The Man Under the Bridge: A Fiction

“Everything’s thin.”

The Wire

Setting:

We open onto a large office in what looks to be Moscow in the 1890s.  It could be anywhere in the East though, anywhere from Potsdam to Petersburg.  The office appears busy; clerks filing, apprentices bustling, managers shouting instructions and reprimands that go generally unheard and unacted upon–unheard not out of rebellion, nor compromised auditory canals, but rather because the generalized cacophony of the office space is such that the collective action set cannot but unfold without coordination or direction.

The office is draughty and usually cold, although an occasional over-active heat pipe burbles out a bit of local warmth for certain fortunate corners.  The walls are covered from floor to ceiling with filing cabinets; the major task of the office is simply to inspect, stamp, classify, and file an endless stream of nominally related documents.  It is mid-fall, nearly harvest season.  Summer’s bounty this year has been acceptable, and the local populace will have food for the holidays.  Inside, however, the mood is one of permanent resignation to circumstance.

Scene One:

You found me on the other side of a loser’s winning streak/ where my thoughts all wander further than they should

The office’s hierarchy is complex, following rules of its own.  Those at the bottom of the ladder are blissfully unseen and operate without oversight or sanction unless transgressing in a manner so egregious that the neighbours become involved.  Those in the middle-lower classes are a little more visible; their seating, for instance, is of great importance.  Members of this class are ever being told that their stool has been moved to another section of the office.  Reason is neither given nor sought.  Transience is the way of the world, and is widely accepted.

The scene opens in the morning, just after the workers arrive.  At a large oak table, two members of this class sit, within mere inches of one another.  One of these is a thin man–the other, a Teutonic Knight.  Both have piles of papers left over from the day before in their work spaces, spaces delineated by a crack in the oak.  One of the papers from the thin man’s zone has shifted by a fraction of an inch overnight, whether on account of the draft or the vagaries of the cleaning staff is unknown.

The Teutonic Knight turns to face the thin man.

“I think you forgot something in my space,” he says.

“I didn’t forget anything in your space, “replies the thin man, “if you are referring to this piece of paper, it has shifted marginally and is abutting the crack which separates my zone from yours.”

“You have forgotten something,” insists the Knight.  “Take it away.”

The thin man sighs and removes the paper.  Good money after bad, he thinks to himself, applying a concept he has learned recently at the card tables, tables which he has, perhaps, been frequenting a little more often than he might want to admit to his blessed mother or dear widowed sister.  The Knight knows nothing of the gambler’s demi-monde, spending his evenings as he does in endless rows over minor matters with one of the succession of women he sees.  The thin man has, on the other hand, managed to stay out of the clutches of the worst money-lenders and knee-cappers in the city thus far.  His taste, in the last analysis, may run more to the risque than to risk per se.  In any case, the skirmish over, the knight withdraws from the field of battle, content in his triumph.  The thin man looks at the clock.  These days, everything seems to take all morning.

Scene Two (a few days later)

Well I was drinkin’ last night with a biker/ and I showed him a picture of you/ I said “Pal get to know her, you’ll like her”/ seemed like the least I could do

The office has a kind of canteen, an open space where weak tea and an occasionally edible biscuit or two have been reported. Here lives another man, a man from the south. His status with the company is ambiguous–a matter of no little gossip. Tales are told of whirlwind romances, payments under the table, mutually compromising material. No one really knows. This southerner spends his days reading and drinking tea in a most relaxed fashion. Good work if you can get it, muses the thin man. The thin man and the southerner are allies of the kind that sometimes arise during wartime conditions. The details of his ally’s dalliances and contractual complexities are only of a general interest to the thin man, who is however curious what value the southerner is seen to be providing to the company. Literacy is good and all, but the filing by god, the filing waits for no man.

Sometime that fall, the southerner pulls the thin man aside, for a talk. His manner is furtive, his words oblique. The thin man’s time with the company is limited, he whispers. His number is up. Time to hit the bricks, pal.

The thin man takes this news in stride. The tables beckon and he’s met a woman, a lady of the evening, perhaps, yet classy–demure, yet perfectly capable of looking after her own interests. He has only seen her a few times, true, yet there are possibilities.

Of course being sans salary is not likely to widen that particular possibility set. So when the southerner leans in and whispers low, the thin man listens close.

“There is a man, a man you may meet,” says the southerner. “You must not ever tell anyone I told you this. The man will be under a bridge on a high holiday. There will be revelry. He may make you an offer.”

Gambling man he may be, but the thin man is confused.

“What should I do?”

“Stay alert. Pay attention. I can say no more.”

Easy to say, harder to execute, thinks the thin man. Alert for what? A man under a bridge is easy enough to spot, however the southerner seemed to be referring to another matter, another occasion where attention will be needed to carry the day. The thin man files the conversation away, and resolves to stay open to what a situation that appears to have elements of fluidity.  It seems like the least he could do.

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Five Great Jason Isbell Songs

Welcome to a blog post about Jason Isbell.  This will be kinda short and it will kick off with some “stipulations.”

Stipulation I: Luna is the best “active” band, and “Malibu Love Nest” is their best song.

Stipulation II: Craig Finn is the the best active rock star, and the live version of “Killer Parties” on A Positive Rage best exemplifies this.

Stipulation III: Jason Isbell is the best active songwriter, and “Different Days” is his best song.

Suggestion I: I don’t know who the greatest band of all time is.  There are a lot of options.  The Beatles is not the right answer.

Suggestion II: Mick Jagger is the greatest frontman of all time, although Chuck Berry is still the purest rock star that will probably ever be (man I would love to play the keyboard like the dude in this video!)

Suggestion III: Townes Van Zandt is the greatest songwriter of all time, although Dylan’s high points are higher.

We shall explore all the above stipulations at some later date.  Today we are looking at Isbell.  Today on the Periscope there we said we might do a post here about “Different Days.”  Well, that’s going to be a little too much work for today.  So instead we’ll do a little top five.  These are not necessarily my favorite 5 songs from Jason, but pretty much.  So, “in no particular order”:

I. “Danko/ Manuel,” from The Dirty South.  2003.  On the Periscope I was a little inaccurate–Isbell was 24-25 when he wrote this one.  It’s about the band The Band, and about emulating one’s heroes and the pros and cons of that action.

First they make you out to be/ the only pirate on the sea/ they say Danko would have sounded just like me/ “Is that the man you want to be?”

https://www.youtube.com/watch?v=zaWkvqah9W8

II. “Goddam Lonely Love” also from The Dirty South.  2003.

So I’ll take two of what you’re having and I’ll take all of what you got/
to kill this goddamn lonely, goddamn lonely love

Stop me if you’ve heard this one before/ a man walks into a bar and leaves before his ashes hit the floor/ stop me if I ever get that far/ the sun’s a desperate star that burns like every single one before

Dude was 25 years old.

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