On the Sarah Lawrence Kids: My Take

Contextual Note

This reflection is inspired by reporting on the case of Lawrence “Larry” Ray, whose actions at Sarah Lawrence College became the subject of extensive journalism and later criminal prosecution. Ray, the father of a student, embedded himself within a group of students and, over a period of years, exerted psychological and material control that culminated in multiple federal charges. In 2022, he was convicted in U.S. federal court on counts including racketeering conspiracy, extortion, forced labor, and sex trafficking, following testimony detailing patterns of manipulation, coercion, and abuse.

The essay above is not intended as investigative reporting or a comprehensive account of the case. Rather, it uses widely documented elements of the Sarah Lawrence story as a lens for examining broader dynamics of influence, consent, authority, and psychological boundary erosion. Readers interested in detailed factual accounts are encouraged to consult court records and major journalistic coverage of the case.

Epigraph
“I can’t force myself to say something
More than I can think of a thing to do
Any more than you can pull yourself out of nothing
When there is nothing forcing you to.”

— Bedhead, Extramundane

This isn’t really a story about sex, crime, or even a “cult” in the way headlines tend to frame it. It’s a story about how consent can be quietly eroded — not through force or spectacle, but through a gradual shift in tempo. An adult inserts himself into a group of bright, searching young people and begins, almost imperceptibly, to reorganize how they interpret their own experience. Nothing dramatic happens at first. There is conversation, attention, fluency in the language of care. The early moves feel supportive, even mentorship-like. And that is precisely why they work. By the time anything overtly troubling emerges, the conditions for real choice have already thinned out. The ground tilts before anyone recognizes that it’s moving.

The students drawn in aren’t naïve caricatures or damaged stereotypes. They’re thoughtful, introspective, and accustomed to treating their interior lives as material for reflection. That habit, usually a strength, becomes a vulnerability in the presence of someone adept at narrating other people’s feelings back to them. The dynamic isn’t driven primarily by charisma or intellectual brilliance. It’s driven by tempo. Boundaries aren’t crossed so much as softened. A late-night conversation becomes a pattern. A pattern becomes a shared framework. A framework becomes dependency. And when harm finally appears, it doesn’t feel like a clear rupture between “yes” and “no.” It feels like a choice being made inside a structure already built.

There is often a moment when the room shifts, but it rarely looks like a turning point. Someone says they’re exhausted, and exhaustion is reframed as a signal with hidden meaning. Confusion becomes resistance. Ordinary hesitation becomes evidence of deeper moral or psychological blockage. Each reframing lands with the texture of insight rather than coercion. Over time, reactions are no longer treated as self-authorizing; they become data awaiting interpretation by the person occupying the role of guide. The students aren’t agreeing with an authority figure so much as agreeing with a version of themselves that figure has begun to narrate. When narrative voice drifts outward like that, autonomy doesn’t vanish dramatically. It diffuses.

The difficulty in describing situations like this lies in the absence of clear theatrical markers. There is no singular moment of surrender, no obvious villain/victim tableau. The participants often experience themselves not as surrendering but as collaborating. They believe they are doing the work, gaining insight, moving toward growth. Particularly for intellectually curious students, the promise of self-understanding is compelling. When directives are framed as pathways to clarity, resistance can feel like failure rather than protection. The structure tightens without ever announcing itself as such.

What emerges from observing cases like this is less outrage than a kind of double vision. On one level, the mechanics appear familiar: authority built through interpretive fluency, dependence fostered through narrative control, legitimacy derived from proximity to vulnerability. On another level, the situation remains unsettling precisely because the openings are so ordinary. The dynamic does not depend on extraordinary charisma or theatrical manipulation. It depends on recognizable human needs: attention, guidance, belonging, the desire to make sense of one’s own experience. Intelligence does not necessarily protect against these forces; in certain contexts, it can deepen engagement with them.

That recognition invites a measure of humility. The distance between observer and participant is not always as large as hindsight suggests. What protects one person in a given moment may be temperament, timing, or simple circumstance rather than superior discernment. The impulse to locate safety in personal invulnerability can obscure the broader lesson: susceptibility is situational, and the pathways into these dynamics are rarely marked by obvious warning signs. Often they look like ordinary conversations extended just a little too far.

If the Bedhead lyric offers a frame, it is through its quiet attention to inertia. The line does not describe dramatic coercion but a subtler erosion of agency — the sensation of trying to act from a place that has already been partially displaced. “You can’t pull yourself out of nothing when there is nothing forcing you to” captures the paradox at the center of this story: the absence of overt pressure can itself become constraining. Consent may appear intact even as its underlying architecture shifts. The drift is gradual, almost ambient, and therefore difficult to name in real time.

Perhaps the most unsettling aspect is the ordinariness of the openings. The story is not about an extraordinary manipulator but about how easily authority can be constructed within familiar relational spaces, and how collaboration can feel indistinguishable from growth until perspective changes. The lesson, if there is one, is less about condemnation than awareness — a recognition of how narrative authority operates, how tempo shapes consent, and how autonomy can narrow without any single decisive moment marking its loss.

Dedication
For those who walked.
And for those who couldn’t.

Note: If you enjoyed this piece, you may also enjoy my other piece on educational institutions. You can read it here.

On My Week with Isobel (aka London Girl) Part III: Aftermath

Note: This is the third of a three part series. Part I is here and Part II is here.

Oh my sentimental fool

Lloyd Cole

Was the risk I sent to you received?

Metric

SECTION I — Leaving Oxford / Returning to Japan

I walked the five minutes back to the hotel after the bus pulled away. My wife was going on to visit friends in Germany and I would have about five days alone in Kyoto after I got back to Japan. At the hotel I couldn’t get back to sleep, so I said a small prayer to the angels asking for grace to get through the day, showered, packed my things, and waited for the 8 AM car pickup.

The driver arrived on time and we drove not to Heathrow but to Luton. We made light conversation and listened to the radio. One segment was about the rising number of homeless families in the UK, and I remember thinking, not for the first time, how every country carries its own version of difficulty and imbalance.

At the airport I bought breakfast — fruit and coffee — and found a quiet place to sit. I downloaded volumes four through six of Anthony Powell’s A Dance to the Music of Time onto my Kindle. I wanted something emotionally steady for the flight, something with continuity and shape. Then I texted Isobel.

She wrote back immediately. We exchanged messages for twenty or thirty minutes. It felt natural and easy, as if the channel between us was already established and didn’t need warming up. I was happy to hear from her and, again, I had the feeling that our connection was somehow fated — not in a grand cosmic sense, but in the simpler way that some meetings feel unavoidable once they happen. The exchange grounded me. It made the idea of returning to Japan feel manageable.

On the plane I read some Powell and listened to music. I remember playing “Two Suns in the Sunset” by Pink Floyd and being unexpectedly moved by it. I was in an emotional state — not overwhelmed, but open and exposed — and the flight passed quietly. I landed at Kansai Airport in the afternoon.

I took the Haruka train back toward Kyoto. The wide seats and generous legroom made me feel welcomed back into my country of choice. Much as I had enjoyed England, I felt real relief in returning. There is a particular comfort in Japanese transit — the order, the space, the quiet efficiency — and my body recognized it immediately.

I arrived home and unpacked slowly. I was due at work the day after next for heat index monitoring duty, part of my administrative role during the summer. At that point everything still felt relatively normal. I was in contact with Isobel. I had several days to myself — my son was on a school trip to Australia — and I was mentally preparing to return to school.

I had no sense of impending crisis. No awareness that within three days I would walk into my principal’s office and offer my resignation

SECTION II — First Days Back

On my first full day back I did laundry and in the late afternoon went to Takumiya, a pub in north central Kyoto near Karasuma Oike. I don’t remember whether I texted or called Isobel that day, but I almost certainly did. At Takumiya I ordered sashimi and had a few craft beers from their rotating selection. I stayed longer than planned, talking lightly with whoever happened to be sitting nearby.

Later I walked to Before 9, a smaller beer and sake bar in the same area. There was a cat there. It came up to me and nuzzled my leg. The bartender put his arm around me briefly and gave me a small, friendly pat on the back. At the time it struck me that I was in an unusually open and fluid state. People — and even animals — seemed to register it instinctively. It felt as if they wanted to take care of me without knowing exactly why.

The next day was Tuesday and I went to work as scheduled. I checked the heat index readings as part of my summer administrative duties. Dr. Fox was on campus. Seeing him immediately shifted the emotional temperature of the day.

I have written elsewhere about my problems with Dr. Fox and I won’t revisit them in detail here. What matters for this story is that by that point I felt he had betrayed me and failed to show up when I most needed institutional support. Trust had already been damaged. Seeing him again after Oxford brought all of that to the surface at once.

We spoke briefly. Before I left, he asked me to come in the following day to help prepare a presentation he was scheduled to give to an alumni group. I had ghostwritten material for him many times before. Under normal circumstances I would have said yes without hesitation. This time I agreed anyway, even though I was already internally unstable and emotionally saturated.

It would not turn out well

Oh my sentimental fool…

Lloyd Cole

PART III — Return to Japan + The Actual Consequence

Saturday, after the bus pulled away, I walked back to the hotel alone. The distance was short — five minutes at most — but it felt longer, as if the space between departure and arrival had stretched in subtle ways that were difficult to measure. When I entered the room and closed the door behind me, the click sounded sharper than usual. It carried a faint sense of finality, though I couldn’t yet say what exactly had ended.

I did not rush. Packing became a deliberate act, almost ritualistic in its pacing. I folded shirts one at a time, placed my notebook carefully into my bag, slipped the Tintin postcard between pages so it would not bend. Sue Tompkins went in next, followed by the charger, the toothbrush, the small practical objects that restore a sense of order after emotional disturbance. The room itself was modest — functional, forgettable in most respects — yet it felt oddly expanded, as if some invisible event had occurred there despite the absence of anything outwardly dramatic. Something had shifted in me, and the room seemed to hold the echo of that shift.

At the desk, I laid everything out for a moment, not to organize but simply to gather myself. The Mendoza Line was no longer playing, but the music had already done its work. The emotional charge it helped ignite remained present, circulating quietly beneath the surface. There was nothing to heighten or prolong; the effect was already internalized.

Around eight, the hire car arrived. The driver was polite, efficient, the kind of professional whose calm competence creates a reassuring neutrality. He helped with my bag, and we exchanged small talk as we pulled into traffic — London housing costs, wages, the persistent difficulty young people face in trying to establish themselves. On the radio, a news segment discussed the rising number of homeless families and children across the UK. Normally, such stories register as troubling but abstract statistics. That morning, however, the report landed differently. I found myself thinking about untethered lives, about how fragile the structures that hold people together can be, and how sometimes the tether itself is the only thing preventing a deeper psychological unraveling.

Traffic was light, and we arrived at the airport mid-morning. Inside, I purchased a simple breakfast — fruit, yogurt, coffee — and found a seat removed from the main flow of travelers. Airports are environments of constant movement, but solitude can still be carved out within them if one chooses carefully. I opened my Kindle and downloaded volumes four through six of Anthony Powell’s A Dance to the Music of Time. It was not an act of escapism so much as orientation. I wanted narrative continuity, a long arc where identity unfolds gradually rather than collapsing under sudden pressure. Powell’s world offered lineage, structure, and a reassuring sense of temporal patience.

I texted Isobel. She responded almost immediately, and what followed was a long, bright thread of conversation carried across airport Wi-Fi. There was no sense of emotional comedown, no awkward reentry into ordinary distance — only continuation. The connection felt intact, natural, as if the meeting had established a channel that did not require reinforcement to remain open.

When boarding was called, the transition felt procedural rather than dramatic. The flight passed in a quiet blur of clouds, Molina songs, Powell’s prose, and intermittent thought. Beneath it all was a subtle ache under the ribs — not pain, not longing in any acute sense, but effect. A residual emotional state that did not demand resolution, only acknowledgment.

I landed in Japan first. My wife continued on to Germany to visit friends, and my son was in Australia on a school trip. The house, when I entered it, was silent in a way that felt tangible. I carried that silence with unusual care, as if it were made of glass and might shatter if handled abruptly. Solitude is often restorative, but this solitude had an amplifying quality, heightening rather than settling internal experience.

