My Craig Finn Inspired Song “Problematic to the Max”

Note: Craig Finn is my favorite songwriter, and this song is directly inspired by him. This is my first time to write a Finn style song and I have done my best. I am not trying to imitate Finn exactly, or pretend that I can write exactly as he does. What I have tried to borrow from him is something more essential: his attention to people on the edges of the night, his gift for compressed narrative, his affection for damaged characters, his understanding that bars and diners contain entire moral universes, and above all his ability to make a song feel simultaneously funny, sad, dangerous, and deeply humane. If this song is any good it is because of Mr. Finn.

She came stepping out the club in her heels
She was problematic to the max
She had someone else’s cigarettes
And someone else’s jacket on her back
She said, “Don’t start asking questions
You ain’t gonna like the facts”
Then she laughed and checked her lipstick
In the window of a Cadillac

There were boys outside the pizza place
Trying hard to look relaxed
There were girls discussing exes
And all the ways they’d get them back
There was someone crying by the cash machine
Someone calling for a cab
She said, “Everyone wants forgiveness
No one wants to give it back”

And I said:

Baby, we can leave right now
Let’s just stop playing games
There’s a place that pours till morning
And the barkeep knows my name

We’ll stumble out at sunrise
See the bums shaking their cans
With the smoke still in our eyes
And the popo in their vans

She said she’d recently been seeing
A guy who worked in stocks
At first it felt quite freeing
But she was looking at the clock
He kept talking ’bout the markets
While she stared into her drink
She said, “A man can make a million
And still not know a fuckin’ thing”

We walked east along the river
Past the churches and the cranes
She said everybody loves you
Til they learn your middle name
Then she took my hand and said
Like she’d suddenly recalled
Though we were very good in bed
We weren’t having fun at all

And she said:

Honey, don’t get sentimental
That’s how everyone gets hurt
First you say you understand me
Then you start discussing worth

I’ve been good and I’ve been awful
Mostly somewhere in between
And I’m sick of getting judged
By the folks behind their screens

At four we found a diner
With the chairs turned upside down
The waitress poured us coffee
While I tried not to check her out
She said, “You two look exhausted”
We said, “That’s probably correct”
Then my friend began explaining
Why exhaustion gets respect

She said:


No one trusts in happy people
They assume they’ve missed a trick
Everything was going fine
Til she said “baby you’re a prick”

So I keep a couple bruises
And some stories in the back
Just in case somebody doubts me
When I say it’s been like that

The morning started leaking
Through the alleys by the tracks
She had kicked away her heels
And slipped into her slingbacks
There were punters there were pigeons
There were handbills in the street
There were people dreading Sunday
There were people starting weeks

At the corner she got quiet
Then she kissed me on the cheek
Said, “Don’t make this into something
When it’s barely been a week”
Then she climbed into a taxi
And she never once looked back

She came stepping out the club in her heels.
She was problematic to the max

The Days and Nights of My 50s, Part V. 7/27/25-8/3/25. Eight Transition Days: Money, Women, My House Fails To Sell, and I Wave My Dick All Around Japan, Apparently.

Epigraphs:

Baka. You are waving your dick all around Japan. What am I going to do with you?

Litz

I wanna know girls, don’t wanna know men.

Superchunk

Roll another number for the road/ I feel able to get under any road.

Neil Young

Something’s going to happen. Something always does.

Billions

Author’s Note:

I recently fell eight days behind on this series and briefly considered abandoning the missing week altogether. Reconstructing every hour would have been impossible, and pretending otherwise would have produced eight dutiful but lifeless entries. So I have produced something different: one long, thematic account of the money, marriage, women, music, writing, travel plans, ordinary routines, and general weirdness that comes with it all.

What surprised me during the edit was that the piece had a story after all. Much of the week was spent trying to persuade banks, apps, lenders, and machines that I existed. They rejected my address, my identification, my telephone number, and at one memorable point the year 1974 altogether. Elsewhere the people who matter most came through. Sachie called me by my old name. Zach understood the central point of my marriage essay. Readers found an eight-year-old piece buried in the archive. And my son stayed on the telephone with me for nearly two hours and called me Papa. I cried The chronology fell apart. Life did not.

===== =====

I fell behind.

There is no good explanation for this. I did not deliberately fracture chronology in order to interrogate the instability of memory. I was not experimenting with form. I simply stopped keeping up. My last completed diary entry was July 26, and by the time I looked up again it was August 3. Eight days had passed, the material had multiplied, and reconstructing every morning, afternoon, evening, cigarette, loan application, woman, walk, song, meal, nap, argument, and minor technological catastrophe in order would have required another eight days.

So this is the compressed version.

Eight days. Several dozen financial institutions. More women than I can count. One marriage at its end, one house waiting to be sold, one son suddenly talking to me for nearly two hours, four packs of Camels briefly representing unimaginable wealth, and a song essay from eight years ago inexplicably climbing above Wikipedia on Google.

Chronology can take the week off.

I. Money

Money has dominated my days of late.

There are plenty of other stories—love, marriage, sex, music, family, writing—but every one of them existed beneath the same low-pressure front. Could I get downtown? Could I get back? Could I buy cigarettes? Could I put money on an my ICOCA card? Could I book a hotel, board a train, eat something other than eggs and pasta, or convert one of the many theoretical financial instruments surrounding me into actual currency?

The strange thing was that money always seemed to be coming.

A card was coming. A transfer was coming. A lender was reviewing. A bank was processing. An email was imminent. A cheque was in transit. A customer-information update had been accepted. A human being somewhere was allegedly examining at my file.

Money was everywhere except in my pocket.

I applied to ACOM, AIFUL, Seven Bank, Promise, Mobit, Resona, Sony, PayPay, Prestia, Rakuten, SBI, and enough regional banks to constitute a tour of Japan. Chiba. Fukuoka. Nagoya. Kyoto. Every fucking prefecture appeared to have a bank and every bank appeared to have designed its website specifically not to work

The applications followed a familiar pattern. First came the promise of speed.

Approval today.

Simple online procedure.

Borrow whenever you need it.

Then came the reality.

Photograph your residence card. No, not like that. Turn it slightly. Move closer. Dude move farther away. Fuck you and fuck your face.

Use better lighting. Take a selfie. Turn your head. Hold up a handwritten note. Hold up the ID beside your face. Enter the address in full-width katakana. Enter the address in half-width numbers, whatever that means. Enter your employer’s telephone number. Not that telephone number. Another. Your birthday is invalid. 1974 does not exist. Yeah right. 1974 existed because I had personally was there. Fuck you again my friend. Fuck your face while you are at it.

Yeah. OK.

At ACOM I eventually reached a human being, which seemed promising until she informed me, with a little apologetic shrug, that the AI had said no. She could not explain why. The AI had spoken. The oracle had issued its judgment. Go home. Take a shower. God knows at this point I needed one

Lake allowed me to progress through the most Byzantine application of all time before deciding I was apparently the wrong category of foreign resident. Whatever. PayPay refused to read my ID card. Rakuten could not process Ritsumeikan’s address and telephone number despite twenty attempts. JCB rejected my birthday. Really dude? Yeah really. Kyoto Bank briefly sent me into a branch-selection circle in which code 142 somehow transformed into code 566. And back. And back again. I entered 142 again. The system contemplated this information and returned me to the beginning. Fuck.

The great Acropolis of Japanese consumer finance has many staircases and no entrance. It’s like the Winchester House of something.

The worst moment came with a lender that appeared near the top of the Google search results claimed that 1 million yen already been deposited into my online wallet. 1 million yen. The wallet showed a magnificent balance. Cold hard digital cash. All I had to do was transfer it to Kyoto Bank. Great. Fucking finally.

Then came the request. Pay ten percent of the loan first. There it was.

The scam unveiled itself with all the elegance of a man opening his raincoat on a subway platform. They had invented the loan, invented the wallet, invented the balance, and now wanted real money to release the imaginary money. I closed the window. There would be no ten percent. There would be no transfer. The million yen would continue its rich fictional life without me.

Meanwhile, actual life became an exercise in microscopic accounting.

A handful of coins. A few hundred yen on one card. Perhaps twenty or thirty dollars on another.

Enough for one round trip downtown, maybe. Four packs of Camel Blues. A dozen eggs and coffee. For a few hours I was rich.

Then I was broke again.

I. My House

Behind the immediate cash crisis sat the larger financial fact of my house.

My wide and I bought it in 2007 for roughly $380,000 after she negotiated it down from about $400,000. Good work by her. The house is around 110 years old, in Sakyo Ward, two minutes from the beautiful Kamogawa river, near houses worth millions, supermarkets, restaurants, a mall, a police station, and all the ordinary conveniences that make a neighborhood viable.

It also shares a structural exterior wall with the neighboring house. This is the problem.

The wall is concrete, substantial, and old. The two houses appear to have been constructed together, and the neighbor is in his mid-nineties, assuming he is still alive. I have not seen him or his wife in years. His adult son, who once came regularly with groceries and dealt with the practical business of keeping two elderly people alive in an old house, has also disappeared from view.

The neighboring garden had gone wild. Ours is hardly Versailles, but theirs looks as though nature had filed a successful adverse-possession claim.

Could a developer demolish our house without demolishing theirs? Probably. Kyoto carpenters have dealt with harder problems than an attached wall. Would the wall reduce the number of buyers? Almost certainly. Would it make the property impossible to sell? I don’t think so. The location is good. The land is desirable. Experienced builders know how to solve structural problems when the numbers make sense.

Still, the wall remains, silent, forbidding, concrete, holding up both houses and complicating our futures.

I began to do the math.

Sell for $380,000. Lose perhaps $60,000 to commissions, taxes, and associated costs. Net $320,000. Split evenly: $160,000 each.

Except it is not that simple.

I have paid the entire mortgage since 2007. I have paid the utilities, the internet, three cell-phone bills over twenty years, appliances, most of the groceries, much of Daisy’s food, and well over $400,000 for Hugh’s education from kindergarten through university. The house is in my name.

I could build a case in my head. I did build a case. I built it for hours.

But marriage is not a civil trial conducted by a man lying naked in bed with green tea, four packs of Camels, and a calculator.

A few weeks, after thinking about it for a while, I told Sachie I would give her half. She said she wanted nothing. I suggested $50,000, and she agreed.

This was the last conversation on the matter, about three weeks ago.

The ethical question is not whether I can prove that I have paid more. I have. The question is what I want the final act of a twenty-seven year marriage to look like.

For now, the answer is simple: honor our most recent agreement. Figure out what the house is actually worth. Sell the house. Divide whatever money comes in money.

There will be time enough to decide when the wall, the buyer, the agent, the taxes, and the actual sale price stop being theoretical and finally become real.

II. Sachie, Marriage, and the End of an Era

The financial accounting and the emotional accounting were different books.

This became clear while I was writing On Meeting My Wife Sachie, the first piece of a planned longer series about the marriage and divorce. I wanted to begin at the beginning because the end may be overshadow everything that came before it. Sachie is not merely the woman leaving our house, refusing the proceeds from the sale, arguing over our garden, or moving back toward her parents.

She was once a young woman whom I loved. I was once a young man she loved. The line Zach later singled out was: This essay belongs to two young people on the cusp of life. That is the heart of it.

And now she is my ex-wife, a fact I find both funny and sad in equal measure.

Before resentment, accounting, separation, and twenty-five years of accumulated evidence for the prosecution, there were two people at the beginning of something. I want to give those people their due.

During these last eight days, we argued. We negotiated. She gave me ¥3,000, then another ¥3,000. She bought coffee filters but not bread or butter. She handled a cheque in a way I initially found incomprehensibly complex. I cursed, breathed in, calmed down. I listened to her explanation, and realized she was not intentionally trying to be difficult. She is just outta control.

