, the Chinese literary bureaucracy, or the priestly coteries of ancient Egypt” (85), (and we would add to this list lawyers, doctors, television pundits, university English departments, etc.). They write that subuniverses:

“become esoteric enclaves {…} to all but those who have been properly initiated into their mysteries {…} The outsiders have to be kept out {but} if the subuniverse requires various special privileges and recognitions from the larger society, there is the problem of keeping out the outsiders and at the same time having them acknowledge the legitimacy of this procedure. This is done through various techniques of intimidation {…} mystification and, generally, the manipulation of prestige symbols” (87).

“And generally the manipulation of prestige symbolsindeed. Those who engage, consciously or unconsciously, in the manipulation of prestige symbols are, in Berger and Luckmann’s language, involved in creating a “typification.” The acceptance of typifications, in turn, sediments social facticity and brings into being a taken-for-grantedness in the performance of social actors.

The authors indicate that while the typified actor may “act-into” a socially authorized way of acting in public, the same actor, in the privacy of their home, the confessional, or the bar may seek to establish a certain “role distance” through behaviors which blur, or indeed outright contradict, their public “face;” this distance is apt to shrink again when the times comes once again for the actor to take up their public role. In so doing, the actor re-activates that segment of the self which is objectified in terms of the currently available socially available typification(s).

When I started my first blog in 2009 I wrote at some length about why I wore a necktie at work, even though I didn’t really have to and some co-workers thought it was a little strange. My buddy Andrew Inch wrote an extensive, and highly perceptive comment on the topic which is instructive here. Mr. Inch, it will be apparent, is one smart dude. It’s kind of long, but it is worth it.

“Reflection on MT’s devotion to this apparently innocuous task, knotting a piece of cloth around his neck each morning, leads us towards what has become a key element of many recent theories of ideology. Derived from Pascal’s advice to non-believers, ‘kneel and pray, and then you will believe’, the French philosopher Louis Althusser sought to assert the materiality of ideas, and how ideology works through our actions as well as our words to define us as certain sorts of subjects. For Michel Foucault, one of Althusser’s students who sought to break with Marxism and the concept of ideology, the knotting of that neck-tie might have been considered a ‘practice of the self’, a way of disciplining oneself in line with a particular matrix of power and knowledge. The question that I think both of these thinkers struggle to address, however, is the extent to which we are able to shape our own selves, rather than simply being shaped by power. What scope do we have to resist the power embedded in these apparently mundane everyday motions? {…} By kneeling to pray, or standing in front of the mirror adjusting the knot, we perform belief and so take on socially available identities. And as for the rest of us in that office – what was the effect of not knotting the tie each morning? At times there were no doubt some who reveled in the non-conformity of that not knotting. In truth, however, did our alternative practices of the self not simply reproduce a slightly different, perhaps less respect-able but nonetheless conformist, relationship to the rules and rituals that regulated life in that particular setting? Was not wearing a necktie not just another kind of necktie after all?”

“In truth, however, did our alternative practices of the self not simply reproduce a slightly different, perhaps less respect-able but nonetheless conformist, relationship to the rules and rituals that regulated life in that particular setting?” This sentence is phenomenal, and predicated on a particularly alert and acute piece of self-knowledge. Mr. Inch is saying that those in the office who refused to put on a tie, or who flaunted the organizational dress code altogether, while thinking that they were “rebelling” and “sticking it to the man,” were in fact playing into a pre-determined archetype every bit as much as I was with my neckties and apparent “conformity.”

Mr. Inch is essentially making the same point that Berger and Luckmann do when they point out that roles and typifications are “endemic to social interaction {…} All institutionalized conduct involves roles.” And then, the authors bring matters home:

“The institution, with its assemblage of ‘programmed’ actions, is like the unwritten libretto of a drama. The realization of the drama depends upon the reiterated performance of its prescribed roles by living actors. The actors embody the roles and actualize the drama by representing it on the given stage. Neither drama nor institution exist empirically apart from this recurrent realization” (75).

In short, both Mr. Inch and Berger and Luckmann do not confine the acting out of prescribed roles, the submission to typification (e.g. “conformism”) to those in positions of authority within an institution. To the contrary, I read them both as saying that both the master and the servant, the “teacher’s pet” and the “bad boy,” the necktie wearer and the necktie shunner, the consummate insider and the professional rebel are all engaged in the recurrent realization of pre-typified activity.

Explication With Reference to Obama and Talleyrand:

Now, it is true that the above reading of Berger and Luckmann may leave the door open a purely cynical outlook by suggesting that all forms of behavior by institutionalized actors are equal. This is not quite what I wish to argue. Barack Obama has defined his political philosophy as “ruthless pragmatism.” While I understand this formulation, it does seem a little cold (as Obama is famously said to be) What if we added the word “principled” here? Could “principled ruthless pragmatism” sustain meaning without slipping irrevocably into the realm of the oxymoronic?