That evening, I went to Takumiya, a pub in north central Kyoto. I ordered food and three craft beers and spoke casually with whoever happened to be nearby. Conversations were light, unstructured, yet I sensed an unusual responsiveness from people around me — as though I possessed a slightly elevated emotional voltage that others could detect without understanding its source. Even animals seemed to register it. Cats approached me with a familiarity that felt less coincidental than intuitive, as if some form of static had gathered on the soul.

I returned to Takumiya each night that week. There was comfort in being present in public spaces while remaining largely anonymous. The balance allowed me to exist among others without the demands of deeper recognition. Meanwhile, at five in the evening Japan time — nine in the morning in London — Isobel and I spoke daily. The calls were not brief check-ins but sustained conversations lasting anywhere from thirty minutes to an hour and a half. Often she walked through a park while we spoke, and I imagined her surroundings as she described them, the geographical distance softened by conversational continuity.

During one of these calls, I told her that I wanted to write a book. Not about her specifically, but about the chain of experiences that led to meeting her and the clarity that encounter unexpectedly revealed. She understood immediately. More than that, she expressed a quiet appreciation for being part of that moment of ignition — not as subject matter but as catalyst.

At the same time, unresolved resentment toward Dr. Fox did not dissipate with distance. Instead, it sharpened. The baseball heatstroke issue lingered at the margins of thought, alongside a broader accumulation of professional frustrations: moments of perceived disrespect, ambiguous expectations, and a decade of service that increasingly felt like professionalism without true partnership. None of these tensions were new, but the emotional openness of the week amplified their weight. Background noise began to feel like pressure.

By Friday, when I walked into school, I was not consciously planning a decisive action, yet I sensed a degree of internal instability that made ordinary interactions feel precarious. When Dr. Fox called me into his office to request assistance with a presentation — a familiar pattern, a non-work day expectation framed as routine — the moment crystallized something that had been building long before Oxford. I resigned. The decision belonged to a larger narrative, but this story carries its immediate emotional context.

As the reality of resignation settled into my body, a quiet clarity followed. I knew I needed to speak with my wife. The conversation would not revolve around specifics — call durations, text counts, or the mechanics of connection — but around truth in its broader emotional sense.

She returned home Saturday night. With her presence, the house regained its weight: history, shared furniture, a past that possessed shape and gravity. We sat together without wine or any conversational buffer. The moment did not invite performance or gradual disclosure; it required directness.

“I quit,” I said. “And I met someone.”

She asked only one question.

“Did you sleep with her?”

“No.”

She nodded, her response quiet and measured.

“Okay. Have fun on the phone.”

Nothing fractured dramatically in that moment. There was no raised voice, no immediate emotional rupture. Yet something subtle shifted — an alteration not of structure but of atmosphere. The past remained intact, but the future carried a slightly different texture. Nothing broke, but nothing stayed exactly the same.

Saturday and Sunday:

Saturday and Sunday arrived with a quietness that felt disproportionate to the events of the preceding week. For the first time in months, there was no alarm set for early administrative duties, no email requiring immediate response, no expectation of presence within the institutional rhythms that had long structured my days. I was off work — not merely for the weekend, but in a more consequential sense that I could not yet fully absorb. I would not return until 2022. The long-term ramifications of what had unfolded were already in motion, though at that moment they existed more as a distant horizon than as a lived reality whose contours could be clearly seen.

The weekend therefore carried a strange dual quality. On the surface, it resembled any other stretch of unstructured time: coffee in the morning, small household tasks, the slow pacing of hours unburdened by schedules. Beneath that surface, however, ran a persistent awareness that something fundamental had shifted. The scaffolding of daily life — work expectations, professional identity, habitual responsibilities — had loosened, and with its absence came both relief and a faint, almost disorienting spaciousness.

At five o’clock sharp Japan time, which was nine in the morning in the UK, I called Isobel. The timing became instinctive, a daily point of orientation that anchored the day before it fully began. She answered as she was waking, her voice carrying that soft mixture of sleep and recognition that collapses distance instantly. We picked up exactly where we had left off, as if conversation were a continuous thread rather than a sequence of separate exchanges. We talked and laughed easily, moving between subjects without effort — music, muses, love, the nature of intimacy, and the broader textures of life that surface when two people feel unexpectedly understood.

The calls possessed a quality that felt, at the time, almost transcendent. I experienced a heightened emotional state that bordered on euphoria, a sense of expansion difficult to articulate without risking exaggeration. There was an unmistakable feeling of being lifted beyond ordinary emotional gravity, as if the connection existed in a space slightly removed from daily constraint. For brief stretches, I felt powerful in a way that had little to do with control and everything to do with aliveness — the psychological equivalent of standing in clear light after months of muted color.

Yet even within that intensity, I carried a quiet awareness that such states are rarely sustainable. The experience felt too vivid, too precise in its timing, to belong to permanence. I understood, somewhere beneath the exhilaration, that what we were inhabiting was a moment granted rather than guaranteed. For the time being, however, there was a mutual permission to exist within that space without prematurely interrogating its future. We allowed the conversations to unfold fully, accepting their immediacy without insisting on outcome.

The rest of the weekend unfolded around those calls like a soft frame. I moved through ordinary activities — brief walks, small household routines, moments of shared quiet with my wife — with an undercurrent of emotional intensity that did not demand expression but remained unmistakably present. Silence felt less empty than suspended, as though the days themselves were pausing before the arrival of consequences not yet visible.

What remained most striking about that weekend was not any single event but the emotional totality it carried. The combination of resignation, solitude, reconnection, and emerging uncertainty produced a state that was both exhilarating and fragile. I was aware, even then, of the paradox inherent in the experience: the joy of discovery intertwined with the inevitability of complication, the brightness of connection shadowed by the knowledge of its precariousness.

That was the weekend. In its quiet span, I found myself inhabiting an emotional condition that was at once expansive and difficult, sustaining and destabilizing. I was, deeply and undeniably, in love — not in a settled or declarative sense, but in the raw, immediate way that accompanies sudden recognition. The feeling carried power and tenderness in equal measure, along with a subtle ache that suggested awareness of its limits even as it unfolded.

The Rest of September:

The rest of September passed with a quality that is difficult to reconstruct in precise sequence. Days did not feel discrete or individually memorable; instead, they merged into a continuous emotional field in which time moved forward without the usual markers of routine. The absence of work removed one of the primary structures that normally segments experience, and without that scaffolding the month acquired a dreamlike texture. Moments were vivid while they occurred, yet quickly dissolved into the broader atmosphere of the period.

Isobel and I remained in frequent contact. We spoke most days and exchanged messages with a familiarity that no longer required initiation or explanation. The connection persisted, but the intensity that had defined the immediate aftermath of Oxford began, subtly, to dim. This was not a collapse or a dramatic withdrawal — rather, a gentle tapering, the natural adjustment that follows emotional peaks once they settle into the rhythm of distance and everyday life. The calls remained warm, often intimate, and still carried laughter and shared curiosity, but the sense of suspended transcendence that characterized the earlier weeks softened into something more ordinary.

My days were largely unstructured. Without professional obligations, I devoted time to my blog, experimenting with longer reflections and shorter fragments that attempted to capture the evolving emotional landscape. I also began broadcasting on Periscope, drawn to the immediacy of speaking into a space where audience and solitude coexist in curious balance. These activities did not replace work so much as fill the temporal vacuum it left behind, offering forms of expression that required presence without imposing rigid expectation.

Later in the month, I briefly reentered the professional sphere when I accompanied my senior students to a university fair at Canadian Academy. The experience felt almost surreal in its normalcy — a reminder of institutional rhythms that continued independently of my altered position within them. It was the only direct work engagement I undertook during that period, and its brevity reinforced the sense that September existed outside the usual professional narrative.

Toward the end of the month, I traveled for a significant assignment: serving as lead evaluator for the Diploma Programme at Western Academy of Beijing. The responsibility was substantial, and I approached it with an intention to perform at the level expected despite the internal shifts that characterized the preceding weeks. The visit, however, was complicated by dynamics within the evaluation team. The MYP leader’s preference for extended, often unfocused meetings created an atmosphere of fatigue, and Ashish, the Head from IB Singapore, lacked either the authority or inclination to redirect those discussions effectively. Evenings stretched late into the night. We ordered Indian food, reviewed documentation, and navigated the procedural demands of the evaluation with a professionalism that felt increasingly mechanical.

During one of those evenings, after the meetings had ended and the day’s formal responsibilities were complete, I called Isobel. We spoke at length, as had become our habit, but the conversation carried a different quality. She told me about a dream — one involving a fire and a cabin in the forest. In the dream, I was present. She mentioned that she had shared the dream with her therapist, a detail that suggested the experience held significance beyond casual narrative. Yet when I asked about it, she hesitated. She did not want to recount the dream in full. The partial disclosure introduced an ambiguity that I could not immediately interpret but nonetheless felt.

The moment did not register as conflict or withdrawal. There was no overt tension, no articulated concern. Yet something subtle shifted in the emotional atmosphere between us. The change was nearly imperceptible, detectable less through words than through absence — a slight alteration in tone, a new reticence where openness had previously been instinctive. It was not dramatic enough to prompt confrontation, but it carried the unmistakable sensation of movement beneath the surface.

As September drew to a close and October approached, our communication began to thin. Calls became less frequent, messages shorter, pauses between exchanges longer. The transition unfolded gradually, without a definitive turning point, but its trajectory felt clear. What had once been continuous conversation now required renewed initiation, and the ease that had defined our early exchanges gave way to a quieter, more tentative rhythm.

In retrospect, September stands as an interlude — a period suspended between ignition and resolution. The connection with Isobel remained meaningful and emotionally resonant, yet the conditions that had sustained its earlier intensity were shifting. October would bring both culmination and conclusion, the apex of the relationship’s emotional arc and, simultaneously, its quiet dissolution.

October:

October arrived without ceremony, yet the emotional atmosphere surrounding it was markedly different from the suspended haze of September. I was not working at all during that month, and the absence of professional structure began to feel less like pause and more like rupture. Relations with my Principal, Dr. Fox, had deteriorated to an all-time low, and what had once been a strained but functional working relationship now carried open hostility.

We had two phone calls that month about university counseling, both of them angry and vitriolic. The topic itself — university advising — should have been procedural, collaborative, even routine. Instead, it became a flashpoint that exposed a deeper accumulation of mistrust and frustration. From my perspective, he was mishandling critical processes and creating unnecessary stress for students and staff alike, and I felt a growing sense of professional indignation that was difficult to contain. I shouted at him on the phone twice: once while walking along the river, my voice carrying across the water in a way that felt disproportionate to the setting, and once from a hotel bar in Osaka, where the contained intimacy of the space made the confrontation feel even more exposed. The bartenders glanced at me with a mixture of curiosity and quiet concern, clearly aware that they were witnessing a private eruption in a public place. Still, they allowed the moment to pass without interference, serving drinks and processing the bill with the practiced discretion that characterizes hospitality in Japan.

In mid-October, I traveled to Singapore for another IB training. This assignment positioned me as lead trainer for the Diploma Programme, with Duan Yorke serving as my deputy. Duan was excellent — steady, competent, and easy to work alongside — providing a professional counterbalance to the internal instability I carried with me. Yet despite the outward success of the training’s first day, something felt off internally. The emotional residue of the previous weeks, combined with the unresolved professional tensions, manifested as a quiet but unmistakable dissonance. On the second day, I found myself unable to maintain the expected level of engagement and withdrew temporarily to visit an esoteric healer. The visit itself belongs to another narrative thread, one that requires its own context, but its occurrence reflected the broader sense that I was searching for equilibrium in unconventional ways.

I returned and completed the training successfully, fulfilling my responsibilities with the professionalism the role demanded. Afterward, I remained in Singapore for an additional three days, using the time to decompress in a city that had long felt both familiar and emotionally neutral. The extended stay provided space for quiet reflection, casual wandering, and the gradual release of accumulated tension. Professionally, my obligations were minimal. I completed a handful of recommendation letters for early decision applicants — necessary work, given that our new counselor was struggling with the process — but beyond that, my professional identity remained largely suspended.