Sachie is preparing to leave for Kumamoto in two weeks. Boxes accumulate. The house begins to feel less like a home than a staging area. We discuss bills, the garden, Daisy, our son, money owed, money promised, and who would keep which possessions.

There are moments of old intimacy in the language. I recently started calling her Sachan again. She calls me Machan. For just a minute we are back in 1997. It feels great. But it will not last.

Last week there was another earthquake in Kumamoto where my wife’s parents live. They were safe after the earthquake, and when I heard I felt a rush of relief. Her father Tetsuo is ninety-one and her mother Kazuko is ninety. I have known them for decades. Whatever has happened between Sachie and me, Kazuko still loves me. I love her too.

And I will probably never see her again. This is sad. Divorce does not merely separate two people. It closes a a whole chapter.

There are roads you no longer travel, houses you no longer own, nicknames you no longer use, relatives who become former relatives. Sometimes nothing dramatic happens. A door closes quietly, and one day you realize the entire geography of your life is now somewhere else

Still, Sachie and I talk. We make practical arrangements. We lend each other small amounts of money. We love the same child and the same dog. We can, at the best of times anyway, remind ourselves that neither of us is the villain of the piece.

The villain is time. As usual.

III. Hugh

Yesterday Hugh called. We spoke for an hour and fifty-three minutes.

This was almost certainly the longest telephone conversation we had ever had, and perhaps the longest uninterrupted conversation of its kind in years. Usually Hugh has ten minutes, twenty if I am lucky. He juggles work, plans, friends, screens, trains, a life. I am busy too. This time he had nearly two hours because he had just quit his soccer influencer job

On the phone he told me that was done.

He still likes football. He just does not want to spend sixteen hours a day editing football videos anymore. He had reached the same point with editing that I have reached with teaching: not dislike exactly, more like completion. That chapter has delivered everything it was going to deliver. It is now closed.

He had been doing most of the work while someone else took took a higher percentage. He agreed to this. Tolerated it for a while. But no more.

I told him I understood. And I did.

He is already freelancing, DJing trip-hop and electronic music, building something that is actually his. He is planning to move to Tokyo and eventually to buy a house. He casually told me he has saved about $50,000.

Fifty thousand dollars. At twenty-two. I have spent the last week trying to extract enough money from the Japanese banking system to buy a few packs of cigarettes and get downtown. My son had quietly assembled a down payment. I am so damn proud of him.

He told me he would come home tomorrow to pick up Daisy and keep her for a month or so while Sachie gets settled in Kumamoto. Later he told me he couldn’t come after all.

Typical. Hugh is a wonderful young man but he cannot keep a schedule for the life of him. Oh well. That’s just Hugh I guess.

Before that he said something that broke me open. He said in the next month he would bring Daisy back by a few times.

Just a day trip. A small kindness. An adult son anticipating the emotional needs of his father without being asked.

“You’re the man,” I told him.

“I love you, Papa,” he said.

“I love you too.”

There it was. The emotional center of the week.

Not the loans. Not Pattaya. Not the women, the house, Google, or the endless packs of cigarettes.

A son on the phone. One call. Two hours. My only son. Fuck.

We talked about Wise. I have an account somewhere but can not remember the password, naturally. He said he would refer me, earn a small bonus, and help me set up another path for my money.

We talked as two adults. Feels great.

I remember the boy, of course. Fathers always do. But the person on the phone is not a boy. He is a young a man, making decisions, leaving a job he no longer wants to do, moving to Tokyo, saving money, taking responsibility for Daisy, making time for me, building a life. What a deal..

IV. Women, Dating, and Sex

These last days there have been many women. Many many women. I find this pretty remarkable.

This is not a boast so much as a statement of fact. The apps multiply: Sugo, Tinder, Tapple, Thai Friendly, OkMeet, French sites with competent translation, text-only sex sites, and others whose names I forget. Free sites, cheap sites, sites that cost an arm and a leg. I started to develop lists. The Thailand list alone has maybe sixty names. More women than I could possibly meet. Tokyo has another half dozen. I began scheduling women the way a conference organizer schedules panels, except the conference was in Pattaya and the keynote address was sex.

At the center of all this chaos remains Litz.

Litz is real in the way the some of the others are not. Although no longer a couple, Litz and I still talk several times a day and text all the time. She knows my jokes, the invented women, her fake rivals Cindy and Julie. I tell her that Cindy is in bed with me and Julie is waiting her turn. She responds as though this ridiculous betrayal required serious adjudication. She says “baka you are waving your dick all over Japan. What am I going to do with you?” She is super funny. She is also, as many women are, totally outta control. Many men, myself included, are outta control too, however it is my experience that women are just that little bit extra outta control. For some reason.

Then there was Yua who I met online about a week ago. She has spent most of the last week, several hours a day, attempting to obtain a ¥5,000 Apple gift card, later negotiating it down to ¥3,000 so she could supposedly keep her “siblings” occupied with video games while she comes over for sex. She is 28. How young could her siblings be? I do not believe they exist at all, and are in fact just an elaborate cover for this increasing bizarre and tendential scheme of hers to fleece me for 50 bucks. For a solid week. Outta control.

Her commitment to the bit is almost admirable. Day after day she returns to the same small objective with the determination of a director of an intelligence service. Five thousand yen. Three thousand yen. Whatever I can afford. Baby what?

I began to admire the sheer disproportion between effort and reward. Either she liked me on some level, or she is perpetrating the least efficient scam in history. No rational person works six days for a ¥3,000 gift card. Yua, therefore, is not rational.

I thought of the Poison song Every Rose Has Its Thorn. Over time I have found this to be true. In this case, I reflected, every Yua has its thorn. And she is a thorny one that’s for sure. And yet I still talk to her. Go figure. I guess I am just weak this way.

Clara said she would come over from Osaka She got dressed. Maybe. She prepared. Perhaps. She vanished. Maybe she is real. Maybe she is not. Maybe she is a ghost. Maybe somewhere in Kyoto a beautiful woman is wandering around looking for me. God speed baby.

The two Lisas occupy separate jurisdictions.

One is the Yubari melon chick from Tokyo, beautiful enough that I continue to entertain her somewhat extravagant request for two extraordinarily expensive melons. I find this almost respectable compared with Yua’s ridiculous Apple gift cards. She is also extremely cute with her melons and all. At least Yubari melon exist.

Two melons for love. There are worse dowries.

The other Lisa lives in Amsterdam and floats somewhere in the broader international cloud of flirtation and scheduling.

Masha is my little Turkish bird. She communicates in stickers, goddesses, magic, feathers, and strange little fantasies. She asked for relatively small digital gifts and remains charming enough that I kept allowing for her many eccentricities. She is, of course, totally outta control. She could be an AI, a woman using AI, a woman pretending to be a bird, or an actual bird with excellent English. She could be anything really.

Then there are the many “UN nurses” imporbably stationed in combat zones. Three in five days. Donbas. Yemen. The Ukraine. Refugees. Humanitarian missions. Canadian surgeons wearing scrubs. Major Aaron. Whatever baby. You are a scammer and I don’t believe a single word you say. Oh well. Just one of the hazards of modern online dating I guess. Seen it all before. Bin.

Meanwhile Good Old Mr. Wank (oh yeah baby you know exactly who I mean) has remained the most dependable member of the cast.

He requires no gift cards, no airfare, no melons, no hotels, no flirtation, and never fails to appear when summoned. Mr. Wank rules.

Underneath this baroque carnival lies deep loneliness. I sometimes feel that sex is barely the point anymore. All I really want is to lie beside a woman, kiss her goodnight, and hold her until she falls asleep. Eventually I will sleep. If I’m lucky. That’s just the way things go as a lifelong night owl.

I love women.

V. My Writing

My writing this last week has been interesting.

My new daily series has begun to find readers. The first entry remains the leader among the new pieces. The essays on Litz and Sachie are about tied. My bisexuality piece is trailing a bit, which surprises me. Can’t always predict these things I guess.

Then my Dylan Thomas essay exploded.

The essay is eight years old, and I had redated and reposted it in 2024. For years the reliable traffic leaders at Kyoto Kibbitzer have been my Kris Kristofferson essay, Trump Gemini Dream, and my Razzlekhan essay.

Then, about six weeks earlier, On the Song “Dylan Thomas” and Comments on Rhyme began climbing. And climbing.

No campaign on my part. No new angle. No obvious news hook. It simply rose beyond all expectations.

In thirty days it received hundreds of views, blowing past every other piece on my site. I searched the eassy title and found it above Genius.com, radio stations, videos, and—amazingly—Wikipedia. Amazing. Dude what is going on? Something.

The piece still holds up. It examins the song’s clever AABCCB rhyme scheme, its near-rhymes, and its general alternation between political anxiety and private hedonism. “Corset” and “Corvette.” The general and the king. Dylan Thomas dying on the barroom floor. A shower at the Bates Motel. The world collapsing while the narrators search for another drink. It is a great song and I am happy the essay is doing so well.

The success of Dylan Thomas sent me back into the archive. I reposted My Brother Mike’s Bad Book, the Mariners story in which Mike, drunk and rowdy but morally precise, heard someone defending a man shouting gay slurs and replied with four perfect words:

“That’s a bad book.”

I fuckin’ love my brother Mike.

The Razzlekhan essay disappeared from Word Press recently. I have no idea why. Something. I found a copy on Medium where I used to cross-post many of my pieces. I copied it into Word Press and republished it. Thank god.

Zach sent me a thoughtful note about my essay about meeting my wife. He understood piece immediately, especially the line about two young people on the cusp of life. He invited me to English Mass and told me he had begun a new essay called A Summer Day. I would be traveling, so I declined the Mass, but I am glad he is writing again. He is an excellent writer,

The archive was not dead. It had merely been in hibernation.

VI. Summer

Summer currently exists in the future tense.

Tokyo. Bangkok Pattaya. Hydra. Athens. The Czech Republic. Busan. New York, briefly, before its hotel prices restored sanity. Yeah right. I wish.

Every destination seems possible. None are booked.

I will go to Bangkok, Pattaya, and Hydra as soon as my money kicks in.

Get high as blazes. drink Pina Coladas on the beach, wear my sunnies, try to avoid a sunburn, rail women for days, spend too much money, get laid. Thank god. What a life man. What a life.

Pattaya is going to be outta control. Lovely Harmony for three nights. Matteneee for another. Jenny on my last night in town. Jenny and Matteneee are both escorts. I asked them both if we could have anal sex and if they were on birth control so I could cum inside them. They both said yes. Condoms are a necessarily evil but do suck. Hard.

Bar girls, freelancers, the beach, weed, fruity drinks with umbrellas, swimming pools. All the metier of a recently divorced middle aged man going through a soft mid-life crisis. I make absolutely no apologies for any of this. It is what it is. Life goes on.

VII. Music

Music did not sit beneath the week. It carried it.

The Grateful Dead on my long walk into town: Catfish John, Must Have Been the Roses, and Black Muddy River. Jerry rules like no other. God does he rule.

Neil Young arrived.

Unknown Legend, Crime in the City, Cortez the Killer, Thrasher, Albuquerque with the great Mark Kozelek cover, Roll Another Number for the road. Songs became routes through the day, places to stand while everything else moved.

David Lowery’s Fathers, Sons and Brothers showed up and kicked ass, predictably. He rules too. He rules beyond all things. God I love David.

Then came the Drive-By Truckers/ Jason Isbell Patterson Hood song draft with my friend chat. I love to draft with chat, although he is and remains a big fat nabber. Oh well. It is still great fun.

We left Cover Me Up off the board, which was either courageous or simply malpractice.