Let’s take a closer look in relation to organizational life as opposed to the political sphere. “Principled” because one’s initial agreement to engage with institutionalization (through the acceptance of a job offer for example) assumes a principled acceptance of the role one will be asked to play and the attendant tasks and behaviors that will be expected.

“Pragmatic” in that in order to accomplish anything in the social world, wherein competing interests, visions, and ideologies are, and ever will be, an unavoidable reality, one must be prepared to lose the battle in the service of, hopefully, winning the war. It has been my experience that the inability to lose a battle is a problem for many people in the modern workplace. Related to the ability to lose a battle is one’s attitude toward “compromise.” Is “compromise” a dirty word? It’s hard to say. On the one hand, the actor who blithely declares “there can be no compromise where my principles are concerned” may sooner or later find their principles encased under glass in their own private shrine to imagined rectitude. In other words, total denial of the possibility of compromise is tantamount to surrendering all hope of getting anything done. In the immortal words of William Jefferson Clinton, “sooner or later, you have to cut a deal.” On the other hand, there are a certain class of situations where certain compromises just do not feel acceptable, situations where one has what we could call an existential objection to the terms of the proposed compromise.

The question does not, I think, concern whether deals should be struck in general, they should, so much as whether any individual deals is in the long term interest of the project in question and the people involved with this project. This is where “ruthless” perhaps applies. At the very least, the pragmatist needs to accept in herself a degree of strategic focus where goals rooted in principle are concerned. We cannot deny, of course, that this is an easily misused sentiment—if we continually apply “pragmatic ruthlessness” to a project which we are deeply attached to there is the real danger of a concomitantly continual shifting of the moral goal-posts. In short, these are muddy waters.

Talleyrand, Napoleon’s foreign minister is, perhaps, most famous for his remark that “treason is a matter of dates.” Gives you the chills, does it not? Benjamin Schwarz writes of Talleyrand:

“Arguably a turncoat, possibly a degenerate {…} certainly a shameless flatterer and world-class bribe taker, Talleyrand was also the most skillful and farsighted diplomat of his age and a man of arresting grace, wit, and style {…} He was as seductive as he was obviously dangerous {…} Talleyrand subscribed to the idea that statecraft’s modest but arduous task is to enable one’s country to survive and prosper in the world as it exists–not to transform international relations and not to further the alleged cause of mankind” (The Atlantic, December 2007, 93-4).

A hero or a villain? Schwarz is not sure, but he is charmed. For my part, I see in Talleyrand perhaps an 18th century form of “principled ruthless pragmatism” where France’s survival and prosperity was the principle from which his ruthless pragmatism stemmed. While your own cause may or may not be the triumph of the French nation, the application of a ruthless pragmatism in the service of a deeper principle does hold a certain appeal. However, I just don’t personally feel that “ruthless” is really the most appealing qualifier for pragmatism in regards to acting within the public sphere.

Comment:

Instead, I am more interested in understanding how and when to “follow the rules” and surrender to form, as opposed to how and when to do a little end-run. To function effectively within an organization it is essential to realize the power inherent in form. At times, often times really, a “surrender to form” is required. However, instead of simply surrendering to form and that being that, we may be able to add a qualifier of our own. Certain situations may call for a “strategic surrender to form” for the moment, while at the same time “bracketing” or “pocketing” the possibility of the end-run. Here, perhaps, we may have a window into a pragmatic post-post-modern stance which takes post-modernism’s relentless questioning of form and turns it inside out, recognizing that the tyranny of form is something we bring upon ourselves by allowing form to tyrannize.

Put another way, we can expand slightly on Berger and Luckmann’s claim that “an apprehension of reification as a modality of consciousness is dependent upon at least relative derefication of consciousness, which is a comparatively late development in history and in any individual biography” (90). I would suggest that an apprehension of reification as a modality of consciousness is dependent upon at least relative dereification of consciousness which may then lead into the ability to either and/or alternately i) embrace reification and role typification as a strategy (that is to inhabit a form which brings with it certain prerogatives and forms of access), and ii) radically overthrow reification and typification through the recognition that the establishment of social facticity is but a spectacular bluff resting on the manipulation of prestige symbols and the shaman’s art whereby an illusory thinness is reflected as an eternal massivity. In so doing, we may be of service to truly worthwhile cause, protecting a space for action and free-will in the face of the ever-expanding institutionalization of both the public and the private sphere. That might be worth working on.

Dedication: For Mr. Inch. Thank you for commenting. You rock baby.