During this period, Isobel and I spoke only once. The call carried an unmistakable clarity: whatever had sustained the connection through September was no longer present. Whether the shift stemmed from the dream she had mentioned earlier, the simple realities of distance, or the natural fading that accompanies emotionally intense encounters, the result was the same. The spark had dissipated. What struck me most was the absence of dramatic heartbreak. I did not feel shattered or undone. Instead, I experienced a dull void — a quiet ache occupying the space where my love for her had briefly lived. It was less a wound than an absence, the emotional equivalent of a room that had been furnished and then emptied.

Singapore became the final location in which we spoke. After that call, the connection ended without formal closure, dissolving into silence rather than conflict.

When I returned to Japan, I settled back into writing and Periscoping with a renewed sense of creative urgency. Singapore itself had already played a role in that shift. In a billiards bar there, I drafted the first installment of The Thin Man, capturing fragments of narrative that would later expand into a larger project. The act of writing felt less like discipline and more like necessity — a way of metabolizing the preceding months and translating emotional experience into narrative form. Back in Japan, I continued this process through a series of essays that month, each exploring different facets of the transitional period.

October also introduced another unexpected connection. That month I met Mela, a woman from New York City in her thirties who was on medical leave from her work as a props assistant in film production. She was housesitting at the time and occupied her days in ways that mirrored my own state of suspended routine: scrolling Tinder, investigating potential matches with a mixture of curiosity and humor, and broadcasting extensively on Periscope. We connected easily, moving from initial interaction to Instagram texts and eventually long phone calls. Neither of us had pressing daily commitments, and the absence of structure created space for conversations that extended for hours — sometimes entire afternoons — ranging across music, film, personal history, and the broader philosophical questions that surface when time is abundant and emotional stakes feel low.

Months later, in December, I would meet her in person during a museum visit in Queens. The day unfolded quietly: exploring exhibits, browsing the bookstore, and sharing soup in the café. At one point, descending a staircase, she leaned into me in a way that felt intentional — a brief physical gesture that carried a hint of performative vulnerability. She said, “you saved me,” a remark delivered with ambiguity that allowed interpretation without demanding it. The moment marked the closest we came to flirtation, and even that remained understated, more symbolic than consequential.

Yet the defining emotional endpoint of October remained tied to Isobel. Singapore had been the final setting of our conversation, and with its conclusion, that chapter closed without spectacle. The month that began with professional conflict and emotional residue ended in creative ignition, quiet acceptance, and the emergence of new but less charged connections. October stood as both apex and dissolution — the culmination of an emotional arc that had begun in Oxford and the gentle fading that followed its brief, luminous peak.

Conclusion:

Looking back on it now, the question that naturally arises is what, if anything, can be concluded from the experience. Memory has a way of smoothing edges while preserving emotional truths, and the passage of time introduces perspective without necessarily dissolving ambiguity. What remains is not a tidy narrative with a clear moral, but a series of impressions that continue to carry meaning long after the events themselves have receded.

Was I in love with Isobel? The answer, for me, is uncomplicated. Yes — absolutely. The feeling was immediate, powerful, and unmistakable in its emotional clarity. It was not rooted in fantasy or projection so much as in recognition: the sudden awareness that another person had seen and engaged parts of me that often remain peripheral or unarticulated. The connection possessed both intellectual and emotional intimacy, creating a sense of alignment that felt rare and therefore significant.

Whether she was in love with me is less certain. That question remains open, and perhaps necessarily so. Love does not always manifest symmetrically, nor does it require identical emotional timelines. What I do believe is that she was deeply drawn to me — enamored with qualities she named explicitly: my maturity, my openness, my willingness to explore symbolic and esoteric frameworks such as astrology, and what she described as my confirmed oddness. These were not superficial points of attraction but aspects of identity that shape how one moves through the world and forms connection. In response, she opened herself in ways that felt unprecedented in my experience with other women. The openness was emotional, conversational, and psychological, revealing vulnerabilities and reflections that suggested a level of trust both genuine and meaningful.

Yet that openness stopped short of the one dimension that often defines romantic relationships in conventional terms. Physical consummation never occurred. And still, I remain convinced that it might have — that the night of the red dress, that Wednesday evening suspended in quiet possibility, carried the potential for that final step had I not withdrawn. The decision to pull back was not rooted in lack of desire but in an instinctive recognition of complexity and consequence, a moment where restraint felt simultaneously protective and destabilizing.

At the beginning of this narrative, I wrote the line: “I did not sleep with her, so I had to quit my job.” On its surface, the statement reads as paradoxical or even absurd. Yet in a literal and emotional sense, it reflects the truth as I experienced it. Something that transpired between us disrupted my internal equilibrium in a way that extended far beyond the boundaries of romantic encounter. The experience did not create professional dissatisfaction where none existed; rather, it crystallized tensions that had long been present but insufficiently confronted. In the altered emotional state that followed Oxford, I could no longer compartmentalize or tolerate dynamics that had gradually eroded trust and professional fulfillment. The decision to resign emerged not as a reaction to Isobel but as a response made possible by the clarity her presence inadvertently catalyzed.

What, then, did Isobel have to do with that decision? It is a question without a definitive answer, and perhaps one that resists definitive resolution. Objectively, professional circumstances and romantic encounter belong to separate domains, each governed by distinct motivations and consequences. Yet subjective experience does not always honor such boundaries. In my mind and in my heart, the two remain inextricably linked. The emotional awakening precipitated by our connection illuminated aspects of my life that had grown untenable, accelerating a reckoning that might otherwise have unfolded more gradually.

In this sense, Isobel did not cause the decision but revealed the conditions that made it inevitable. The encounter functioned as catalyst rather than origin, exposing fractures already present and clarifying the need for change. The love I felt for her, whether reciprocated in equal measure or not, became intertwined with a broader transformation — one that encompassed identity, professional alignment, and creative direction.

Ultimately, the experience resists reduction to a singular meaning. It was neither tragedy nor triumph, neither mistake nor destiny. It was an encounter marked by intensity, ambiguity, and consequence, leaving behind a residue of insight rather than closure. If anything can be said with certainty, it is that the connection altered the trajectory of my life in subtle but enduring ways. The emotional truth of that alteration persists, even as the specifics of the relationship have receded into memory.

And perhaps that is the most accurate conclusion available: that some relationships are defined not by duration or outcome but by the clarity they introduce, the decisions they precipitate, and the self-recognition they make possible. In that sense, Isobel remains both part of my past and part of the internal landscape through which I continue to move — a presence whose significance lies less in what occurred than in what it revealed.

Coda:

What remains, after the noise has faded and the chronology has settled into memory, is not regret but recognition. Isobel was never meant to be a permanent figure in my life; she was a moment of ignition, a flare that illuminated terrain I had been walking blindly for years. Loving her did not undo me — it clarified me. It revealed fault lines in my professional life, deepened my awareness of emotional possibility, and reminded me that connection can arrive without warning and depart without resolution while still altering everything that follows. Some encounters are not chapters but catalysts, and their power lies precisely in their brevity. I did not leave Oxford with a lover, but I left with a truth that could no longer be ignored, and that truth reshaped the decisions that defined the months and years ahead.

So the story does not end with loss but with transformation. The quiet house in Kyoto, the late-night calls across time zones, the resignation spoken into an office heavy with history, the essays written in the wake of confusion and clarity — all of it forms a single arc whose meaning resides not in permanence but in awakening. Isobel remains a presence not because of what we became, but because of what her existence made visible: that love, even when fleeting, carries the capacity to reorder a life. And in that sense, the experience stands complete. Not a tragedy, not a triumph, but a moment of rare and incandescent alignment — a brief crossing of paths that left behind warmth, ache, and an enduring knowledge that sometimes the most consequential relationships are the ones that arrive, burn bright, and quietly pass into memory while continuing to shape the person who remembers them.

Note: If you linked this piece, you may also like my short story Simona. You can read it here.

Mariko

NOTE: This is the second short story in my upcoming collection. The first is here. This is a work of fiction.

I met Mariko on a cold January night in Tokyo. I had subscribed to Meetup.com, though I wasn’t using it much at the time. That night I did. A local band was playing — popular in their own right, and they sang in English. That detail mattered. It meant the room would be mixed: expats, bilingual Japanese, wanderers, people hovering between worlds.

I went to the bar, hung up my coat, and grabbed a vodka. The crowd was mingling before the show. I learned more about the band. They had hardcore followers — the kind who know every lyric, who close their eyes during certain songs, who treat a small venue like a cathedral.

Then there was Mariko.

I met her on the dance floor and we hit it off immediately. She was 32, lived in Tokyo, and worked in a corporate job she didn’t like. She spoke pretty good English, so we communicated in that language. It was easy. It felt as if I’d known her forever. I was into her. More than that, I wanted her.

Shortly after we started talking, another guy tried to make a move on her. I guess I really liked her because I was not going to let some blasted interloper come between me and her. I said, “Thank you, dude, but we’re talking,” and that was that. He buzzed off. She was essentially my date for the evening.

The band played and they were good. Mariko and I danced — close but not too close — and talked more during the breaks. There was another girl there, Saki, and a young American guy who had been talking with her a bit. We all decided to go to a second bar. It was still earlyish.

We found a wine bar nearby, but the young people thought it was too expensive. I offered to pay, feeling like it couldn’t be that much. We ordered a bottle and shared it. The bottle came to ¥12,000.

We talked and all got along well. Saki was younger, graceful and attractive, just starting her career. The young man was clearly into Saki, and Mariko and I were into each other, so it worked well. Mariko and I talked deep and soulfully, staring into one another’s eyes. We stayed about an hour and a half on the one bottle.

When we left, Mariko and I were on the same train — me back to my hotel, her back home. We talked and exchanged Line. As her stop approached, I said, “I’ll see you again,” and gave her a little kiss on the top of the head. It was a good night.

A few weeks later I was back in Tokyo. I was somewhat at a loose end in my job at the time and had a lot of spare time. I texted Mariko and we agreed to meet at a craft beer bar near my hotel in Shibuya.

We met, drank beer, and I ate tacos from the taco truck outside. That same feeling of familiarity was there right away. After that, we moved to a small, quaint wine bar. The woman running it asked for our music suggestions.

I chose Nina Simone’s “Black Gold.”

Mariko chose “Who Knows Where the Time Goes,” and then “To Be Young, Gifted, and Black.”

There was only one question between us: would we sleep together?

We did not sleep together that night, or any other night.

We wrapped up at the wine bar and headed to Shibuya Station. She said, “kairitakunai,” which means “I don’t want to go home.” That’s about as green a light as a guy is going to get.

I read her as meaning she wanted to go home with me.

But life is timing, as they say. Maybe I was faded. Maybe I had something else on my mind. The spotlight came on and I was backstage getting ready. Instead of inviting her back to my hotel — the objectively right move — I gave her a little kiss on the lips and said good night.

That was that for that evening.

Two weeks later I was back in Tokyo again and I met her again. We drank and had a good time, but something was not quite the same. We had had our window, and in that micro-moment I had blown my lines.

We parted at the train station again. This time I didn’t kiss her.

A little while later my phone died, and for various reasons I didn’t get a new one right away. When I did get a new phone, Line — the app we had been using to communicate — ate her contact along with a bunch of others. She was gone. I could not have reached her if I wanted to.

In a way, it was a clean break. No drama. No mess. Just a corporation fucking with the program. Life moved on and I didn’t think much about Mariko.

A year or two later I went back through all my Line chats just hoping, but no dice.

We ended as we began — strangers in the night.

On My Week with Isobel (aka London Girl) Part II

Oh sister when I come to lie in your arms

Please don’t treat me like a stranger

Boy Dylan

Note: This is Part II of the series on my week with Isobel. Part I is here, and left off with my decision not to sleep with her, come what may.

PART II — Thursday → Saturday, Early Morning

Thursday

I woke up Thursday a little shook to be honest. Things had progressed so far, so fast, and although my feet seemed under me, it was hard to be sure. The fact that she had made a hard pass at me the day before was on my mind. In any case, we met by appointment in the morning . It went the same as before; we walked over to Pret again, but this time she ordered lightly and barely ate. As it turned out this was a sign of things to come. I finished my sandwich and coffee, and we walked back to campus, side by side, talking easily but underneath it something had shifted. We were no longer orbiting — we were a dyad, openly.

Back in the garden, same bench, same proximity. We weren’t spying on sessions anymore. We weren’t even pretending to. We talked all morning like our lives depended on it. And in a way, they did. We covered the history of thought, we recovered our careers, and I told her all about the various ups and downs I had had over the last several years at my school. We talked about astrology and she voiced some of her doubts. I told her I wasn’t a “believer” per se, but that the study fascinated me. We left it open.