Our list included “Dress Blues,” “Relatively Easy,” “Outfit,” “Birthday Boy,” “Speed Trap Town,” “The Day John Henry Died,” “Goddamn Lonely Love,” “Elephant,” “Carl Perkins’ Cadillac,” “The Righteous Path,” “Buford Stick,” “Decoration Day,” “Children of Children,” “Alabama Pines,” “Codeine,” and “Super 8.”

“Super 8” nearly broke the whole draft open:

Don’t wanna die in a Super 8 motel/ just because somebody’s evening didn’t go so well.

COME ON dude. Jesus Jason. Easy buddy.

Their combined catalog is not merely Southern rock. It is a curriculum in adulthood: fathers, sons, dead friends, drinking, divorce, work, small towns, the left behind, bad decisions, dignity, memory, hope, and the impossible notion of getting another chance after you have already used several.

Patterson Hood writes the people history forgets. Jason Isbell writes the ones who survive themselves. Mike Cooley walks in every third song, drops a perfect line, and checks out to hit the bar. The band simply rules. They all do.

I reflected on minor musical questions. Is Lucinda Willaims’ cover of Tom Petty’s Southern Accents better than the original. It’s tough but I think so. I listened several times to The Pixies absolutely shredding on Jesus and Mary Chain’s “Head On.” I put on Phosphorescent’s glorious cover of Corpus Christi Bay. Seam covering Breaking Circus’ Driving the Dynamite Truck. Nobody remembers Breaking Circus today. Nobody. Their version of Dynamite is marred by typical crappy 80s production which the Seam version cleans up. Whoever happened to these guys? No one knows. They are simply lost to the sounds of time, as we all will be one day.

The Mountain Goats have a new album coming out in just two days. Ryan Adams has a new one too that I am getting into.

Music is the best, and the world remained blessedly worth living in because of it.

VIII. Ordinary Days

Between the financial drama, romantic sub plots, and musical drafts, and my increasingly outta control mother my days slid by as usual.

Coffee. Green tea. Cigarettes on the balcony. Lying naked in bed half the day my PC propped up on my knees, writing. My buggy AC. Two fans on high. Porn. Phone calls. Existential angst. Sleep.

The second floor landing off the stairs remains a death trap. I toss laundry and dishes there and don’t dare step on the wooden boards lest I fall to my death. I am not remotely joking. From an actuarial perspective, the landing remains the most likely way for me to meet my final demise. I should take out insurance.

The area beside the bed improved. I removed most of the chocolate wrappers, cigarette packs, bottles, and general archaeological evidence of recent life. Beneath this material my residence card remained missing. Fuck.

A dozen voice-recording apps failed in different ways. I rely on text-to-speech apps for my writing and most of them suck. Of course. I finally found one that works well enough. They want $11.99 per year. No brainer.

I sleep in short blocks: an hour, two, four max. I woke, drank water, urinate off the balcony, smoke and do it all over again. It is, as the Feelies say, only life after all.

My body complains. Knees. Back. Ribs. Balls. My eyeballs burn from the cigarette smoke.

Sunburn across my stomach and shoulders after my five-mile walk beside the river in the sun. I look like a lobster. Oh well. It will pass,

I take several painkillers a day, trying to stay on dose, Why? No reason really. Just everything fucking hurts. I’m 52. What are you gonna do?

I’ve been slowly sipping a bottle of Napoleon Brandy for two weeks. It is too warm and I keep forgetting to get ice for it. Of course. I am just out it these days I guess.

My bicycle still scares me a little half a year after my winter crash. The roads are dry now, the heat intense, no ice to be seen, but my body remembered the crash. I remain skittish.

IX. Comedy

Life, among other things. is invariably funny.

Rainbolt, the GeoGuessr madman, who sees one sepia utility pole for half aa second along wth a patch of Polish grass, and calmly and corrently announces that we are twenty-two and a half miles west of Kraków. Make it make sense.You cannot. Rainbolt is just outta control. He’s some kind of savant I guess.

I want to re-watch the Joan Rivers documentary “Piece of Work” but I keep putting it off. Joan is hysterical. RIP to a real one.

Randy Quaid remains generally Randy Quaid. Obviously. He is insane. He just is. Dude the CIA gets up to some shit sure, but they are not in fact bugging your mind from an implant somehow magically implanted in your tooth.This is not a thing my friend. It is just not. Get a life. You’re outta control.

I remember Will Smith fucking slapping the shit outta Chris Rock at the Oscars over a totally tame G.I. Jane joke and then returning to his seat as though live global television had briefly become his living room. What a bizarre more. Will what are you doing my friend? Unbelievable.

Christian Dreyer sent a minimalist cartoon of two people in a car approaching an enormous fork lying across the road.

“It’s lunchtime!”

Totally bizarre. Dreyer is weird. No notes.

My mind drifted for some reason to the 70’s. TV shows like The Newlywed GameThe Love Boat, and The Dating Game, where an actual serial killer once appeared as a contestant, won the date, and was rejected afterward because the woman found him creepy. I was too young to watch these shows, however I am aware of them through the zeitgeist. Outta control.

The JonBenét Ramsey ransom note remains one of the strangest documents in American criminal history. The parents ate guilt as sin. They just are. It is a fact.

The alleged Trump Moscow hotel pee tape on the other hand remains unproven, although a remarkably well put together fake video circulated a few years ago because someone, somewhere, for some unknown reason, invested real time and effort into manufacturing the world’s most notorious and probably nonexistent pee video. Why? Reasons of their own. We will never know.

I began an essay called Was Donald Trump Peed On in Moscow? The likely conclusion: I do not know. Neither do you. That is the point, This does not prevent anyone from having absolute confidence one way or the other. Whatever dude. It was years ago. It’s just a little pee. So what? Let’s move on.

===== =====

Overall it has been a funny week. Then there was the Japanese loan interface informing me that 1974 never existed. Yeah right guy. Get a grip.

Then the three “UN nurses” purportedly in combat zones. Come on lady. You are a big fat clip-jointer. You know it. I know it. Everybody knows it. Get over yourself. Get.a real job lady. Sit this one out.

Yua’s six-day campaign for ¥3,000.

The price of two Yubari melons standing between me and love.

The phrase “crap on a cross,” followed by the reasonable question of how the crap actually got up there.

This was life, basically.

Outta control.

X. Eight Transition Days

This last week did not really resolve. That is the fact.

No big loan arrived. The house did not sell. Sachie had not yet moved out. Thailand is somewhere down the line. Greece too. I cannot wait to hit the road again. I love to travel. I just do.

But something has shifted.

The archive woke up. The Sachie and Litz essays are doing well. The dailies are off to a good start. My son called. It is too hot. My AC doesn’t work. Damn.

That was the week.

Everything else—the lenders, women, cards, trains, cigarettes, apps, travel sites, melons, war-zone nurses, Greek islands, shared walls, Google rankings, impossible birthdays, all the rest—spin around this fact.

Something’s gonna happen.

It always does.

Dedication:

For Litz. You can take this D anytime you like baby.

The Genius Razzlekhan and the Phony Nassim Nicholas Taleb

I went home with the waitress/ the way I always do/ how was I to know/ she was with the Russians too.

Warren Zevon

Author’s Note:

Some essays begin with a thesis. This one began with me laughing so hard I nearly fell out of my chair.

When Heather Morgan—better known as Razzlekhan—was accused of participating in what was then described as the largest cryptocurrency heist in history, nearly every media outlet converged on the same joke: look how terrible her rap videos are. I saw something different. Behind all the memes was someone making deeply strange, completely sincere outsider art. Whether you think it’s brilliant, awful, or somehow both at once, there is no mistaking its originality. I have always had a soft spot for artists who refuse to color inside the lines.

The surprise, though, was Nicholas Nassim Taleb. He wandered into the story for reasons best known to himself and, in my opinion, emerged looking far sillier than the alleged crypto queen ever did. Years later I still think the real story wasn’t the memes. It was how quickly the internet decided who deserved ridicule—and how often it picked the wrong target. Razzlekhan may have been the weirdest person in the room, but weird has never bothered me. Poseurs always have. This is their story.

===== =====

This is the saga of the queen of crypto hacking Heather Morgan, aka Razzlekhan, and the shameless tail chaser and phony public intellectual (is there any other kind) Nicholas Nassim Taleb. Just so we are clear about who is who here, Taleb, the bestselling author “The Black Swan” and “Antifragile” is the villain, and Morgan, who along with her husband is accused of pulling off the largest heist in human history ($4.5 billion dollars) is the heroine. Morgan was briefly a Twitter star in late February 2022 when her alleged crimes were revealed; however her stardom was not based on her hacking prowess, but rather on what was perceived (incorrectly) to be her world-historically awful rap videos, including, but not limited, her banger “Versace Bedouin,” in which, among other things, she names herself “the crocodile of Wall Street.” Here is a taste of her work (note that the real Heather Morgan appears to be in her early 30’s, and is certainly not a grandmother. Also, the video depicts Morgan rapping around the Wall Street district of New York City with three women “dancing” behind her, one wearing large green gardening gloves and carrying a flag with a design we are unable to clearly see for the entire video):

Razzlekhan’s the name/ the hot grandma you really wanna bang/ always run the gilf game/ ever since I was fif-taneee

I’m many things/ a rapper, an economist, a journalist, a writer, a CEO/ and a dirty dirty dirty dirty ho

Better than most writers/ creepier than most girls/ weirder than most rappers/ but I still rock pearls.

Alert listeners will note the apparent Liz Phair reference to Razz’s sexual maneuvering in her teens, suggesting that there may be at least a little guile to her lyrics. But what impresses me (and I’ll just state this right out-I think Razzlekhan is a misunderstood genius) is the straight ahead sincerity of the lyrics. I mean Versace Bedouin was released before Morgan was implicated in the crypto hack and here is her dedication at the top of the song:

Never forget, weirdest is the most original/ this song is for the entrepreneurs and hackers/ all the misfits and smart slackers.

The really hardcore music fan may pick up a possible Drugstore reference from “Say Hello”:

I say hello/ to all the junkies/ the sinners and the creeps/ I say hello to all the people in this place/ I say hello /to all the drug heads/ the prostitutes and freaks/ I say hello/ to all the people in the world!

But even I don’t think Morgan is a Drugstore fan, so the resemblance is most likely coincidental. What I love about Razz’s work here is that Versace Bedouin is a simple and totally sincere statement of intent. She tells the listener exactly who she is and what she’s about. She’s a weirdo and misfit, a hacker, a probable criminal, a business owner, and a dirty ho, and she is just letting the world know. She is, as the kids say, putting the motherfucking world on blast. Razzlekhan is coming for your bitcoin, baby, lock that shit down.

And the media loved it. The Guardian wrote a long (and pretty helpful) article on Morgan with the lead “Is this the new face of organized crime? Decoding Razzlekhan, the rapping bitcoin fraudster.”

“Who is this Bitcoin crime queen” they write breathlessly “and what does she tell us about the future of organized crime?” Well Mr. Guardian, that’s a good question that maybe I can shed some light on. Morgan and her husband (who, like the rest of the uncaring world didn’t care for her rap career-Heather I’m here for you man, just reach out) stole the money, allegedly, from the platform Bitfinix but were unable to convert much of into cash or liquid assets and had to settle for Walmart gift cards instead. So that might tell you something-I’m not sure how organized the pair was.

Mr. Guardian again:

“It is hard to articulate how it feels to be alive in an age of massive wealth disparity and multiple deregulatory lines of questionable crypto minting, but I think watching an alleged Bitcoin embezzler struggle through painful rap bars in a flat-billed cap that reads ‘0FCKS’ is a good summation of the overwhelming confusion.”