After the morning break, we reconvened at a bench in the courtyard, this time in public. I was in a bit of a dilemma, you see my wife was scheduled to come to town that very night, and she would attend the dinner gala, the final dinner for the week. Somehow, I had to get ahead of this situation; I had to lower the temperature. So, I did what I often do in a difficult situation, I leaned on Dylan, specifically the quote from “Oh Sister” off of the album Desire.

I told her, “I feel like we should be like brother and sister.” Containment disguised as poetry. It was the best I could do. This took her aback a bit, and then I explained that my wife would be arriving, in a matter of six or seven hours. She didn’t say much, just took it in. She already knew I was married. She didn’t know my wife would be in Oxford. Whole different deal.

This revelation changed something in her body, and something in mine. We went to lunch — Indian again. Normally I ate fully, and she usually ate less, but that day we both pushed food around the plates. She couldn’t eat a bite; her appetite had totally shut down. Mine was not much better, and I picked at the curry to try to make it look decent. We paid and left. The epiphany of Tuesday had tipped into cognitive and bodily overload by Thursday.

During the afternoon, we talked as before but because the sessions were winding down I think we actually went to a session. I also browsed the bookstore, which was really cool. It was a big table in the common area and it was run by a bookseller who had his own astrology bookshop somewhere in the south. I had switched from the Mendoza Line to Dylan and was playing “Red River Shore” and “Mississippi” in addition to Oh Sister.

Evening arrived. My wife arrived at the hostel two minutes from campus. I went to meet her and walked her back to FAS. She met Isobel and Maddy before dinner — brief, surface-level. My wife complimented Isobel’s shoes. I could barely hold in a laugh for some reason. After all, she couldn’t have known what she was stepping into.

We ate in the dining hall — I sat with my wife and the one Japanese woman there, switching English and Japanese. Isobel sat elsewhere with Mystery and her daughter. There was a collection for the tutors — I took the box table to table, people applauding, giving money. My wife later said I was performing. Maybe I was. I was also alive.

After dinner my wife was tired from travel and wanted to sleep. I walked her to the hostel, kissed goodnight, then went back to the courtyard. Wine, tutors, Maddy, Isobel. A lighter night between us — more social, less fused — but the thread held. We probably stayed until one.

I slept well.
The finish line was visible.


Friday

We met again in the morning — Pret. This time she made a scene of helping me pick breakfast. My appetite returned. She still didn’t eat. We walked fifteen minutes to a large park, quiet, green, open.

She was struggling — not with me, but with everything. Engagement, career, identity, meaning. We sat on a bench. “Don’t sit too close to me,” she said.

“OK, how close is good?”

“Right here,” she said, indicating a space about one inch to her right. We talked about our situation–there was nothing else to talk about. We named it outright.

Then she got up and walked to a small arched bridge over a narrow river and said, She stood there for a bit, and then said in a loud declarative voice:“This is my bridge.”

I said, your bridge absolutely.

She stayed there a long time, twenty minutes maybe. I sat on a bench farther back. Eventually she came back to sit beside me — to my left again, shoulders touching. Then, she began to collapse onto me. Shoulders low, breath shallow. I half carried her back to campus. Ambulances and sirens on the street — not symbolic, actual. The world felt like an emergency. We moved slowly. It took almost 40 minutes.

At this same time, I was thinking, obviously. I came up with a name for what Isobel and I were experiencing. I called it the “catalyzed emergency,” just instinctively. I knew at once what I meant, and I also knew one day I would write this story.

We got back to campus and she went to look for Claire Martin, the tutor from day one. She ended up finding Claire, who was free, and Claire held space for her for ninety minutes. No charge. A private grace from a wonderful soul.

I went to the bookshop again. I talked to another Dylan fan and we had such a good chat that I pulled up Dylan’s Red River Shore and played it to him on my phone. He didn’t know it, but loved it. He did a moment chart on his phone and we talked about Dylan’s chart.

At the bookstore I met Melanie Reinhart, for the first time in person. Melanie was the first astrologer I reached out to in 2012 when I was first getting deep into the subject, and it was she who referred me to Darby Costello. So this was a fortunate meeting indeed.

We talked for nearly an hour about her childhood in Africa and her longing to return. I bought Sue Tompkins — Aspects in Astrology because Melanie said another author, who had a book on the charts of musicians, wasn’t a real astrologer. I couldn’t lose face in front of Melanie so I chose Tompkins, but although it’s a great book, I suspect the other one was more my speed.

Melanie asked me up to her room to help carry her bags down the three flights of strips. When we got to the room, she finished packing, and I carried her bags down from her third-floor suite and said goodbye at the gate.

Afterward I found Isobel again, near the entrance. She was steadier, post-Claire. We pushed through the crowd in the quad and slipped to the chapel to say goodbye privately. We spoke plainly — never forget, life-changing, go back to our lives. I told her I wanted to know her as an old woman. She agreed. We exchanged WhatsApp.

She left campus.

I said goodbye to Maddy later in the quad. I said goodbye to Jim, the dream tutor whose session Isobel and I attended and I left out of this story. “You’re a funny guy,” I said. “Takes one to know one,” he answered. The Exeter gate closed behind me, and I walked to the hotel my wife and I were to stay at alone.

My wife was in London at the Sherlock Holmes Museum. I wandered Exeter, then went to the Tolkien exhibition — letters to his children, original sketches, it was a really moving experience. Afterward a stationery shop — a single Tintin postcard. Dinner at the hotel restaurant — bouillabaisse and red wine. Then I texted Isobel. One message became a hundred.

I sent her “Leave the City” by Jason Molina and Red River Shore. She listened and cried. She said she wouldn’t go home to her fiancé that night — too flooded — she would stay at a hotel instead. We planned how we would keep in touch.

I slept next to my wife in a new bed, and in a new world.


Saturday, Early Morning

My wife had returned somewhat late from London and she was tired and slept early. She had an early flight, and a bus pickup 5:15 AM.

When the morning came I walked her to the stop. Street quiet, air washed and pale.

We hugged, kissed briefly, light and familiar, and she boarded the bus.

I stood there watching it pull away.
Not knowing yet what I had broken open.
Not knowing yet what I had kept intact.

On My Week with Isobel (aka London Girl) Part I

Subtitle: I didn’t sleep with her so I had to quit my job.

Mistakes were made tonight

The Mendoza Line

Note: This piece is about a single week in my life that reordered things for good. At a minimum it’s an interesting story; at maximum it is the hinge between two versions of myself. I do not pretend to be the hero of it, and I take full responsibility for everything contained here.

It begins with a dream I had in Bali at the very end of July 2018. I was the lead trainer for the IB Asia Pacific workshop leader and school visitor training — my first time in that role after five years of apprenticeship. At the same time I was working at Ritsumeikan Uji as shukan, a kind of junior administrator. By mid-2018 I was burnt out: long days, multiple roles stacked on top of one another, and, most of all, a boss I no longer trusted. I was scheduled to go to the Faculty of Astrological Studies (FAS) at Exeter College, Oxford at the end of August, and in the meantime I would attend John Innes’s wedding to his fiancee Kristi. All this occurred, and here is that dream.

PROLOGUE: DREAM I

7/29/2018:

The dream starts with an image of a large whisky bottle. The bottle is very fat and also ceremic. So in fact it looks nothing like a normal whisky bottle.  It is perhaps of Suntory brand. I know before I know that a story of some kind will unfold inside the bottle. I am reminded somehow of a ship inside a bottle.  Suddenly I am inside the bottle itself. There is a whole word here and all sorts of people in a cityscape. I come to understand that everyone lives in relative fear of a species or group of overlords. 

The overlords are both omni-present and also very distant. They rule by fear and have the power to rub out anyone at any time. Sort of. When a person is marked for removal their status is updated. Their status is displayed on a kind of glowing chip in their shoulder.  There are basically three types of statuses. First is “needing to have the life wrung out of them.”  There are marked people and their time is limited. Apparently they are political criminals, thought criminals. Oddly, even when marked these people continue to circulate and take part in oppositional activity. I never actually see one of them removed, although their actions do take on a greater sense of urgency. 

The second category is another worded status. This one is more ellitipcal and I forget the wording. Though safer than the  first, this is still a status to be avoided if possible. 

Third is a number.  A voice tells the city that statuses will be updated and that anything under 40000 is a safe score. I check my update with bated breath, fearing the dreaded worded status. My number is 49500.  Not bad I think—although not under 40000 this is perhaps for young people. 49500 seems reasonable for my age. 

Suddenly the view shifts and I can see into the bottle from the outside.  All of the people and various creatures and scrambling for the mouth of the body. The bottle begins to approach a wall into which is will soon merge. Here, the entrance to the bottle will be sealed. The I character in the dream is also scrambling for the exit although he doesn’t seem to stand much of a chance.  Creatures spill over one another and one baby creature somewhere between a human baby and a little mouse slips through the mouth of the bottle to the other side of the wall. The bottle snaps closed and I am once again staring at the large ceremony bottle from the beginning of the dream. I feel a sense of relief that the perfect creature has escaped. End of dream. 

This dream is about reincarnation. 

(The me on the treadmill does not survive. Dream group says whisky is a spirit which takes 50 years to mature.  That gives me a book deadline I guess-49.5 the book and the end of the provisional personality.)

PART I — Sunday → Wednesday

Sunday, late August 2018

I flew into London from Osaka and took a pre-arranged bus to Oxford, then walked to Exeter College. Check-in, dorm keys, linens. The halls smelled like old plaster and a little like soap — an old building. I carried my bag upstairs, opened the door to the room that would be mine for the week, and sat on the bed for a moment to locate myself. New country, new rhythm, no context yet.

I walked the campus — stone walls, grass cut low, shaded paths. The quad had that contained feeling of a place that already had its stories. I didn’t know I was about to enter one.

I went to dinner at a taco place just outside campus and had a beer or two. Back in the room I read a little astrology to warm up for the week and listened to the band The Mendoza Line. Little did I know they would end up playing a surprisingly large role in what followed.

Around 10 PM the fire alarm went off. Everyone in the building stumbled outside in pajamas and stood around talking for a few minutes. Odd, but fitting — a small communal disturbance to start the week off.


Monday

I woke up, showered and dressed and grabbed my notebook for the astrology sessions. At this time I was fully committed to attending sessions and making the most of them. Breakfast opened early and I liked that — fruit, eggs, strong coffee. The hall had a low hum, people still new to each other. I walked to the first seminar which was given by Ms. Claire Martin. Claire was in her 70s, and a very comforting presence. She’d been doing astrology forever and has a couple of books which are helpful. The seminar was on the first floor, window onto one of the gardens. The air had that mild, hopeful tone of a first session.

Claire spoke on the 1890s — fields of meaning, ectoplasm, etc. I offered something Jung-coded because that’s where my mind goes when the border between psyche and symbol starts to move. I didn’t know she was in the room yet, Isobel (not her real name), though she already was.

At one point Claire mentioned an Aries Moon. I said, simply, “I’m an Aries Moon.” Nothing loaded, nothing aimed. Lecture ended, chairs moved, and she came to me from the back of the room.

“I am an Aries Moon too.”

We walked to the next session together. That was it — no delay, no drift. We sat side-by-side for the rest of the day. Chatting between sessions, coffee break close but not touching, her chart in her bag. She showed me her own chart print-outs — hers and her fiancé’s — and we compared placements. Similarities everywhere.

Lunch in the dining hall. More sessions in the afternoon. Light talk, no electricity announced but already there. Monday night we ate with a group — tutors, a few new friends. We were beside each other the whole time, not hiding it. Later we drifted to the courtyard bar, opened wine bottles, and someone lit a cigarette. I hadn’t smoked more than a dozen cigarettes in sixteen years, but I took one with her, and then another. Not ceremony, more like instinct, more like inevitable.

We ended the night late. I walked back to the dorm alone and put on The Mendoza Line again. I already knew I was in trouble so in addition to “It’s a Long Line (But It Moves Quickly)” I was listening over and over again to “Mistakes Were Made” from which the epigraph comes. Sometimes you just know.


Tuesday

We had planned to have breakfast together, not at Exeter but at Pret, about an eight minute walk away. We both ate and she helped me pick my breakfast. We were acting like a couple already. We attended the morning sessions, seated right next to each other and then the day started to open. In the afternoon we did not attend sessions, instead we spent the time in one of the beautiful gardens. We sat close on the bench by the open window, listening to the session through the gap. I talked about muses and how I work best with one. She talked about photography, stalled career energy, her family, and Swiss-Russian split. Russian women, I reflected not for the first time, are a problem, and I knew deep down I was already in trouble.

Tuesday night the singer-songwriter Lucy Dacus was scheduled to play Oxford, and I had a ticket, but she canceled. Instead we went out for dinner, just the two of us, at an Indian restaurant near campus. We were already deep into our relationship, and everything came easy; I could feel it inside ten minutes. This was one of the best meals I have ever had for reasons bigger than taste. I told her about my two epiphanies, one when I was four years old and one when I was seventeen. The whole evening felt like a third epiphany.

Back at campus everyone was drinking in the courtyard again. There was Mystery and her daughter, tutors, people rotating. We stayed late, drank wine, smoked, and flirted like teenagers. I went to my room around 1:30 AM, playing The Mendoza Line over my headphones again. I was seeking their counsel, essentially, and they are a great band.


Wednesday

I woke up and this day we had breakfast at the dining hall. By this time, people were noticing us. Comments here and there, sideways smiles. Morning and lunch blurred into one long conversation — the garden, the bench, a little grass, nothing hidden. We were finishing each other’s thoughts, and I was in deeper than I had ever been. We didn’t attend much of anything. Afternoon break she went to change. I went back to my room and put on Mendoza Line with the full weight of obsession. She came back later and said, without shame, that she’d pleasured herself during the break — just stated it directly. This was a complication.

For dinner that night she changed again — a red dress, short but not careless. Stunning. Whispering at the table, touching lightly, laughing against each other. Everyone knew by then. After dinner was wine again, talking with the tutors, including the lovely Rod Chang and Mystery the long courtyard. I met Darby Costello in person for the first time. Darby is my astrologer and we had already had a number of phone consultations by this point. She was fully alive drinking wine, and talking like someone who knows how to hold a room. I was so happy that she was my astrologer. Isobel and I stayed late once more, and cleared the courtyard. Around two in the morning we parted, cheeks touched, no bedroom, no act.

Back in my room, lights low, I lay on the narrow bed with Mendoza Line in my ears. I knew exactly where I was standing:

I would keep going. I would see where this led. But I would not sleep with her. I couldn’t.

That was the shape. That was the decision. Wednesday ended on that line.

On the Periscope Platform and Annie Hardy’s “Band Car”

“Wake me up before California
Darling boy I’ve never known ya”

— Annie Hardy


1. Periscope (2018): Ambient Human Contact

In the fall of 2018, before TikTok Live and before Instagram learned how to professionalize everything, there was Periscope.

It was a live-video app owned by Twitter, but it never really felt like social media. It felt more like radio—with pictures. You could open it and see who was live anywhere in the world, zoom in on a city, drop into a stream, leave, move on. The scale was small enough that you could more or less take in the entire active population at any given moment. There was no sense of infinite scroll. The world was navigable.

It was also completely unpoliced. People streamed whole songs, movie clips, televisions playing in the background, themselves half-asleep or wandering around or doing nothing at all. No one cared. There were no warnings, no copyright bots, no friction. It was a free-for-all in the literal sense: free time, free speech, free form.

What Periscope allowed—what it uniquely allowed—was time. Long stretches of it. Silence. Repetition. Boredom. People would just sit there and talk, or not talk, or smoke on their porch and complain about their day. That kind of stream simply does not exist on Instagram Live. Instagram demands a reason. Periscope didn’t.

I loved it because it matched my temperament. I wasn’t looking to build anything. I wasn’t trying to grow an audience or perform a version of myself. I liked cursing around on the app, listening, occasionally speaking back. It was ambient human contact: voices moving through time, present but not demanding anything in return.

Most people didn’t want that. Periscope never offered a ladder—no clear path to recognition, no reliable virality, no payoff for effort. It didn’t protect users from themselves, and it didn’t compress experience into highlights. For most people, that felt pointless. For a few of us, it felt like oxygen.

I didn’t think of it as important while it was happening. It was just there, like a short-lived commons where people killed time together. Looking back, I’m amazed it existed at all.


2. Time, Leave, and the Split Feed

From September 2018 through February 2019, I was on leave from my school. The reasons sit elsewhere and don’t need explaining here. What mattered was that, for once, I had time—real time, not time carved out between obligations. I was based in Kyoto, and in October and November I spent long stretches staying in a hotel in Akasaka, moving back and forth between the two cities.

At the same moment Periscope entered my life, I started a new blog, The Kyoto Kibbitzer. The original idea was simple: walk around, notice things, write about bars, art, neighborhoods. Periscope became a sister project—not an escape from writing, but a parallel way of paying attention. One was private and slow; the other was live and provisional. They fed each other.

I quickly settled into two distinct kinds of streams.

During the day, I walked. Downtown Kyoto, north Kyoto, sometimes Tokyo. I talked, observed, played music, responded to comments. I never put my face on camera—not once. The camera always faced outward, toward streets, storefronts, light, movement. I got a simple phone holder so I could film without fuss. The stream wasn’t about me; it was about what I was seeing.

At night, I streamed from my desk in the upstairs room of my house. I usually stood, like a DJ or a lecturer, sitting only when I was reading something. The night streams were almost entirely art: music, films, writing. I’d play songs and talk about them, read long passages from essays or movie reviews, sometimes even play sections of films on my laptop and film the screen. It was all technically a grey area, but Periscope didn’t care, and neither did anyone watching.

Once I read an entire Roger Ebert essay on air—an interview he’d done with Lee Marvin—and laughed out loud the whole way through. “If I want to be an icon I’ll do it my own way, baby,” Marvin said. Mostly, that was the night feed: attention without urgency, commentary without stakes. Occasionally I’d take it back outside to a bar, or, early on, stay up all night wandering and streaming, the phone dying fast enough that I had to carry two battery packs. But those were exceptions. The form settled quickly.

The split mattered. Day feeds faced the world. Night feeds faced ideas. Both were ways of being present without self-display. Together, they created a rhythm that made Periscope feel less like a platform and more like a place of its own.


3. A Small World with Names

The audience was small, but it existed.

A few people watched consistently. My friend Andrew, who lives in Japan but not Kyoto, would sometimes tune in live or catch the replay later. John Innes watched as much as he could, and sometimes his wife, Kristi, would drop in too. When John commented, I’d usually stop whatever I was doing and talk with him at length. Conversation mattered because it was rare.

There were others who hovered at the edges. A French guitarist would sometimes watch silently for long stretches. Later, Mela would too, though I watched her far more than she watched me—mostly because she streamed for even longer than I did. And then there were the Periscope regulars: people who drifted in and out, stayed for a few minutes, disappeared, reappeared weeks later. That was the rhythm.

Periscope allowed replays, which changed the feel of everything. Not all attention was synchronous. A stream could be watched hours later, like a letter someone opened when they had time. It softened the sense of performance. You weren’t always talking to people; sometimes you were just sending something out into the day.

What mattered wasn’t numbers. Most streams—mine included—had only a handful of viewers at any given time. Even the people who seemed central to the platform often streamed to three or four names. The world was small enough that you could recognize it. You learned who was usually awake when you were. You noticed when someone stopped streaming altogether.

Because of that scale, recognition carried weight. When someone you knew appeared in the comments, it felt like a real arrival. The back-and-forth could stretch without interruption. There was no pressure to keep things moving, no sense that you were losing an audience if you paused to respond.

It didn’t feel lonely in the usual way. It felt communal in miniature. A village square that never got crowded enough to become anonymous.


4. Killing Time Together

I was somewhat lonely during that period, and looking for human companionship. Not intensity, not rescue—just being awake with other people. Periscope worked because it was like radio, only you could talk back. You could toggle around the world and find whatever level of interaction you wanted, then move on without consequence.

Some streams were playful and I would play along. There was a beautiful Russian woman who spoke mostly in Russian and replied to my comments in halting English. She’d do things like eat honey off a spoon, theatrically, and I’d type something juvenile and she’d play along too. It sounds silly, and it was, but it was also light. Once we talked longer and she told me she wanted to go to medical school but couldn’t afford it. I’d guess she was in her mid-to-late twenties. After that, I drifted away. The language barrier was real; the connection couldn’t sustain itself. That was normal.

There was a French guitarist I watched early on. He was very good—technically accomplished, friendly—and he seemed to have infinite time. He’d sit in my stream silently for long stretches, just there. Periscope people had time; that was one of the defining traits. After a few weeks I stopped watching him. Not because anything was wrong, but because it was all one thing. Skill without movement. No arc. Attention drifted, and that was allowed.

Other streams were even more minimal. I remember a woman in Oklahoma who would sit on her porch, rip bongs, and talk about her day. That was it. No premise, no performance. Just presence. That kind of stream doesn’t exist on Instagram Live. Periscope tolerated people doing nothing in public.

There was also Max, a trans woman from eastern Canada. She complained about her mother, about being broke. She usually had no viewers. Every time I came into her stream she lit up. Once I sent her fifty dollars for an art commission, and she reacted like she’d won the lottery. It wasn’t about the money. It was about being seen. On Periscope, small gestures carried disproportionate weight because the economy of attention was so thin.

People weren’t looking for transformation. They were killing time. Talking. Waiting. Passing hours together across time zones. The platform allowed that without apology. It was so free-form that it’s hard to explain now without it sounding unreal.

But that was the baseline. That was what “normal” looked like.


5. Mela: Process Recognizes Process

I didn’t find Mela right away. It wasn’t until mid-October that her stream appeared on my map. By then I already knew how Periscope worked—what it rewarded, what it ignored, what kinds of attention lasted.

The first stream I remember, she was just walking around New York City. Not driving. Walking. Taking stairs. Cutting through neighborhoods. Letting the city decide the route. Almost immediately I felt a shock of recognition: she’s me. Not biographically, not emotionally—procedurally. We were using the same method.

She would ask, “left or right?” I’d type “left,” and she’d take a left. That was it. No drama. No explanation. A shared orientation, moment to moment. I’d stay with her for hours, wandering the city together at walking speed.

People who showed up looking for something else—someone conventionally attractive to perform, flirt, deliver a payoff—would drift off. The stream filtered itself. What remained was patient, non-demanding attention. Process over outcome.

She was in her mid-to-late thirties and had worked in film props on sets around New York. At the time she was on sick leave after a back injury, which explained the free time. She streamed from her apartment, sometimes from a friend’s place she was house-sitting, and often from the streets and trains. The life context was legible. Nothing felt invented for the stream.

Eventually we connected on Instagram, but that’s not the story here. What mattered was simpler: real, undemanding, non-sexual attention feels good. In a micro-attention economy, it feels enormous.

Mela mattered because she showed that Periscope could sustain healthy, lateral connection—companionship without escalation, presence without claim. That mattered later, because it proved the platform itself wasn’t the problem. It was capable of holding something gentle and durable.

That made what came next easier to recognize as different.


6. Giant Drag (Came Late, Stayed Forever)

I came to Giant Drag late.

I first heard them sometime around 2015, years after their debut. The song was “Kevin Is Gay,” and I heard it on All Things Considered on NPR. I remember stopping short. It sounded like shoegaze, but with attitude—guitars that rang and crunched at the same time, a voice that was sharp, funny, unsentimental. I thought: who on earth is this woman?

I bought the CD immediately. The record was Hearts and Unicorns. There was “This Isn’t It,” “Slayer,” and a sense that this wasn’t a novelty discovery. It didn’t feel like a phase. It felt like something I’d been missing and had finally caught up to. Ten years later, the music is still with me.

Learning afterward that the album came out in 2005 only clarified things. I hadn’t encountered Giant Drag as part of a moment or a scene. There was no social reinforcement, no sense of being early or late. The music arrived on its own terms and stayed because it deserved to. It became part of my listening life in a quiet, durable way.

That matters here, because when Annie Hardy later appeared on Periscope, she didn’t arrive as a stranger or as “a streamer.” Her voice was already familiar to me. Not biographically, not personally—but aesthetically. I knew the intelligence. I knew the precision. I knew the attitude. What I didn’t expect was where or how I’d encounter it again.