But it really isn’t hard to articulate at all-it feels great, because while Heather Morgan the journalist, CEO, and dirty ho may be facing a little legal trouble, Razzlekhan the artist, in my opinion, stands unbloodied and unbowed atop the pinnacle of outsider art along with Daniel Johnston, Mayo Thompson, and the handful of other transcendent geniuses so far ahead of their time they were subject to as much ridicule as they were celebration.

(My favorite piece of music criticism ever comes from a Pitchfork review which doesn’t seem to be online anymore of The Red Krayola’s 1989 album malefactor, ade-it must have been a re-release because Pitchfork wasn’t around in ’89 of course-where the critic accuses Mayo Thompson of “playing the guitar badly, on purpose.” And it’s pretty true. The Red Krayola is out there.)

Razz herself embraces the outsider role and speaks directly to her artistic origins and sensibilities in her artistic biography:

Razzlekhan is like Genghis Khan, but with more pizzazz… No one knows for sure where this rapper’s from — could be the North African desert, the jungles of Vietnam, or another universe. All that matters is she’s here to stick up for misfits and underdogs everywhere (…) Because Razz has synesthesia, her art often resembles something in between an acid trip and a delightful nightmare. Definitely not for the faint of heart or easily offended, Razz likes to push the limits of what people are comfortable with. Her style has often been described as “sexy horror-comedy,” because of her fondness for combining dark and disturbing concepts with dirty jokes and gestures. Just like her fearless entrepreneurial spirit and hacker mindset, Razz shamelessly explores new frontiers of art, pushing the limit of what’s possible. Whether that leads to something wonderful or terrible is unclear; the only thing that’s certain is it won’t be boring or mediocre.

To my knowledge, no major media outlet even gave Razzlekhan a fighting chance; however I invite you to read the above self-description again with care. She is not in the least bit joking around. She identifies variously as a Bedouin, Turkish, a nomad, and an alien. Later in the same piece she identifies her influences as: Die Antwoord, Tierra Whack, Mickey Avalon, Salvador Dali, Diane Arbus, Hunter S. Thompson, Roald Dahl, and Charles Bukowski. This is a consistent, real, list of artists that a true outsider might well identify with. At the Razzlekhan level, the distance between greatness and awfulness is razor thin, artistic merit being, like everything else really, a circle not a line. In any case, judge for yourself — pull up a Razzlekhan video on You Tube (they are still there) and see what you think.

But what does any of this have to do with the author Nicholas Nassim Taleb? Well, it would have had nothing to do with him if our boy hadn’t chosen, with exquisitely poor judgment, to interject himself into the Heather Morgan/ Razzlekhan drama. Within hours of the heist news breaking, Mr. Taleb posted the following:

I have several things to say about this nonsense:

I. Check his use of “Attention” and the scare word “vulnerability.” Taleb thinks this message is super important and even urgent. He’s got to get it out there RIGHT NOW.

II. The story is obviously total BS. Taleb seems to have no sense of how Twitter works, and his narrative is so bizarre that he is basically begging us to roast him, which users in the hundreds did, of course.

III. Taleb gives no insight into why Morgan was DMing him. What did she want? Well, users, myself included, had a theory as to what might actually have occurred here. Occam’s Razor would suggest that at some point Morgan and Taleb began exchanging DMs, possibly on her initiative, as she was writing extensively for Business Insider and Forbes I believe, and maybe she wanted to ask Taleb something about one of his books. Taleb then pivoted into a bit of tail chasing, or, as one Twitter denizen put it slightly less crudely, he was looking for a little “bobs and vagine.” When Morgan was arrested, Taleb got spooked that somehow their DMs would leak, so he concocted a ridiculous cover story almost (but not quite) as stupid and unbelievable as Joy Reid’s claim that her fifteen year old blog with homophobic jokes and comments was hacked by Russians.

IV. The use of “some more recently” is a pure “tell.” Taleb’s bobs and vagineing has been going on for some time, it seems. But why in the world would Taleb think that the messages would leak just because Morgan was arrested (she was later released and her husband was held in custody, and I haven’t been able to get a status update on where she is today)? I mean there are really only two options: i) that the messages would be released by the FBI or something as pertinent to the case, in which case Taleb and Morgan would have been discussing her hacking. This seems highly unlikely; ii) Morgan would choose to release them herself in an effort to incriminate Taleb. But Nicholas baby, this is just not going to be a priority for Morgan after her arrest. I mean, she is accused of stealing 4.5 billion, and she’s got her rap career, and her husband is in prison. She has got stuff going on man; your DMs are way down the list.

All and all, this message shows that Taleb is an idiot and a complete joke. And people took note, including Edward Snowden, piping up from Russia. Check this out:

Snowden comes in with the savage take down here, and Taleb punches back with an offer to debate, what exactly? It’s not clear if this the debate challenge was issued prior by Taleb nor is it clear, at least to me, what is to be debated. Are they supposed to talk medical issues? Mental health? Hacking? Bobs and vagine? Taleb continues to make no sense, and Snowden let’s him know with another zinger:

Main Character Syndrome indeed. I would add Major Asshat Syndrome and Big Phony Fraud and Fragile Loser Syndrome as well. Because this is the guy who wrote Antifragile! Which is supposed to be about things that thrive during chaos, or in other words, things which are resilient. And nothing says resilient like faking a hacking narrative to cover your tail chasing, issuing an incomprehensible debate challenge to someone way out of your league, and tripling down with blocking random twitter users who question you. And I would know, because after I liked the bobs and vagine comment and added something like “Methinks Mr. Taleb doth protest too much,” the fucker blocked me too! Sadly that Twitter account is history so I can’t post a screenshot, however it was obvious that this huge baby was scrolling chats and mass blocking to distract from his disastrous piece of public relations. Honestly, the whole thing was super funny and Taleb showed his ass in the worst possible way.

Taleb obviously thinks he is hotshit. Check out his Twitter bio.

What a poser. A flaneur is a French term for someone who walks the streets taking things in, and Walter Benjamin wrote extensively about the flaneur in his epic, and epically unfinished “Arcades Project.” Actually, a flaneur is a lot like a kibitzer. I am the Kyotokibbitzer (two b’s baby), and I love Benjamin’s work, including the Arcades Project. I bet Taleb is aware of Benjamin and fancies himself a fan. But he doesn’t know the first thing about Benjamin, because Benjamin was a humble guy who did great work and Taleb is a braggart, a tail chaser, and a bum. Deadlifts and dead languages my ass. Text is dead there Nicholas, at least your texts are, because you made a complete fool of yourself and you suck. Taleb exemplifies precisely why I dislike anyone who calls themselves a public intellectual or an expert. He is a poser and I’ll bet you 10 to 1 his ideas are stolen just like Neil DeGrasse Tyson’s, another total loser who piggybacks on people who know something to pump up his image. (A sure sign of a loser is a “public intellectual” who insists on using three names. What’s wrong with Nicholas Taleb or Neil Tyson? The only people who need three names are serial killers; I mean even public intellectual number one Malcolm Gladwell only uses two names. Gladwell is known to pilfer ideas as well, but The Tipping Point is a pretty good read and the dude genuinely knows a tremendous amount about the sport of running. And he doesn’t call himself “Malcolm Julius Gladwell” or whatever. This is because he’s just a writer and knows that using his middle name would make him a prat.) Anyway, it’s totally fine to fake it ’til you make it, and most of us do to a greater or lesser degree, but you can’t fake your way into being an expert. Never trust “experts,” full stop.

So that’s the story of Razzlehan, the misunderstood genius, and Nicholas Taleb, the big phony. And in case you are asking, yes I did ask Razz to get in touch with me above. I’d say “I can fix her,” but she needs no fixing. She can DM me all she wants, and she doesn’t even have to get the Russians involved.

Dedication:

For Razz. You rule baby. So damn hard.

The Days of Nights of My 50s, 7/26/26: A Minor Day

I: Morning

I woke just after 6:40 this morning with the pleasant emptiness that follows a good night’s sleep and, occasionally, good sex. The room was quiet. My head was clear. Osaka was already stirring.

I brewed a coffee in my room, then wandered downstairs for another one from Lawson, bought a bag of crisps, and smoked a few heaters.

Travel logistics, I’ve have come to realize, occupies only a fraction of my days these days. The rest is spent trying to make sense of what happened yesterday.

I opened my essay draft from last night.

“She looked like her picture…but not quite.”

Good.

“She joined me in the shower.”

Fine.

“She began to stroke my dick.”

I stared at the sentence. Technically accurate. But could I do better? Try again. The morning became less about memory than rhythm. Every sentence asked a question.

Too much? Not enough? Funny? Honest? Self-indulgent? I changed “dick” to “cock.” Then changed it to “dick” again. I have no logical explanation for this. It just felt right.

Then there was the kissing. I looked at the sentence “her tongue had been just a little aggressive.” True. Funny. Fair. It stayed.

Other things didn’t. I caught myself trying to make everything dramatic. I deleted entire paragraphs. I was making progress. Outside my window Osaka continued existing without the slightest interest in whether one sentence sounded better than another.

Inside my room, however, the fate of Western literature seemed to depend upon whether I’d written “I checked Google Maps again” or “I checked Google Maps for the tenth time.” The latter had to go. It was writerly inflation. Get it outta here.

II: Early Afternoon

Whenever I edit, my brain begins making improbable associations. One sentence reminds me of a song. The song reminds me of a film. The film reminds me of another book.

Then suddenly I’m Googling Moneyball pictures because I need a photograph of Brad Pitt smiling for my essay cover.

I put on the Jesus and Mary Chain’s Dirty Water with that one immortal line.

“Fuck with me and I’ll fuck with you/ ain’t what that were supposed to do?”

Perfect, I thought. There’s your epigraph.

By mid-morning I’d spent three hours changing words that most readers would never notice. Dick. Cock. Looked. Seemed. Perhaps. Another cigarette. More editing.

There are days when writing feels like building a cathedral. There are other days when it feels like repeatedly moving the same chair around the living room in search of the perfect angle.

=====

After lunch I finally leaned back. The piece wasn’t perfect, but it was alive.

Yesterday had begun as a train ride, become a date, drifted into sex, wandered through a convenience store at half past midnight, detoured into Zero Dark Thirty, and somehow wrapped at six thousand words.

That’s the strange alchemy of memoir. You don’t write life. You live it first. Then you spend the next morning discovering what it was actually about.

III: Late Afternoon

Whether you know it or not—if you’re even halfway interesting—you eventually become Larry King.

“Morning folks…maybe Hong Kong… maybe the weather… coffee…”

Dot dot dot. The famous Larry King ellipsis. God, I loved that.

“Mets win…”

Always the Mets.

“Mets win… rain tomorrow… baby dies… RIP… gonna take a shit… Larry out…”

Everything separated by ellipses like every thought had exactly the same emotional weight. That’s genius. USA Today probably paid him a million bucks for two tiny paragraphs. Larry transcended journalism. It was its own literary form.

Speaking of old media guys, I think this has been reported, so I’m not talking out of school. Mandiola said Larry was up against it money wise when he died. Eight marriages. Eight divorces. Totally outta control.

After sixty-five years at the pinnacle of broadcasting, CNN, the huge interviews, all of that… supposedly there wasn’t much left. You assume people who sit on top of the mountain for half a century just become permanently rich.

Apparently not.

=====

Hong Kong still sounds attractive to me. Not just because of the escorts. Honestly, I can get dumplings anywhere. But there’s something about Hong Kong. South Korea too, though prostitution isn’t really an option there. That’s okay. I’ll get on the apps when I feel like dating.

I don’t actually want another marriage. I thought I did with Litz six weeks ago. Turns out I was just rushing in and being dumb.