At the time, none of this felt connected. It only looks that way in retrospect. Back then, Giant Drag was just music I loved, and Periscope was just a place people killed time together. I had no reason to think those two tracks would ever overlap.

Then they did.


7. Band Car → Band House

Because the number of active streams was limited, as I have said, I spent a lot of time just cruising around the map. One night in September 2018, I landed on Annie Hardy without looking for her. The stream was called Band Car, which turned out to be exactly what it sounded like.

She was driving. Talking. Rapping. Singing into some kind of vocoder or effects chain. Swearing at other drivers. There was no Giant Drag material, no backstory, no explanation. She’d say, “Give me three words,” and then build a rap off whatever came in. I gave her words. Over and over. It never went stale. The language was filthy—relentlessly so—but also precise. The filth wasn’t sloppy; it landed because it was aimed.

I watched every day. She streamed every day. She had no job and very little money, and she drove for hours, talking, rapping, improvising, stopping occasionally to run into Home Depot or some other errand. I’d wait. Dead air didn’t bother me. This was how Periscope worked.

Sometimes she used gay slurs, and I balked internally. That wasn’t my thing at all. But the space itself was unfiltered by design, and she used every word under the sun. I didn’t intervene or moralize. I noted it and stayed. Admiration and discomfort existed side by side.

I talked about her on my own stream. I told people she was the best thing on Periscope. I couldn’t believe I had such unfettered, generous access to a high-level artist just living inside her process. There were others watching too, but not many. I was probably her biggest fan, or one of a few. In a micro-attention economy, that mattered.

One night, very late in Los Angeles, I’d been with her for hours. The audience thinned until it was just me. She parked the car, got out, and said, almost casually, “Do you want to do band house?” It was a first. I said of course.

She went into her garage, then into a music room. There was a piano. She asked, “What do you want to hear?” I said how about After the Gold Rush. She sat down without ceremony and played the entire song. No sheet music. No warm-up. She hit the high parts cleanly. Musicians have an astonishing memory for songs, and she had it in full.

It was the greatest musical moment of my life, bar none. The only thing that comes close is hearing Spencer Krug play “Julia with Blue Jeans On” at Urbanguild in Kyoto. This was different. This was private, unadvertised, unrepeatable. When she finished, she said, “Okay, that’s band house,” and wrapped it up.

No encore. No processing. Just the sound, then silence.

That was the miracle. And it was already complete.


8. Running Its Course

In December, I used Periscope again in New York and Boston, mostly with Mela. The rhythm was familiar by then—long stretches of time, nothing urgent, companionship without demands. One night in a Boston hotel room, where I was staying to see Phosphorescent and Jay Som, I streamed the entire film Michael Clayton from my laptop. It was a grey area, as everything on Periscope was. She watched the whole thing with me, commenting occasionally—“bad guy, ooh”—the way someone does when they’re present but not trying to perform being present. It was fun. That was enough.

After that, things ended. Not abruptly. Not painfully. Periscope had simply ran its course.

Mela moved to Oklahoma and stopped streaming. I stopped too. The app thinned out. People disappeared. The small world became smaller and then, effectively, gone. There was no sense of loss that needed narrating, no aftermath to dramatize. The conditions that made Periscope feel possible—time, openness, a tolerance for doing nothing in public—shifted. Life resumed its usual density.

Looking back, what remains isn’t a lesson or a warning. It’s a memory of a brief commons where attention wasn’t monetized and presence didn’t have to justify itself. A place where someone could play a song once, perfectly, for one person, and then stop. And that could be enough.

That was Periscope. And then it wasn’t.


Dedication

For the micro-attention economy.
I had a total blast.

On the Shisha Girls and Shisha Boys of Kyoto: Field Observations

Epigraph: Where is my nurse, my nurse with the pills? — Ryan Adams

When the world is too sharp, too fast, too opinionated, I do not go to bars.
I go underground.

Down the low-lit stairs in Gion — where tourists drift past overhead and never notice the door — there is a basement shisha den that looks closed even when it isn’t. Noon to 3:00 a.m. daily, 5:00 a.m. on weekends. A place you would miss unless you were meant to find it. Shoes off at the threshold. Warm air, low music, no urgency of any kind. Just couches — three of them — a handful of curtained recesses where people lie fully horizontal like monks or patients or dreamers, and a second floor with several cubbies up steep wooden stairs.

I take a couch, the one I always take — long enough to fully stretch out. Because I am a serious regular, the staff will bump me ahead of others in line to make sure I get my couch. I never asked for this privilege; the staff simply decided on my behalf.

Shisha here is not an accessory; it is the medium. A cappuccino-cinnamon-berry bowl — number four, Turkish — smooth draw, no burn, warmed through cassis if I want the smoke heavier on the lungs. One gin and tonic, maybe two over the course of a session and a glass of water. After thirty minutes, I’m steady. After two hours, I am gone — dissolved but aware, body slow, mind open like a lens on long exposure. Six hours is half a day and feels like two minutes.

This is how I work. I write here. I talk on the phone here. Parallel processing is possible here in a way the world never allows — one half of the brain in conversation, the other spilling sentences into the phone notes without friction. Time softens. Thoughts move without edges. I do not come here to escape the world. I come here to metabolize it.

And always — there are Shisha Girls, and occasionally Shisha Boys.

The girls are not bartenders. They are not hostesses. They are ritual nurses, the so-called nurse with the goods.

The first one I met — call her B. — recognized me early as a serious regular. Light build, hair tied back, barefoot, comfortable like someone who lives inside her own body without apology. She bends into the couch alcove, refills the charcoal, and takes two or three tester pulls through the mouthpiece she wears on a lanyard. That detail matters: they share your bowl to tend it properly. Their breath meets your breath. Their lungs judge the temperature. They diagnose by inhalation.

No plastic tips if you don’t want them — the gold mouthpiece direct to mouth, warm, personal, intimate in the way only unspoken trust is intimate.

K. is older — early thirties — and the one who opens at precisely noon. I give her three or four minutes to descend the stairs and switch on the lights. She’s the quiet boss, not by authority, but by ritual competence. She alone recommended berry + cinnamon when I asked for something special. She knows my bowl, my drink, my couch, my tempo. When she works, I settle in with the confidence of someone returning to a familiar bed in a hotel room booked under a different name.

There are Shisha Boys too. One rotates charcoal with the same practiced inhalation, hair slicked back, present but not overly personal. Another is stationed at the front like soft-security — staff-adjacent — always smoking, rarely speaking, cashing out customers with a nod. They do not socialize. They do not pitch stories. They do not extract biography. You might visit for years and never know their names, and this is deliberate.

In bars, the first currency traded is information: What’s your name? Where are you from?What do you do? Identity is the entry ticket; personality is the product.

But shisha does not trade identity. Shisha trades nervous systems.

You don’t bond through story —you bond through shared respiration.

The intimacy is somatic, not verbal. They watch breath, not face. They regulate heat, not conversation. They calibrate you the way a nurse adjusts an IV — quietly, competently, without inserting themselves. Bars escalate. Shisha deepens. Bars push energy outward. Shisha draws it inward like a tide at night. In bars, you hold yourself up. In Shisha, the room holds you.

After three or six hours, only one thing pulls me back to the surface — nicotine. Shisha gives without demanding, but you are not allowed to smoke a cigarette. A single drawback. So I rise, shoes on, payment made, nod to K. or B. or whichever quiet caretaker tended the bowl. I climb the dim stairs and push into daylight or dark, immediately searching for a legal ashtray on the street.

The re-entry cigarette is the punctuation mark. Shisha is the sentence.

Why do I go? Because here I can chill, dissolve, write, speak, breathe. Because every part of the ritual feels earned — the bowl, the gin, the charcoal refreshes taken communally through their own mouthpieces. Because I belong here in a way that requires nothing.

They are not my friends. They are not therapists. They are not bartenders.

They are my extended other family of lungs and smoke, a household without biography, without narrative — only breath.

Dedication: For B. and K., sneaky babes both of them.

On the Safe Space (aka Corner Girl)

Epigraph: “Heather, remind me how this ends…” — Dolorean

I’ve been trying, lately, to understand the early spaces in my life where safety and memory intersect — the brief rooms in time that opened something in me before I even had language for it. Some moments don’t turn into stories, but they still leave a shape. This is one of those moments.

The Christmas Dance wasn’t held in the high school that year at all. It was downtown, in one of those Spokane venues that tried to look older than the city around it — chandeliers, carpeted floors, bathrooms with real mirrors. We had been dancing all night, the kind of teenage drifting where everyone is shy and bold by turns. And then it was over, and people were peeling away, breaking into rides and carpools and winter air.

She and I ended up in the hallway.

We were already wrapped into each other — that soft, accidental teenage cuddle that feels both unplanned and absolutely right. The near-near kiss wasn’t something either of us aimed for. It was just the way our faces happened to be turned, the warmth, the pause, the sense that one more inch would have turned the moment into something else entirely. Instead it stayed suspended, held in the exact shape it needed to take.

Her name was Blythe.

I used to say I wrote poems “for girls who told me they were pearls,” but that was just self-mythology. In truth, I only ever wrote for one girl. And she never asked for anything.

Most of the real fun we had wasn’t during dances at all. It was in the gym at Saint George’s in Spokane. For high school games, boys and girls, the gym would be packed, and during the boys games she would sit in the front-row, and every single time I did anything even vaguely ok — a decent pass, a shot that actually went in, a little rebound — I’d look over mid-play and smile, and she’d already be smiling. She was in my corner before I understood what that meant. She didn’t push. She didn’t need to. She just stayed.

There was a suspended electricity in those years — innocent, unclaimed, lightly glowing. We never really dated. We never made a move beyond the moment that almost happened and didn’t. But she calibrated me. She was my corner girl. And that mattered.

The ending came the way some endings do when you’re young — clean as scissors. She graduated. Life tilted. The season shifted. Nothing dramatic, nothing painful. Just a quiet snap. A door that didn’t slam but simply shut.

I miss what we could have been, but I don’t regret a thing.
Some connections aren’t meant to become stories.
They’re meant to become orientation.

I don’t go back to that time for longing. I go back because that was the first time safety arrived before desire — and because that pattern stayed with me. It’s how I know when something is real.

I don’t need anyone to remind me how it ends.
A hallway, a graduation, a clean break.
What I keep going back for isn’t the ending anyway.
It’s the part before — the girl in my corner,
the room that opened in front of me,
the feeling I carried forward.


Dedication
For Blythe, who stood in my corner before I even understood what that meant.

Everybody Tips

Note: There’s a Ryan Adams song that’s always felt like a quiet diagnosis. The emotional math is simple: people give you just enough tenderness to keep you upright, but never quite enough to really move you from wherever you are. It’s from “Oh My God, Whatever, Etc.” — track 5 on Easy Tiger (2007).

You find out you’ve been underpaid, in a sense, for years, not because anyone meant you harm, but because the default setting in some long-forgotten form was never double-checked. The system assumed it was correct. Everyone assumed it was correct. And the thing is, it makes sense—you look like the sort of person who doesn’t need tending. So you stand there with the revised numbers in your hand, not angry exactly, just noticing the symmetry of it all. This is the pattern: people offer small kindnesses, small gestures, small acknowledgments.


Everybody tips.

Just not quite enough to knock me over.

It reminded me of something from years ago at my little IB school here in Japan. Back then I was stretched thin in a way you can only be in your thirties—trying to prove something, mostly to myself. I’d rush through lunch like it was another task to complete. One day Scott, one of our English teachers and a high school homeroom teacher, watched me finish a meal in about two minutes and said, gently, almost to himself, “That’s not good.” It wasn’t an intervention. It wasn’t even advice. Just a small observation from someone who was paying attention in the limited way people do. A tip, not a gesture. A flicker of care that landed, and then the moment passed.

Looking back, I think that’s why the moment stayed with me. It was concern, yes, but it was also something rarer: someone catching a glimpse of the strain I kept tucked under the surface. I wasn’t used to that. Most people saw the polished version—competent, fast, self-sufficient—and adjusted their care accordingly. Scott’s comment didn’t rearrange my life, but it landed in that narrow space where a person can be briefly seen without being exposed. A small kindness with a little weight on it, though not enough to shift anything. Another tip.