Ian texts nd says a bunch of those Scott Walker songs on YouTube are probably AI. Sure dude. Doesn’t bother me. Fine brother, fine.

IV: An Early Night

I don’t have a lot to say about last night. I didn’t get an escort. I didn’t even browse the escort sites. Mostly, I slept—twice more—and finished editing and publishing my essay He Gets on Base. Other than that, I didn’t do much of anything.

Cape Canaveral remained the soundtrack of the evening. I don’t even remember whether I talked to Litz. I had the tempura soba for dinner from the store, and that’s about all I can confidently remember.

Around five o’clock, I realized I’d slept very little over the past week. As I’ve mentioned before, I haven’t really slept well since I was fourteen, with very few exceptions. A week of minimal sleep isn’t unusual for me. After several days, though, it inevitably catches up with me. This was one of those times.

Earlier in the day, I’d finished a somewhat difficult edit of my journal entry, Am I Bisexual? After publishing that, I turned to the previous day’s essay, He Gets on Base, which was also running a bit behind. I thought I could get it edited and published before going to sleep, and, thankfully, I was right.

A couple of hours later, I took a short nap. When I woke up, I washed up, drank some water, put on some fresh music, and went back to work. I don’t remember thinking about much besides finishing the essay. That was the goal, and I wanted it out the door.

I finally fell asleep for the second time around 10:00 p.m. and woke up around 3:30 a.m.—a perfectly normal night by my standards.

Overall, it was a good day. I didn’t accomplish much in terms of sightseeing or adventure, but I did get two overdue essays edited and published. I caught up on some badly needed sleep, felt productive again, and, in the end, that was good enough.

This will probably be one of the shortest entries in The Days and Nights of My 50s, but not every day needs to be an epic. Sometimes getting the work done and getting some sleep is story enough.

Dedication:

For sleep. Thank god.


[[[[[[[[[[[[[[[[[[[[[The Days and Nights of the 50s, 7/25/26. He Gets on Base.

zmust be eighty meterswith planters all the way down , with planters all the way down it.

Some benches have backs.

Some don’t.

Obviously I’m taking the deluxe seating.


No plans today.

That’s the plan.

Maybe extend another night.

No reason to move.

Red Roof got cancelled.

Waiting on the Sony card.

Probably head back Tuesday unless Hugh suddenly decides otherwise.

I doubt it.

He said “maybe.”

That’s already twenty percent.

Then he didn’t text back.

That’s another twenty percent.

I just don’t think it’s happening.

If he calls, maybe Kobe.

I’m not cold-opening Kobe.

Women?

Sure.

Friends?

Different rules.


Bought Camels.

Pure economics.

American Spirits are ¥440.

Marble Blacks are ¥660.

Camels were something like ¥480 for twenty.

The math wins.


Star liked my pieces.

There’s something going on there.

I know there is.

She texted back fast enough.

Not saying anything dramatic.

Just…

I have a read on these things.


Music.

Nothing beats side two.

“Rock & Roll.”

Then “Sweet Jane.”

Come on.

Lou Reed was absolutely on one.

People always talk about “Walk on the Wild Side.”

Fine.

It’s good.

But Street Hassle…

Different universe.

He played twenty-plus minutes of it live when I saw him in 2003.

Incredible.

Rosie’s in Thailand.

Pink hair now.

Twenty-three? Twenty-four?

Typical Thailand.

III: Late Afternoon

arly Afternoon

Dude, whether you know it or not—if you’re even halfway interesting—you eventually become Larry King.

“Maybe Hong Kong… maybe the weather… coffee…”

Dot dot dot.

The famous Larry King ellipsis.

God, I loved that.

“Mets win…”

Always the Mets.

“Mets win… rain tomorrow… baby dies… RIP… gonna take a shit… Larry out…”

Everything separated by ellipses like every thought had exactly the same emotional weight. That’s genius. USA Today probably paid him a million bucks for two tiny paragraphs. Larry transcended journalism. It was its own literary form.

Speaking of old media guys…

I think this has been reported, so I’m not talking out of school. Manuel said Larry was almost broke when he died. I don’t know the numbers—I think Manuel threw out something like a million dollars in debt—but the point wasn’t the number. The point was that after sixty-five years at the absolute top of broadcasting, CNN, the huge interviews, all of that… supposedly there wasn’t much left.

Again, that’s Manuel’s story, not mine.

If true, it’s fascinating.

You assume people who sit on top of the mountain for half a century just become permanently rich.

Apparently not.


Hong Kong still sounds attractive.

Not because of escorts.

Honestly, I can get dumplings anywhere.

But there’s something about Hong Kong…

South Korea too, though prostitution isn’t really an option there. That’s okay. I’ll get on the apps if I feel like dating.

I don’t actually want another marriage.

I thought I did with Liz.

Turns out I was just being dumb.

No regrets.

Seriously.

I forgive myself completely.


Starter still hasn’t gotten back to me.

Hugh either, but it’s only six in the morning, so he’s asleep.

Ian says a bunch of those Scott Walker songs on YouTube are probably AI.

Could be.

Doesn’t bother me.

I barely know what he’s talking about half the time anyway.


Green gum.

Always green gum.

The black stuff is basically gone in three chews.

Do people actually chew gum for half an hour?

I don’t.

Three chews.

Done.


This bench is better.

The hotel has this long strip outside—must be eighty metres—with planters all the way down it.

Some benches have backs.

Some don’t.

Obviously I’m taking the deluxe seating.


No plans today.

That’s the plan.

Maybe extend another night.

No reason to move.

Red Roof got cancelled.

Waiting on the Sony card.

Probably head back Tuesday unless Hugh suddenly decides otherwise.

I doubt it.

He said “maybe.”

That’s already twenty percent.

Then he didn’t text back.

That’s another twenty percent.

I just don’t think it’s happening.

If he calls, maybe Kobe.

I’m not cold-opening Kobe.

Women?

Sure.

Friends?

Different rules.


Bought Camels.

Pure economics.

American Spirits are ¥440.

Marble Blacks are ¥660.

Camels were something like ¥480 for twenty.

The math wins.


Star liked my pieces.

There’s something going on there.

I know there is.

She texted back fast enough.

Not saying anything dramatic.

Just…

I have a read on these things.


Music.

Nothing beats side two.

“Rock & Roll.”

Then “Sweet Jane.”

Come on.

Lou Reed was absolutely on one.

People always talk about “Walk on the Wild Side.”

Fine.

It’s good.

But Street Hassle…

Different universe.

He played twenty-plus minutes of it live when I saw him in 2003.

Incredible.


Rosie’s in Thailand.

Pink hair now.

Twenty-three? Twenty-four?

Typical Thailand.


Then out of nowhere…

An old girlfriend pops up.

Haven’t talked in thirty-four years.

Barely thought about her except when the algorithm reminded me she still exists.

Now she wants me to call.

Why not?

Thirty-four years.

What’s the worst that can happen?

I’ll give her a ring.

We’ll see what happens.

Duder out.

=====

Then there was the kissing.

I liked writing that her tongue had been “just a little aggressive.”

Whenever I edit, my brain begins making impossible associations.

One sentence reminds me of a song.

The song reminds me of a film.

The film reminds me of another book.

Then suddenly I’m reading Moneyball captions because I need a photograph of Brad Pitt smiling.

Why?

No idea.

It simply feels right.

Then Kevin Drew enters the room.

“Good sex never makes you feel hollow.”

Perfect.

That’s the epigraph.

Sorry, Bukowski.

You’ve just been replaced.


By now I’d drifted into The Sopranos.

I’ve watched the entire series twice.

One of my favourite moments comes near the end, when Carmela asks Meadow whether she’s really leaving.

Meadow says yes.

Carmela asks, “So you wanna get out?”

Meadow nods.

Carmela smiles sadly.

“Let me draw you a map.”

I’ve always loved that line.

It’s funny.

Protective.

A little manipulative.

Entirely maternal.

Like so much of The Sopranos, it’s simultaneously warm and faintly menacing.

Good dialogue almost always carries two emotions at once.

That’s something I’ve stolen shamelessly.


By mid-morning I’d spent three hours changing words that most readers would never notice.

Dick.

Cock.

Looked.

Seemed.

Perhaps.

Maybe.

Delete.

Undo.

Delete again.

Smoke.

Coffee.

Another cigarette.

More editing.

There are days when writing feels like building a cathedral.

There are other days when it feels like repeatedly moving the same chair around the living room in search of the perfect angle.

This was definitely a chair-moving day.


Around lunchtime I finally leaned back.

The piece wasn’t perfect.

It never would be.

But it was alive.

Yesterday had begun as a train ride, become a date, drifted into sex, wandered through a convenience store at half past midnight, detoured into Zero Dark Thirty, and somehow ended as six thousand words.

That’s the strange alchemy of memoir.

You don’t write life.

You live it first.

Then you spend the next morning discovering what it was actually about.

The Days and Nights of the 50s, 7/25/26. He Gets on Base.

Epigraphs:

So you wanna get out?
Let me draw a map

–Superchunk

Good sex it never makes you feel hollow
Good sex it never makes you clean

–Kevin Drew

I watched your face die backwards
Little baby in my memory
You told me victory’s sweet
Even deep in the cheap seats

–Conor Obrest

I. Morning

I slept better than I have in a long time. As best as I can recall, I went to bed around 12:40 AM. and woke up around 6:40 AM. Six hours is not necessarily a full night’s sleep, but lately it has felt like a luxury. I woke up clear-headed, made coffee in my room, and headed down to the Lawson around the corner for another one. I picked up some potato chips while I was there, wandered back to the hotel, and settled into the morning.

The first order of business was practical. I checked my messages, replied to my son Hugh, and told him I’d be happy to swing by home on Monday as long as he let me know what time he expected to be home. “Love, Papa,” as always. I checked in on Elliott as well. Nothing had changed. As of this writing, we’re still meeting at 6:30 this evening at a beer bar in southern Osaka, and I am looking forward to it.

Once these logistics were out of the way, my mind drifted, as it sometimes does, toward movies and television.

I started thinking about The Sopranos. I’ve watched this show all the way through twice, and I’ve revisited a number of episodes over the years. I think James Gandolfini and Michael Imperioli both give remarkable performances, and there are many individual scenes I genuinely love. Even so, I’ve gradually realised that David Chase’s aesthetic simply isn’t mine. Whether the repetition is intentional or not—and I suspect it is—I find both the storytelling and the character arcs to be cyclical.

The performances remain compelling, but the show continually circles back over the same emotional territory. I understand why so many people consider it one of the greatest television dramas ever made. I don’t. I like it and I’m glad I watched it, but I don’t imagine I’ll ever watch the series again.

Thinking about The Sopranos naturally led me to the dialogue that has stayed with me over the years. Not necessarily the greatest lines ever written, but the ones I find myself returning to.

Roger Wade, in The Long Goodbye, pours two glasses of anisette and says to Philip Marlowe, “Take that goddamn J. C. Penney tie off.”

Marlowe calmly replies, “I’m happy to drink with you, but I’m not taking my tie off.”

I don’t know why I love that exchange so much, but I always have.

Another favorite comes from Godfather II. Michael Corleone’s sister comes to him with her new boyfriend Merle to ask Michael for money.

“Connie, I don’t know this Merle. I don’t know what he does. I don’t know what he lives on. Tell him you’re never going to see him again, and come and live with me in Tahoe.” She does of course. It’s funny, oddly romantic, a little menacing, and super funny.

Then there’s The Wire. Bodie has always been my favourite character, and one of my favourite exchanges comes in Seasons 3 shortly after Cutty gets out of prison.