When I think about it now, it wasn’t an isolated moment. My life is full of small gestures like that—light touches of concern, half-noticed details, people offering just enough care to register but not enough to alter the trajectory. It’s not their fault; it’s how most of us move through the world. We read surfaces. We assume competence means comfort. We assume steadiness means abundance. So what comes my way is always the manageable version of kindness, the soft-edged form that stays within social limits. It accumulates, in its way, but it never quite tips the balance.

And then there’s the other meaning of the word I keep circling. To tip isn’t only to offer a small gesture—it also means to wobble, to shift the weight of something just enough that it might tilt. In that sense, everybody does tip me. Every small kindness knocks me a little off balance, just not in the dramatic way Adams means. It’s more like a brief lean in the direction of connection, a momentary swerve in the steady line of the day. A soft recalibration, not a collapse. The world nudges, not crashes. It’s movement—just not the kind that bowls you over or forces a change. The cumulative effect is real, but subtle enough that you only notice it in retrospect.

Most days, that’s all life is: a series of micro-tilts. A colleague covering five minutes without comment. A student bowing an extra beat longer than expected. A friend sending a small message at the exact right moment without knowing why. They don’t change your direction, but they do alter your angle by a degree or two. You barely feel it while it’s happening. You just register that your emotional center shifts slightly—a soft lean, a subtle recalibration, the faintest sense of being moved without being moved on. These moments don’t rewrite your story; they just keep it from calcifying. They are the human version of a brushstroke: slight, necessary, almost invisible unless you stand back and look at the whole canvas.

Every once in a while, though, someone doesn’t just tilt you—they land with actual force. It’s rare, but every few years, if you’re lucky, someone steps forward with something closer to full human weight. No calibration, no optics, no politeness. Just the clean, unmistakable feeling of another person showing up without trimming the edges of what they mean. Those are the moments you remember because they interrupt the pattern. They don’t just adjust your angle; they reset your coordinates.

That’s what happened to me in 2018. I’ve told this story in my Bad Moves piece, however to re-state I’d been traveling to see the band Phosphorescent in New York, Boston, Philly, and D.C. I was moving through my own private fog, the kind you don’t mention to anyone because you don’t want to make a spectacle of it. I told the merch gal I’d flown in from Japan, not as a plea for anything, just as passing context. She passed it on to Matthew Houck, the lead singer. And he didn’t do the socially appropriate thing, the small nod or the quick thanks. He came down off the stage and hugged me. A real hug, the full weight of it, twice across two different nights. No hesitation. No half-gesture. He gave me the exact amount of human force the moment called for.

What stayed with me wasn’t the hug itself, but the certainty behind it. Most gestures come wrapped in hesitation or self-consciousness; people soften their own impact before they even reach you. Houck didn’t. And part of the weight was this: he’d been through it himself—not abstractly, not a decade removed, but in the very songs he wrote on Muchacho, the record he made after his own life had come apart. He’d talked about it publicly, openly, without varnish. So when he came down off the stage to hug me, it wasn’t fandom or performance or politeness. It was recognition—one human being who had already walked through his own fire seeing another who was still in it. And the thing about weight is that you feel it instantly. It bypasses the usual filters, lands somewhere deeper, rearranges whatever you were carrying. For a second, you’re not holding yourself up alone. Someone else is taking on a share, however briefly. That’s why I remember it. Not because it was dramatic, but because it was unmistakably real.

I still don’t expect the big gestures. Most people don’t have them to give, and institutions certainly don’t. But my little allowance situation reminded me of something I should probably stop forgetting: I can be steady without letting people assume I’m inexhaustible. I can be competent without accepting the bare minimum as my baseline. Everybody tips, and I do appreciate it. But that doesn’t mean I should be content with being underpaid, overlooked, or treated as some kind of default. The small gestures matter; they keep things from freezing over. They’re just not a substitute for fairness, or for the kind of presence that actually moves you.

And if I’m honest, before the Houck hugs the last time I got knocked over didn’t happen at a show, or in a meeting, or anywhere you could itemize on a form. It was one of those chance crossings where someone walks in at full voltage, doesn’t shrink themselves, and then carries on while you’re still quietly recalibrating. Nothing official changes. Your job is the same, your allowance is the same, your life on paper is the same. But now you know, in your body, what real weight feels like when it lands. And once you know that, it gets a lot harder to pretend that tips—however kind—are the whole story.


Dedication

For the White Russians — the ones who tilt the whole room just by arriving.

On Childhood Abuse

Well it’s always been my nature/ to take chances/ my left hand drawn back/ while my left hand advances.
Bob Dylan, Angelina

I’m glad I did it all then you know that I didn’t listen/ glad I went and got it all outta my system.
My Morning Jacket, Outta My System

It’s never been a fair fight.

Craig Finn. It’s Never Been a Fair Fight

Note: What follows is a direct and somewhat graphic account of my experience of being badly abused as a child. The abuse happened at the hands of my aunt’s (father’s side) first husband when I was six and seven years old in the very early 1980s. As I will recount, the abuse had deep and lasting impacts on me and it took me years, decades, to process and understand what it did to me.

I make absolutely no claim to be an expert on childhood abuse or to speak to anyone else’s experience of this all too common problem. My experience is my own, and that’s all I can really speak to. In addition, although he conducted what I consider to be vicious abuse of my brother, I understand that anyone impacted by abuse may categorize events in different ways. Therefore, I will allude only glancingly to these aspects, and only through the lens of how this impacted me personally. I will, inevitably, make reference to the role of my parents and my aunt in the events, and as I mention below when I began to fully process the abuse I directed a certain degree of anger at these adults. As time has passed, however, I have come to understand that although they were not able, for whatever reason, to stop the abuse, and although it was conducted, at least in my case, in their direct view, the primary responsibility lies with the abuser himself.

In early 2024 I did seek out legal advice from a firm that specializes in childhood sexual abuse, and they gave me a professional and compassionate hearing, however in the end declined to take up my case and directed me instead to the Washington State public system. I will detail those events below. I am not currently pursuing legal avenues, and instead am hoping that by making this public I can finally fully exorcise the lasting damage that was done to me. I take full responsibility for the content of this piece.

I was born in South Bend, Indiana in June of 1974. My father was pursuing a master’s degree at the University of Notre Dame at the time, however when I was around six months old my parents moved back to Santa Clara, California, where my mother’s parents were living. My father did not finish his master’s at Notre Dame because of some issue with the faculty there, however I believe that he did later finish at Santa Cruz University in California. In an interesting side note I also pursued a master’s degree, in History at the University of Northern Arizona in the late 1990s, and did not finish because of a conflict, or disagreement, with my thesis advisor. Life has a funny way of repeating itself.

We lived in Santa Clara until I was, I believe, two years old, and then my parents moved us to Gig Harbor, Washington. My understanding is that my father wanted to move to Washington State to be closer to his sister, Nancy (Nan) Thomas. Nancy is my father’s younger sister and it was she, I believe, that introduced my father to my mother, who was Nancy’s friend when they all attended Santa Clara University.

It just so happened that Nancy was then married to a man who would become my abuser. My first memory of this guy, just some fucking guy as far as I’m concerned, is also my first real memory in life (Note: This has since been revised to happier memories when I was two in California. I will detail these at a later date). It goes like this:

When I was very small, two going on three, (I know I was three in Gig Harbor because my brother Mike was born there in June of 1977), we lived in a small house right next to the Pacific Ocean. What I recall about this time was, we had a dog. My father was working at a nearby lumberyard which I occasionally visited, and, I think, was sort of seeking what would be the next stage of his life. My parents had no money, but I didn’t understand this at the time.

My first vivid memory is of playing a game called “Shovelman” on the beach of the Pacific Ocean right by our house. I don’t remember the rules of Shovelman, but it involved a frisbee. However I do recall, with absolute precision, that one time the frisbee was thrown out into the ocean, which, in western Washington, was very cold. This guy ordered me to swim for the frisbee, and when, predictably, I struggled mightily to reach the frisbee in the freezing water and came out gasping for breath, he laughed and laughed, like a total sadist. Of course I didn’t know what a sadist was at the time, but I recognized his essential nature even then. I knew for sure at that moment that he was a bad guy. Now I don’t fully know if my father and mother liked this guy or considered him a friend. All I know is, he was around some. I later learned that my uncle Kim did not like him. Hated him in fact. Kim has had an interesting and varied life, and is my godfather. I love Kim, and salute him here for his instincts.

While my first memory is a negative one, presaging as we will see later events, I also have positive memories from this time. I recall right around this time the days after my brother was born that some of my mother’s family visited us including her mother Barbara and her youngest sister Leslie. My mother has nine siblings, all, fortunately, still alive and all wonderful people. Leslie was quite young at the time and is only a few years older than myself I believe. Anyway, I looked up to Leslie and thought she was cool, so when we all went to a restaurant I sneaked under the table and pulled on her leg, like little children do. I wanted her attention, but I’m not sure if I got it. As I mentioned above, I also recall visiting my father at the lumberyard and thinking he also was cool and had a cool job. I don’t know if he would remember that line of work the same way or not.

In any case, my family did not stay in Gig Harbor very long, and pretty soon we were back in California, this time in Palo Alto, which is a town adjacent to Santa Clara. These days, Palo Alto, Santa Clara, and the nearby San Jose are well known for being sort of the heart of Silicon Valley, but back then they were not really on the map in that way. My mother was working as a swim coach at Stanford University and my father was working at a school in town. This was a wonderful period of my life as I spent time at Stanford hanging around the pool while my mother was coaching which was a total blast. I may recount this time in more detail at a later date. Suffice it to say I was an outgoing, curious, and happy child, eager to see what the world had in store for me. As I will detail below, I believe I was at this time essentially an extravert, and the primary, from my perspective, impact of the later abuse would be to turn me into a somewhat serious introvert. Over and above all other impacts of the abuse, this is the one I resent the most. It is my belief that my natural extraversion, my interest in and ability to trust and like people, was deeply damaged by the actions of my abuser. I will never fully get over this aspect of the situation, and have had to work very, very hard to overcome what I see as a kind of inversion of my essential nature.

In the year 1980 my family moved once again, this time to Spokane, Washington. And again, this was, as I understand it, for my father to be closer to his sister who was by that time working as a young lawyer in the same city. My abuser was also, I believe, a lawyer. It is certainly true that, although younger, Nancy was on the upswing of her career much more quickly than my father. Other than that I don’t know the exact reasons for this following of his sister, however my father found a teaching job at St. George’s school in Spokane WA. I would attend St. George’s from grade 1 through 12, and have written rather extensively about my time there. Interested readers can find these pieces on this blog.

St. George’s was great, and overall, although my parents were still broke, I had a good childhood. However, there was one dark aspect, which was we would regularly visit Nancy and this guy at their home on the South Hill in Spokane. On occasion, but much less regularly, this couple would visit us at our house on the outskirts of the city. I believe that all of the incidents recounted below occurred in 1980 and 1981. I know this for a couple of reasons, first of all because the volcano Mount Saint Helens erupted in 1980 and at Nancy’s house in the backyard there was a big craggly rock which had pockets of ash residue from the eruption and this event was a big topic at the time. Secondly, I know that I was enrolled in first grade at St. George’s so I must have been six. My brother Mike then would have been three going on four. I wrote about my wonderful brother Mike before here.

The action at the Thomas household there was not all bad–there was the ash and a nearby park called Cannon Hill Park which was pretty cool. The house on the South Hill was pretty large, certainly larger than our own, and I got to know my cousins, both of whom were even younger than myself. I would say we visited dozens of times over the course of a year or two, and I remember the house and its environs well. In any case, ash and parks aside, the main event at the Thomas house turned out to be regular and vicious abuse from this guy which was conducted in full view of everyone in the living room of the house. After a little dinner or whatever, he would “tickle” myself, my brother, for extended periods of time, 20-30 minutes at a time or so or more. This “tickling” was not in any form playing; it was, instead, a totally vicious fully body attack.

It was absolutely excruciating and horrible, and he would touch every single part of my body and dig his fingers in as deep as possible and screw them around. At first I didn’t know what to make of this or what to do, but overtime I came to hate this so much that I began to fight back. My bother Mike, at three, was obviously in no position to do so, and so he, in my recollection, absolutely got the worst of this. The amazing thing, amazing to me to this day, is that the three other adults, my mother and father and this guy’s wife, would just stand there and watch. There is something deeply sad about adults that cannot, for whatever reason, stand up to a bully.