“I’m surprised Avon lets y’all get your heads up.”

Bodie shrugs.

“Sometimes you got to.”

Four words. An entire philosophy.

Seinfeld contributes one as well. Kramer proudly shows Jerry his silk boxer shorts and encourages him to buy a pair. Jerry politely declines.

“No thank you. They’re just a little too delectable for me.”

Perfect.

Finally, there’s Michael Clayton. Arthur Edens has come apart at the seams strips off in the deposition room. Michael flies to Wisconsin to rescue him, and after a brief argument simply says,

“Let’s get out of Milwaukee and we’ll talk about it.”

Sometimes a single sentence can contain an entire friendship.

As I thought about these great quotes, I realized something that hadn’t quite crystallized before. I don’t dislike slow films. I dislike static ones. I love Tarkovsky, but I don’t love all of Tarkovsky equally. Mirror and Stalker feel alive to me. Nostalghia does not. Likewise, I don’t need constant action, but I do need movement—emotional, philosophical, psychological, narrative. I want to feel that a story is becoming something different from where it began.

That, I think, is the aesthetic I’m really chasing. After that my thoughts wandered to Craig Finn, the singer-songwriter who heads the Hold Steady.

The first Hold Steady song I ever heard was “Sequestered in Memphis.” At the time I misunderstood the entire premise. I thought the narrator was giving an interview to a journalist rather than being questioned by the police. Looking back, it seems obvious, but it never occurred to me then.

What always stayed with me, though, was a single line:

In barlight she looked alright. In daylight she looked desperate.

I’ve know exactly what Craig means here. I’ve been there too.

By then the morning had slipped away from me. As of this writing, I’m still working on my essay, Am I Bisexual? It should probably have been published two days ago. It’s one of the more complicated pieces I’ve written in a while, and I’d rather finish the edit properly than rush it out simply to keep the daily streak alive.

The plan from here is straightforward. I’m going upstairs to keep editing for another hour or two. I’ll get organised, probably grab a short nap later this afternoon, and then head down to southern Osaka in plenty of time to meet Elliott at 6:30.

Everything else can wait.

II. Afternoon

By nine I’d finally stopped putzing about I was about to start. I rearranged the room one more time, put on Neil Halstead instead of Ryan Adams, then Ryan Adams instead of Neil Halstead, opened three browser tabs, closed two of them, looked at hotel dates, thought about escorts for exactly as long as I had promised myself I wouldn’t, and somehow convinced myself this counted as preparation.

It did, in a way. Every writer has their rituals. Mine mostly involve avoiding the sentence I’m about to write.

I remembered a much loved Superchunk lyric:

“So you wanna get out / well I’ll draw you a map.”

This turned out to be the whole morning. Dude if this place sucks so bad just jet. I’ll buy you and Amtrak ticket. Seriously bro. Hit the brinks.^

The next few days existed only as pencil marks: maybe Osaka until Monday, maybe longer, maybe Pattaya, maybe Litz, maybe Hugh, maybe Mio. None of it fixed. Just possible roads branching away from the same hotel room.

The night before, Litz had mentioned how much she loved the ending of piece I wrote about her. I had already mostly forgotten this part, so I took another look. It went like this:

The challenges in our relationship are the product of two imperfect people, each bringing old habits, old fears, old hopes, and old wounds into something new. This is not failure. It is simply the complicated business of being human.

I made it halfway through before I started crying. Not dramatic crying. Just enough that I had to stop reading. Sometimes a paragraph waits until you’re ready to understand what you wrote.

III. Early Evening:

Around 6:30 this evening, after working for about an hour and a half on the edit of yesterday’s journal, I walked a few minutes from my new hotel to a nearby convenience store to get something to drink.

Several hours earlier, I had texted my friend Elliott to ask whether he wanted to grab a drink tomorrow night. As I walked to the store, he replied that he was up for it and suggested a beer bar in southern Osaka. I told him I would meet him there.

Thinking about Elliott, I reflected on how much I admire his intelligence. I am a high school teacher, and Elliott used to be one of my colleagues. He left the school years ago and now tutors economics online and manages various investments. He also used to teach mathematics.

I am a social studies teacher. Over the years, I have taught a wide variety of classes, and I feel that I could adequately instruct students in almost any area of social studies. Elliott’s mathematical intelligence, however, has always struck me as remarkable.

In fact, I sometimes envy the mathematics teachers I have known, because mathematics is simply not one of my strengths. I was a decent math student for a time, but I hit the wall with calculus during my junior year of high school and never took another math class. Today, I almost never use mathematics except for the calculator on my phone and a little basic financial housekeeping.

This does not mean that Elliott is smarter than I am. I consider myself highly intelligent. Nonetheless, several times over the years, I have wondered whether he might indeed be smarter than me.

Thinking about it today, I realized that this is probably because his intelligence expresses itself very differently from mine. If I absolutely had to, I could probably relearn enough mathematics to teach middle school. That would be about my limit. Elliott is whip-smart and could probably teach most of the social studies classes I have taught without too much difficulty.

I often reflect on how strongly my intelligence expresses itself in certain areas of life, while in others I am essentially incompetent. I have a solid understanding of subjects such as history, politics, philosophy, psychology, religion, and metaphysics. However, I could not change a tire to save my life.

Although I am not exactly made of money, I almost always call a professional to handle household tasks such as fixing a faucet or clearing a drain. I find these jobs to be a tremendous hassle. In fact, they piss me off. I am happy to pay someone a few dollars to come and sort them out.

As I entered the convenience store, my thoughts turned to the screenwriter Aaron Sorkin. Sorkin is one of the greatest television and film writers of all time. I love The West Wing and The Social Network, and I have enjoyed much of his other work. For reasons of his own, however, Sorkin insists on directing some of his films.

He wrote and directed Molly’s GameMolly’s Game sucks ass. The script is incomprehensible and all over the place. It is, without question, the worst piece of writing he has ever produced. The direction is equally terrible. The characterization is weak, the emotional beats are overdone, and the entire film is syrupy and sappy. I cannot stand it.

A second film of interest here is The Trial of the Chicago 7, which Sorkin also wrote and directed. The script is actually quite good, and the acting is strong. Once again, however, Sorkin’s direction is awful.

The film concerns the protests surrounding the 1968 Democratic National Convention in Chicago. I was not alive at the time, but my understanding is that thousands of protesters gathered in the city, largely in opposition to the Vietnam War and to the Democratic Party’s handling of it. The police responded with tear gas, clubs, arrests, and widespread violence. Some protesters fought back, and things became extremely ugly.

There are only a few major action sequences in the movie. Sorkin’s handling of them is pure trash. He has no idea how to direct physical chaos. The cameras are always in the wrong place. It is difficult to tell where anyone is or what is happening. The entire thing feels out of control, and not in an intentional way.

Molly’s Game is a bad movie, and I do not care. The Trial of the Chicago 7 could have been a good movie with competent direction. Sorkin was simply not the man for the job.

As I walked back to my hotel, I began thinking about how strange it is that otherwise intelligent people, for reasons of ego, ambition, or simple misjudgment, sometimes insist on doing things at which they are obviously bad.

Then I thought: Well, I have probably done this too.

There have certainly been times when I believed I could handle something and ended up over my skis. I suspect this is true of everyone. We all have strengths and weaknesses, and intelligence manifests itself in different ways.

Over time, I have tried to learn how to pick my spots and stay in my lane. I do not always succeed. However, I hope I do a better job of it than Aaron Sorkin.

IV: Evening Back at My Hotel

As I walked to the train station to go meet Elliot I called Annie. Annie has always been completely outta control, and she absolutely loves it. Within five minutes she’d decided to crash her ex-husband’s wedding in a tent, seduce one of the guests, reminisced about working at Spokane’s Mars Casino, told me stories involving cocaine, dresses, gambling, and an older gay man who’d taught her “everything about sex,” invited me to her hypothetical future wedding, and, after I jokingly suggested we skip straight to sex ourselves, said she’d think about it. Talking to Annie has always been like standing beside a fire hose. The stories don’t really have beginnings or endings. They simply arrive.

The morning passed quietly. I answered a message from my brother Hugh, who was planning to stop by the house in Kyoto sometime during the coming week, and sent a few encouraging replies to several women I’d been chatting with online. One woman in the Philippines was hoping to find work overseas in Singapore or Malaysia. Another, somewhere in Thailand, simply wanted to know how my morning was going. Others had drifted into that peculiar limbo occupied by most dating-app conversations: friendly enough to continue, but unlikely ever to become anything more.

After a while I found myself scrolling through far more conversations than I probably should have. Dating apps create the illusion that your social world is constantly expanding, when in reality most interactions simply fade away after a few messages. Every now and then somebody surprises you, but most conversations end not with an argument or rejection, but with simple inertia. Nobody does anything wrong. Life just moves on.

Perhaps that’s why I no longer find the process frustrating. Years ago I probably would have chased every lead, replied to every message immediately, and wondered why nothing seemed to develop. These days I treat it more like browsing a bookstore than shopping for groceries. If something genuinely interesting appears, wonderful. If not, I’ll probably enjoy my coffee just as much.

My musical companion for the morning was Craig Finn. I first discovered him through “Sequestered in Memphis,” and, like many first-time listeners, completely misunderstood the song. I thought the narrator was speaking to a journalist after a reckless night in Memphis. Only later did I realize he was being questioned by the police. Somehow that misunderstanding didn’t lessen the song; if anything, it made me appreciate Finn’s writing even more. His characters are so vividly drawn that they feel real even when you’ve misunderstood the plot.

One line has always stayed with me: “In bar light she looked alright. In daylight she looked desperate.” Finn is ostensibly describing someone else, but the brilliance of the lyric is that it cuts both ways. By dawn, they’re both desperate. We’ve all had moments where the previous night’s confidence evaporates with the morning light. Finn simply found the perfect sentence to describe it.

V: On the Way to See Elliot

After finally giving up on the day’s editing, I showered, threw on a clean shirt, and hurried toward Taishō, where I was meeting Elliott at a craft beer pub called TNT. I was running a few minutes behind schedule—as usual—but Elliott has never struck me as the sort of person who minds waiting over a pint. I figured I’d make up the time somewhere between the hotel and the station, although experience suggested otherwise.

The train ride became one of those familiar periods of suspended possibility. While checking directions and changing lines, I also found myself checking dating apps, replying to messages, and idly wondering what the rest of the evening might bring. If everything went perfectly, I’d spend a few hours drinking good beer with Elliott, head back toward my hotel, and perhaps finish the night with a date. It wasn’t exactly a plan so much as several loosely connected possibilities competing for my attention.

Somewhere between stations my thoughts drifted to Tomoyo, one of my former students whom I’d seen again at the book launch. We’d nearly gone out together once before, years after she’d graduated, but circumstances had gotten in the way. Twenty years have now passed since I first taught her, which removes any ethical hesitation I might once have felt. I found myself wondering whether I should simply ask her out the next time I am in Tokyo. Sometimes life becomes unnecessarily complicated because we spend too much time calculating the odds instead of asking straightforward questions.

That seemed to be the theme of the journey. I checked my bank balance, priced a few possibilities for later that evening, briefly reconsidered future trips to Thailand and even South Korea, nearly walked the wrong way through a station, and at one point came within a few feet of being clipped by a taxi while jaywalking. None of it mattered very much. My mind was simply ricocheting from one possibility to another while my body steadily carried me toward a beer with a friend.

By the time I emerged from Taishō Station, the mental static had largely disappeared. Elliott was waiting, the pub was less than a minute away, and for the next few hours the only decision I intended to make was which beer to order first.

=====

The Osaka Loop Line has a hypnotic quality after a while. Every minute or two another calm recorded voice announces the next station, another transfer, another reminder to mind the gap. After ten or fifteen minutes the words stop meaning anything. They become part of the rhythm of the journey, almost musical, drifting in and out beneath whatever happens to be occupying your thoughts.

Mine, for reasons I still can’t explain, wandered toward negative igloos.

I have absolutely no idea what a negative igloo is. I have never knowingly encountered one before or since. It arrived fully formed, demanded my attention for perhaps fifteen seconds, and then disappeared forever, leaving me no wiser than before. If someone were to ask me today what a negative igloo might actually be, I honestly couldn’t begin to answer. Nonetheless, somewhere between Kitahama and Taishō, negative igloos briefly became the most important concept in my universe.

The rest of my brain was scarcely more coherent. Ryan Adams was singing Drank Like a River, and I found myself thinking about the tiny crack in his voice—that moment where it sounds less like he’s performing a song than remembering something he’d rather forget. Some singers sound polished. Ryan often sounds wounded. There’s a difference, and it’s one of the reasons I keep returning to his records.

Then, just as suddenly, I realized I had absolutely no idea where I was.

I’d somehow missed my stop, wandered out the wrong exit, and was now standing in a station that looked vaguely familiar while possessing almost no useful geographical knowledge whatsoever. Google Maps insisted I was only two minutes away from Elliott. My instincts insisted otherwise. My instincts, it should be noted, have an unfortunate habit of arguing with Google.

For a few minutes I experienced what I can only describe as a minor travel panic. Not real panic—nothing so dramatic—but that familiar sensation every traveller knows, where every street begins to resemble every other street and every directional arrow seems specifically designed to send you somewhere else. I walked one way, doubled back, checked Google again, ignored Google, trusted Google, ignored it again, and somehow managed to end up exactly where I’d started.

Meanwhile my thoughts continued their usual pinball routine. Was the Sony credit card finally on its way? Should I spend part of August in South Korea instead of Bali? Would Yo still be available later that evening? Why hadn’t Jennifer replied? Why did Meinster have time to send me promotional emails but apparently not royalty statements? None of these questions had anything whatsoever to do with finding a pub in Taishō, but my mind saw no reason to separate one subject from another.

Eventually I admitted defeat and messaged Elliott. Dude I am totally lost. His reply arrived almost immediately.

Where are you?

It was the perfect question because I genuinely didn’t know.

Google claimed I was standing practically on top of TNT Craft Beer Pub. My own eyes suggested I was standing outside an Irish bar that definitely wasn’t TNT. For a brief moment I began to wonder whether the pub existed only as a cartographical rumour.

I texted him back and said I was looking at Taisho Station. He said he would be right there. One minute later I saw him across the street and crossed to meet him.

When Elliott finally rescued me from my navigational incompetence, TNT turned out to be exactly where Google had insisted it was all along. The fault, as usual, lay somewhere between the phone and the human operating it.

“You’re hopeless,” he said.

“I prefer ‘geographically imaginative.'”

He laughed. “Come on.”

One minute later we were golden.

VI: TNT Craft Beer with Elliot

The pub was everything I hoped it would be: a long wooden bar, a dozen taps of rotating local craft beers, a cheerful bartender in a baseball cap who somehow managed to keep everybody’s glass full without ever looking hurried. When one of the kegs kicked halfway through pouring my pint, she apologized and handed me the remainder for free.

“Sorry” she said.

“No worries,” I said. “I’ll always take half a beer for free.”

She laughed.

“I like your hat,” I said.

“I get that a lot,” she said.

I turned to Elliot and asked if he wanted to hear a joke.

“A shepherd is in bed with his girlfriend for the first time. She asks him, ‘How experienced are you?’ He closes his eyes…starts counting…and falls asleep.”

The bartender laughed.

Elliott buried his face in his hands.

“Please,” he said, “never change.”

“I make no promises” I said.

By the time the quizmaster welcomed everyone, we’d accumulated enough empty glasses to suggest we were taking the evening seriously while simultaneously possessing almost no confidence in our ability to answer questions about anything.

“What’s are name?” Elliot asked me.

“How about the Glorious Mofos?”

“Of course.”

“Ladies and gentlemen,” the quizmaster announced, “welcome!”

“He seems enthusiastic,” I whispered.

“He’s paid to be.”

We were spectacularly mediocre.

Spain had won something. Bananas were radioactive. Kobe Bryant was apparently named after Japanese beef. Beyond that we entered a sort of intellectual free fall.

“What do you think?”

“No idea.”

“You?”

“Less than no idea.”

“Write banana.”

“I already did.”

“Excellent.”

Our strategy rapidly evolved into letting Elliott answer the questions that sounded plausible while I concentrated on drinking beer, admiring the bartender, and periodically checking whether Yo had confirmed our appointment.

At one point Elliott looked over my shoulder.

“You’re really going after this?”

“I think so.”

“You ever think about…you know…not?”

I considered that.

“For about three seconds.”

He laughed.

“I thought so.”

That was one of the things I’d always appreciated about Elliott. He never judges. He asked questions. Usually he agrees with me. Other times now. Occasionally he looks at me as though I’ve completely lost my mind. But whatever I do he never tries to become my conscience. Old friendships eventually settle into that rhythm. You stop trying to improve each other and simply learn to enjoy each other’s company.

The conversation drifted from Japan to Canada, from the weather to my girlfriends, from travel plans to parents. I vented a little about my mother bitching about my writing. Elliott listened more than he spoke, occasionally nodding, occasionally smiling in that understated Canadian way that somehow communicated, I don’t entirely agree, but I understand why you’re upset.

By the time the second round ended, I’d glanced at my watch three or four times.

“You’ve got somewhere to be,” Elliott said.

“I might.”

“You definitely do.”

“Indeed I do.”

He grinned.

“Go lose your T-card.”

I laughed so hard I nearly spilled my beer.

“I’ll report back.”

“You’d better.”

We settled the bill, shook hands outside TNT, and headed in opposite directions. Elliott toward another ordinary Saturday night. Me toward Umeda, where Yo-chan was waiting.

VII: On the Way to See Yo Chan

As I entered Taisho Station the JR announcements began their familiar chant once again.

The next stop is…

Somewhere between stations my mind wandered back to negative igloos. I still have absolutely no idea what one is.

The JR announcer continued serenely informing us that the next stop was Kyobashi, or Osaka Castle Park, or somewhere that probably existed. In my head it became:

“Please enjoy negative igloos. Transfer here for the glorious nonsense line. Please exit on the right.”

“Yeah, yeah,” I muttered. “I got it.”

I did not, in fact, have it.

Somewhere between the craft beer and the heat, I’d managed to convince myself I’d fallen asleep on the train. Maybe I had. Maybe I hadn’t. Either way, I suddenly had absolutely no idea where I was.

Oh, shit.

I checked Google Maps again. Every time I opened it, it confidently gave me a different answer.

“Seventeen minutes.”

I calculated that I would get to the shop about five minutes early. This turned out to be off. The announcer cheerfully reminded us to mind the gap.

“I’m trying to mind all the gaps.”

I got off the train and looked around. Then decided getting off had been exactly the right decision. I checked the train map on the station board. I was also seventeen minutes past Umeda. Oh great. Back we go.

I thought to myself: I need cash. Then a taxi. Then a cigarette. Possibly in that order. First I had to get back to Umeda.

The train came and I rode the short distance back. The instant I stepped onto the street, I lit a cigarette and hailed a cab. I had just a fee drags when a cab pulled up and I had to toss the cig.

The taxi driver nodded when I said, “Umeda.” Progress. Seven minutes, Google claimed. For once, we agreed. As the cab rolled through the humid Osaka evening, I realized I was no longer worried about getting lost. I was worried cause I was a little late.

I’d spent the entire afternoon imagining meeting Yo chan, and now my grand entrance was shaping up to be me arriving slightly sweaty, smelling faintly of cigarettes and carrying too little cash.

Great first impression I thought.

The driver dropped me exactly where Google said he would. Google immediately betrayed me again.

Fourth floor. I found the fourth floor. Everything was locked. No people. No reception. No Yo-chan. No nothing.

Just an eerily quiet hallway that felt like the set of a film where everyone had disappeared moments before I arrived.

I called the shop.

“I’m here.”

A reply came back almost instantly.

“First floor. It’s hard to find.”

No shit.

A guy walked over and picked me up. We walked five minutes to where the shop really was, no where near where Google said it was. Typical. This guy knows nothing. Apparently.

Five minutes later I found the place.

VIII: Yo Chan

The shop staff took me up in the elevator to the 7th and opened the door to room 701. For some reason I found this number to be fitting. There was a shower but no sink. I took my own clothes and began to rinse off. Yo chan soon entered the room. She looked like her picture, but not quite. The agency website said she 24, a fact she confirmed in person. She looked about 28 to me, and I supposed her life was perhaps not the easiest.

I found her attractive, and knew I would be able to cum. She joined me in the shower, soaped up, and began to stroke my dick. In general, I prefer to handle my equipment. It is a sensitive area, and I just know it best. I turned my back to her, and then a minute later I stepped out and toweled off. She followed shortly thereafter.

As we stepped out of the shower, she assessed my naked body. She said, “You look like Boris Johnson.” I laughed away and didn’t reply. I decided then that there were some conversations not worth extending.

We climbed onto to bed. I was already erect, and she was at half mast. She unwrapped a condom and slid it on my dick. I had never sucked anyone’s dick before, and I was both exited and just a little nervous.

We began kissing. I like a bit of tongue during kissing, however, her tongue was a little aggressive. Oh well I thought, kissing, at least tonight, would not the main event. I broke the kiss, and went down on her. She was semi-erect, however I was able to fit her full penis into my mouth. The first thing I noticed was her large foreskin. The second thing was, the act was neither pleasant nor unpleasant, and she tasted neither good nor bad. I was eager to make her cum.

After a bit, she motioned for me to come back up to the head of the bed. She climbed back on top of me, and slid my dick into her ass. She had applied lube to her asshole, and hard dick slid in easily. After a short amount of time, I asked her to turn around and entered her from the rear. She began to moan and pant, and I found this very sexy. I was about to cum, and then, as I usually, do, I pulled and finished on a towel while sitting on my knees.

I then collapsed back the bed. She also sat on her knees, and came on the towel. Some of her cum landed on my leg, which I found faintly amusing. After this, I needed a cigarette. There was no smoking in the room so I asked her if I could go downstairs. She said sure, just pick me up a Pocari Sweat and call reception to get back up. I told her I would be back in five minutes, however I knew this was a lie. The fact was I would smoke three of four cigarettes and decompress for a while. This was about an hour into our date, and I had paid for ninety minutes. I did not want to re-engage in sex, so smoking and thinking quietly seemed like a good plan.

When I stepped back onto the street, the wind had gone out of my sails. Not in a bad way. Just…gone. For most of the day I’d been propelled by anticipation. Catch the train. Find Elliott. Don’t get lost. Meet Yo chan. Get the cash. Find the building. Try not to make an idiot of yourself. Then, just like that, there was nothing left to chase.

Osaka was still humming around me, but I’d become a spectator again. I checked the time on my phone. It was 12:30 AM. This immediately made me think of the Katheryn Bigalow film Zero Dark Thirty. I found myself thinking about Zero Dark Thirty. I’d never understood the criticism that it somehow endorsed torture. Showing something ugly isn’t the same as celebrating it. A film can portray violence honestly without recommending it, just as Goodfellas isn’t an argument for joining the Mafia. Sometimes a story simply trusts the audience to tell the difference.

I ducked into a nearby convenience store and bought two Pocaris, two beers, a burrito, and a pack of pack of cigarettes. I smoke another heater and drank one of the beers on the street. Then I called up to reception. There was no security, and I did not see any other customers the whole time I was there, however, at least time, I did what I was told.