Later, much later, I would confront my mother about all this, and she has since said that her inability to intervene is one of her deepest regrets.

What I think happened was, when I began to fight back he gave up on abusing me. Also, I suspect, from my understanding of abuser psychology, that I had, essentially, “aged out” of whatever his mindframe was. My sense is that he preferred his victims to be as helpless and defenseless as possible, and I was no longer fitting the bill.

Now I should note that I don’t know what his problem was or what he thought he was getting out of this abuse. And, I don’t wish to research it really, because I would prefer to spend as little time as possible engaging with people of this sort. What I know for certain is that in the early 1980s he was a brutal man. That’s a flat fact.

I will detail what I understand to be the effects on myself and some of the later repercussions of his abuse a little later, but first of all I will recount my attempts to engage with the legal system over this issue, as well as indicate, in a compressed form, how I came to process and understand the abuse. Now I wish to tread carefully here because I do not want to get sucked into a discussion of, or really even take a position on, what is known as repressed memory. I understand that this topic is highly controversial, with strong opinions on all sides. Although I have read a lot, I am not an expert on psychology, much less a topic as fraught as this. What I will say is that I never repressed the memory of the abuse; if you had asked me at any given time in my life if I was brutally attacked by this guy, in full view of other adults, I would have said absolutely yes, that happened. However, what took time was to fully work out how deeply and negatively it impacted me, and in what ways. I think I always intuited it, however it took a some very difficult life experiences to get to the bottom of it.

The first of these was in 2010, when I was already 36 years old. It was at that time that I began spiraling into my memories and trying to uncover some kind of nugget that would unlock a range of issues that I was encountering at the time. In this year, and on a few other occasions after, I would, somewhat obsessively, go over events from my sixth and seventh year, always centering around my aunt Nancy, her house, and what I perceived to be my essential ambidexterity. More on this point later. At some point I intuited, in some way, that Nancy may have had a miscarriage before the birth of her first child. My mother, when I asked her, confirmed that this had taken place, and asked how I knew it. I didn’t, but somehow worked it out, just because I was spending so much time thinking this constellation of issues. It was also during this times that I was also trying to get to the bottom of my sexuality, my introversion, and my inability to learn to play the piano because of seriously weak left hand. I will detail these, and other aspects of the situation, later.

In any case, it was in 2022 that I fully worked out the effects that the abuse had had on me over time, and began, for the first time, to identify as a sexual abuse survivor. This was not something that I wanted to have to incorporate into my personal narrative, however it became inevitable. I looked into the law in Washington State, and as I recall, as I understood it at the time, the statute of limitations was three years which began at the moment that the victim became fully aware of their injury. From my point of view, I became fully aware of my injury in 2022, and therefore, after thinking about it, I contacted a law firm in Washington State in early 2024. This firm specialized in sexual abuse cases, however they were pretty high-powered and I got the impression from their website that they specialized in suing institution, schools, churches, and the like. On this basis I felt that it was somewhat unlikely they would take up my case–there was probably just not enough percentage in it. Nonetheless, their website indicated that they meant business, so I contacted them and a little while later had a call with an associate from the firm. He told me that all the lawyers were all in court, but gave me a full and proper hearing and said that he believed my story. He also asked me an interesting question, which was, did the abuse happen more or less than 20 times? I said my recollection was that yes, it was over 20 times, and he took a note of this. My impression was that for a case like mine, 20 times was some kind of legal threshold.

A few weeks later the associate got back to me via email. As mentioned above, he said that the firm would decline to take my case, and recommended I pursue the public legal system. He also said that he hoped that I got justice. I thanked him in response, and was not overly disappointed because it was clear that their focus was on institutions and I had done my best.

Now I should mention that before I contacted the law firm, I did Google this fucking guy to see what came up. It is true that I didn’t want to, and still don’t really want to, research this guy, however I wanted to see at a minimum what internet footprint he had. It turned out that he had a website where he described himself as some kind of elite international mediator and the site had a picture of him climbing a mountain.

So I guess he leveraged his legal background into some kind of mediation role, which is guess is all related. And I have no idea, he may have had success as a mediator. In actual fact, it is not even my intention to comment at any length on who or what he is today (I do believe he is still alive). Is it possible that he cleaned himself up in some respect? Maybe. But actually I doubt it. It is my opinion that someone as twisted as he was in his early adulthood doesn’t really get over that. I can forgive a lot of things–for example taking a life when drunk driving or something of that nature. Mistakes are made, and mistakes of that sort are basically unintentional. However, this guy, with his Shovelman action and his subsequent brutality, in my estimation, doesn’t really ever get better. Am I being unfair? Perhaps. It’s really hard to say.

In any case, although the firm turned me down, reaching out to them was one of the best decisions I have ever made. By attempting to work through the legal system I had engaged, fairly and properly, with the available channels, and I felt immeasurably better about the whole thing. I did not at that time decide to pursue the public option, because I am not located in Washington State, and I didn’t feel that taking this route any further would be feasible. Instead, I thought about using the only real platform I have, my blog, to discuss my thoughts on the matter. Aside from the legal system, this seemed to me to be the next best thing. And so here we are.

In what follows I wish to enumerate what I understand to be the long-term effects of my abuse. I will, in the interest of my own privacy and that of others, somewhat undersell these, and it is not my intention to burden the reader with my own issues over time. In addition, I would like to make clear that my encounter with the legal system as well as my somewhat long-gestating decision to go public with my story and my conversations with a few trusted friends, has ameliorated, to a significant degree, the effects of my personal abuse. In any case, here is what I feel:

From my earliest memories I wanted to play the piano. When I was in first or second grade I asked my mother to enroll me in piano lessons, and she declined, saying that she had no money. A few years later my brother Mike was allowed to take cello lessons, and he became very good very fast. I would wait in the car while my brother and my mother attended cello lessons there on the South Hill in Spokane. Naturally, I never held this against my brother, who was an awesome musician and I was proud of him, however I did resent, for a very long time, being denied the opportunity to pursue music. It is my understanding that although people can learn music at different times in life, the earlier the better. I have subsequently tried to learn the keyboard by myself, and somehow was able to play “Ocean Rain” by Echo and the Bunnymen and “Someone I Care About” by the Modern Lovers. I didn’t dominate Ocean Rain, but it was least passable. But I still can’t really read or play music. I wish, beyond almost anything, that I would have had the chance to learn music at an early age.

However, my strong feeling, underlined by years of reflection and memory spiraling, is that the abuse from this guy essentially crippled my left hand. I don’t know exactly how I know this, but I have always known it. So I probably wouldn’t have been that great at piano anyway, because the left hand is pretty important. And, the destruction of my left hand is intimately and directly connected to my crippled ambidexterity, the inversion of my extraversion, as well as my somewhat ambiguous sexuality. I will take up these issues in turn.

First, as mentioned above, there was as a result of the abuse, a long-term impact on my left hand. When I was very young, maybe four, I learned to swim in the pool at Stanford, and my strong memory is that I was developing a certain ambidexterity. Ambidexterity is related in some respects to dyslexia, which I also have a very mild case of, however it also has some salubrious aspects, for example in sports and music. I understand this intuitively and experientially, that I could have been a good piano player if I had been able to take lessons and if I had not been, essentially, crippled from the repeated abuse. Thus, the quote from Dylan at the top. It’s been forty-five years since I was first abused by this guy, and only now is my left hand, so to speak, advancing.

Second, as mentioned above, I was an extravert until I was six years old when I suddenly turned into a pretty serious introvert. Now, I absolutely don’t wish to imply at all that one orientation is better than another–both have great strengths. However, the issue here is that I was one thing, and then became another. And this corresponded to, and was directly triggered by, the abuse that I suffered. Somehow, the repeated and protracted abuse turned me inward. I no longer trusted people, essentially, and although I still liked, and still do, many people, something went off track. This is the reality.

Third, I know for an absolute fact that my sexuality was deeply damaged by this guy. I can’t speak to any other form of abuse, however my case of male on male abuse, which I experienced (and yes I absolutely categorize my experience as sexual abuse because he violated every part of my body including my genitals) led to a situation where it became for me, once I hit puberty, somewhat difficult to work out what my sexuality was and in what direction it ran. I was, without doubt, attracted to girls, however in the back of my mind there was some kind of lingering, and for me uncomfortable, ambiguity, as well as a distinct inability to approach women. Now, I fully understand that the inability to approach women is a pretty normal aspect of heterosexual teenagers, who are awkward at the best of times, but I always sort of knew that there was something else going on. And what was going on was, my genitalia was first touched, without my consent obviously, for lack of a better term, by an adult male when I was six years old. And that damaged me.

In essence, and again I know instinctively this to be the case, the abuse was so brutal and so protracted that it in essence re-wired my brain. As with repressed memory, I don’t wish to take a strong position on the issue of the left-brain and the right-brain, although I have read and deeply integrated the book The Master and His Emissary, by Iain McGilchrist, which goes into this matter in far greater detail, and with far greater insight, than I will ever achieve. What I know is the connections within my brain were compromised, indeed fractured, by the abuse. Although it took years for me to fully work this out, I have absolutely no doubt that this is the case. It was, in my belief, something about the pure digging of his fingers that did the damage. Some light tickling would not, I think, have had this effect, however the intensity and depth of his action were, I know, of a completely different level.

Basically, I have been dealing with long-term PTSD from his attacks, dealing with it for 45 years in one way or another, and 15 years more intensely. And you might say “hey there Matty baby, how do you know that your supposed ambidexterity, for example, was so compromised by this guy’s actions?” In answer to that I wish to make an analogy to the trans issue. Now I understand that the trans issue is highly political, and, I guess, pretty complex. However my basic stance is as follows: I do not believe that people who experience feelings of transsexuality or gender dysphoria, basically, are “making it up.” A few may be for various reasons, however I believe that, generally speaking, the set of feelings they experience are real, and also because I have never had them, I cannot speak to them with any authority. Such it is with sexual abuse. The feelings and understandings of sexual abuse victims are, I believe, valid and need to be understood in the context of they know best what the effects of the abuse were. While I cannot perhaps fully explain how I know what I know, I know.

I have a few final thoughts. The first is, as mentioned above and now underlined, my bother also received similar treatment from this guy. I mention this only because I have, ever since, suffered from a great degree of guilt for my inability to protect my brother at that time. Indeed, it was primarily this aspect of the situation, more so than the damage to myself alone, that caused me to direct my anger at my abuse to my mother, and by extension my father and Nancy. I still carry this guilt, and don’t suppose I will ever really get over it. Once again, there is a good deal more to the story, but that’s all I really wish to say at this point.

The second refers to what I described above as the re-wiring of my entire mind and body. Perhaps there is a more clinical term for this, and I think that psychologically alert readers will be able add understanding around this, however this is the best description I can offer. As the second quote at the top of this piece alludes to, the life we have led has been what it has been. I strongly wish I had never suffered the abuse that I did, and have had as a consequence, some of the most painful imaginable situations, however the mere fact that I cannot turn back the clock means that the life I have lived will have to stand, in all of its glory and messiness. This is true, I think, for everyone.

Finally, and I am in no way being facetious, I want to express my deep indebtedness to the great Craig Finn. Craig Finn is the lead singer and songwriter from the bands Lifter Puller and The Hold Steady, and has also had a substantial solo career. One of my very favorite songs of all time is “It’s Never Been a Fair Fight,” by Finn, which I have written about at some length here, and from which the third epigraph for this piece comes from. I am not exaggerating when I say that Finn saved my life, probably more than once, and has, over time, helped me overcome the damage done by my abuse. Thank you Mr. Finn sir. I love you.

I will choose to close this narrative here. As alluded to above, there is a lot more to the story, however in the interest of the privacy of a range of people, not the least of which myself, I will desist. What I would like to say at the end of the day is, abusing a child is never a fair fight. And so I am deploying the only real tool that I have at my disposal, my pen. Thank you for reading.

Dedication:

For all my friends and family who have taken such good care of me over the years. I wouldn’t be here without you. And for Spencer Krug, the greatest piano player I am aware of.

Note: It you enjoyed this piece, you may also enjoy the other pieces below which take up somewhat similar themes.