Back in bed with Yo, we both undressed again and she fell asleep. I found our legs entwined. He body was very comfortable, and I can honestly say this was the sweetest part of the evening.

She woke up and pointed at the clock. It was time to go. We dressed and walked to the elevator. I leaned to give her a goodnight kiss, and she kissed me back, lightly. This was goodbye.

=====

It was after last train, so I got a taxi back my hotel near Yodoyabashi Station. The taxi rolled silently through the warm Osaka night I leaned my head against the window and watched the city slide by. Tomorrow I’d probably throw myself into another impossible plan, another train, another woman, another glorious and bizarre day. I was, by this point, quite tired.

A few hours earlier I’d been arguing with Google Maps, inventing negative igloos, convincing myself I’d missed stations that probably never existed, and experiencing a full-blown case of what I can only describe as travel boggle. Now all that urgency seemed faintly ridiculous. The date had happened. It had gone OK. I lost my T-card. I’d survived.

Travel does that. What feels catastrophic at eight o’clock becomes a mildly amusing anecdote by twelve-thirty.

But for the moment, there was nowhere I needed to be.

IX: Late Night Hotel and Bed

Back in my room I took off my shirt, washed up, and prepared for bed. For reasons I can’t entirely explain, my thoughts eventually wandered toward football. I’ve always enjoyed the sport, even if basketball remains my first love, and one of my earliest football memories comes from a Washington State game against Stanford. My mother, Claudia—CL to longtime readers—was friendly with Janet Elway, John’s mother, and at one point Janet served as something of a mentor to her. Through that connection, we ended up at the game while John Elway was still Stanford’s quarterback.

Before kickoff, Elway apparently told my mother that if he threw a touchdown, he would point toward us in the stands. Naturally, he did throw one. He was John Elway, after all. And after the score, he looked up and pointed in our direction while we yelled ourselves hoarse. I was still rooting for Washington State, which complicated the moment slightly, but even then I understood that we were watching somebody exceptional.

Elway went on to become one of the defining quarterbacks of his generation, first at Stanford and then during a long NFL career with Denver. What stays with me, though, isn’t the statistics or the championships. It’s the strange intimacy of that afternoon: my mother’s connection to his family, the promise made before the game, and the tiny gesture toward the stands after the touchdown. Sports are full of enormous public moments, but the memories that survive are often the small private ones folded inside them.

I claimed into bed, and indulged in one final reflection for the day. I thought about how funny it was that one minute you are deep in the throes of passion, moaning and panting your partner’s name, and the next you are smoking a cigarette, drinking a beer, and thinking about Zero Dark Thirty on the street. Sex, which feels so wonderful and necessary at the time, does tend to recede pretty quickly. However, the power of good sex, as Kevin Drew says in out epigraph, cannot be beat.

Dedication:

For Yo chan. Thank you for taking my T card baby. Godspeed. You rule.

The Days and Night of My 50s IV, 7/24/26: Am I Bisexual?

The locus of action is always in motion.

— Erving Goffman

This one goes to out to somebody watching tonight. She knows who she is.

— Bob Dylan

“Come on, baby, let’s rock and roll.”
— Michael Knott

Rock and roll motherfucking rules.

It just does.

Music in general rules. Live music rules even harder. I love almost every kind of music there is, from Appalachian folk to Georgian polyphony, from Miles Davis to Papa M, although admittedly not always in equal measure. Music has been one of the great organizing forces of my life for as long as I can remember. It has rescued bad days, elevated good ones, carried me through grief, celebrated victories, and made long train rides, lonely hotel rooms, and empty apartments feel just a little less empty. If today’s essay seems to wander off in musical directions more often than usual, that’s because today belongs to music.

The last couple of days have been filled with minor crises, accumulated errands, and one rather difficult conversation with my mother that I’ll briefly update readers on in a moment. None of these problems were especially serious in isolation. Collectively, however, they had begun to clutter the landscape of my mind. I woke up this morning with an unusually simple goal: clear away the small stuff, stay close to the hotel, listen to music, write, and otherwise leave myself alone.

There were still a handful of practical matters that needed attention. I’d been meaning to buy a new pair of headphones for several days. My hair was beginning to reach the point where even I had to admit it probably needed cutting. More importantly, ever since returning to Japan six weeks ago, my phone’s SIM card had been behaving erratically. The hotel Wi-Fi had been excellent, as Japanese hotel Wi-Fi almost always is, but every time I stepped outside I was reminded that “mostly functional” isn’t really functional at all. Since I’m planning to leave Japan again later this summer, I knew I couldn’t keep putting it off. Today I had a two o’clock appointment at the nearby SoftBank store, barely a three-minute walk from the hotel. The haircut could wait. The headphones could wait. The SIM card could not.

Readers of yesterday’s essay may be wondering about my mother and me. After our rather tense exchange yesterday morning, we exchanged messages later in the day. We still see a number of things differently, particularly regarding my writing and my dating life, and I doubt those differences will disappear anytime soon. On the other hand, we also love each other very much, and hopefully neither of us has any interest in staying angry for long. Families have disagreements. Good families keep talking anyway. I suspect that’s where we’re headed.

The same goes for Litz and me.

After nearly a month of trying to coordinate our schedules, we’re still trying. Unfortunately, her work situation remains remarkably unpredictable. She’s effectively working under a zero-hour arrangement, which totally sucks, which means an off day that appears available for her to travel one day can disappear the next. We’d hoped to meet in Takamatsu, roughly halfway between Kochi and Kyoto, but another last-minute change at work forced us to postpone yet again. We were both disappointed, but neither of us blamed the other. Sometimes life simply refuses to cooperate. We’ll keep talking, keep laughing, and eventually the calendars will line up. If they don’t before I leave for Thailand and then Spokane later this summer, we’ll simply keep doing what we’ve been doing remarkably well for months now: staying close despite the distance.

Once those thoughts were out of the way, the day became pleasantly ordinary.

II: Afternoon

I left the hotel a little before two carrying both my residence card and my My Number card, even though SoftBank had only asked me to bring one. Years of dealing with paperwork have taught me that bringing too much identification is infinitely preferable to bringing too little.

The walk to the station took only a couple of minutes. As usual, I finished a cigarette on the way, tossed it before entering, and descended into the cool underground passage. Every Japanese station seems to have its own invisible weather system. Long before you see the platform, you feel the wind. Part of it comes from the enormous ventilation system. Part of it comes from the trains themselves, which push columns of air through the tunnels like giant pistons every time they arrive. Whatever the engineering explanation, it always feels faintly magical. Before you hear the train, before you see another passenger, the station announces itself with moving air.

The appointment itself took exactly eight minutes.

The young SoftBank employee helping me wore a SoftBank Hawks baseball jersey instead of an office shirt, complete with a day’s worth of black stubble. For reasons I can’t quite explain, the whole thing struck me as perfectly Japanese. Professional without being overly formal. Efficient without pretending to be important. He checked my identification, installed the new SIM, and, naturally, it didn’t work right away. We both stared at the screen for a few seconds before I restarted the phone. It restarted almost instantly, found the network, and returned to life.

Problem solved. It’s funny how satisfying it is to cross one genuinely useful task off your list.

Afterwards I wandered no farther than the immediate neighborhood around the hotel. I stopped by a drugstore and a Lawson to purchase provisions. By the time I walked back through the hotel doors, less than forty minutes had passed since I’d left. The room was cool. The new SIM card worked. The refrigerator was full. The errands were finished. For the first time in several days, there was nothing left to do except what I’d wanted to do all along. Listen to music. Write my essays. Do my job.

Every now and then, simply sit there and enjoy the fact that not every thought requires action, not every errand deserves urgency, and not every day has to become an adventure. Sometimes crossing three small things off the list is more than enough. From there, all that’s left is to press play.

There were still a couple of unanswered questions hanging over the afternoon. My son might text. If he did, we’d decide whether to meet in Kyoto tomorrow evening before I returned to what has unexpectedly become my little base camp here in Osaka.

Litz was still trying to untangle her work schedule. We’ve become surprisingly good at living with uncertainty, talking several times a day while waiting for circumstances to cooperate. By Sunday evening I should have a much clearer idea whether we’ll finally meet before I leave Japan again or whether Thailand will arrive first.

I sat down to today’s journal. As I’ve mentioned before, this daily series is still brand new, but I’m working harder on it than almost anything I’ve written in quite a while. The response so far has been encouraging. Whether it eventually approaches the readership of my St. George’s series remains to be seen, but I’m quietly hopeful.

The St. George’s essays continue to surprise me. For reasons I still don’t completely understand, that series gradually climbed Google’s rankings until searches for “St. George’s Spokane History” began returning my essays near the very top of the page, sometimes directly beneath Wikipedia and occasionally even ahead of the school’s own website.

I find this oddly gratifying.

For the first several years of The Kyoto Kibbitzer, I cross-posted almost everything to Medium with very little success. I did almost no search-engine optimization, almost no promotion, and almost all of my readership came through Facebook and WordPress. Then, almost without warning, the St. George’s pieces found an audience.

I’d like to think that somewhere along the way some perspective parents trying to learn about the history of the school may have stumbled across my recollections instead. If this is true, it makes me smile.

The series is affectionate. It’s nostalgic. But it’s also honest. I attended St. George’s from 1980 until 1992, and schools in the 1980s operated according to a very different set of expectations than schools today. Discipline was different. Student life was different. The relationships between students and teachers were different. Sexual mores were different. My only goal was to reflect those years as accurately and fairly as I could.

Whether readers agreed with every conclusion hardly mattered. They read the stories. For that, I’ll always be grateful. As soon as I began thinking about today’s essay, I knew I was going to start with music.

Music has been one of the central joys of my life for as long as I can remember.

As a young boy I wanted to learn the piano. I asked my mother several times if I could take lessons, however she replied that she could not afford them at the time. A few years later my parents’ financial situation improved enough that my younger brother Mike was able to study the cello for several years. He eventually became an excellent young player before other interests gradually took over. I was genuinely happy for him, although I’d be lying if I said I wasn’t a little disappointed that I’d missed my chance.

Over time I got over it, however in the back of my mind I always to learn to play.

After a major change in my work circumstances in 2018, I finally bought myself an inexpensive electronic keyboard and decided that, instead of taking formal lessons, I’d simply see how much I could teach myself. Armed with nothing more sophisticated than a chord-finder app and an unreasonable amount of free time, I slowly made a little progress, and was able to read and play several simple pieces.

I only performed publicly once—if “publicly” is the right word. A friend named Mela, whom I’d met through the wonderful and sadly now defunct Periscope app, eventually persuaded me to play two songs over the phone. I stumbled my way through “Someone I Care About” by the Modern Lovers and then attempted Echo & the Bunnymen’s “Ocean Rain.” As I’ve written elsewhere, I didn’t exactly dominate Ocean Rain. But it was at least passable. Mela applauded politely, and for one brief afternoon I felt like I’d accomplished something I’d wanted to do since childhood.

After playing for Mela, I began lose interest in the keyboard. I was never going to be good to play in public, and playing for Mela was a lot of fun. I decided to go out on a high note. Sometimes achieving a childhood dream doesn’t require becoming great at it. Sometimes it’s enough simply to discover that the dream itself was real.

III. A Lifetime of Listening

I have listened to music everyday for 38 years since 1988. Music is simply part of the furniture of my life. Like everyone else, there are genres I return to almost every day and genres I will never listen to again. Even so, with remarkably few exceptions, I can usually find at least one artist in almost every style that I genuinely admire. There are even bands—Genesis immediately comes to mind—that I respect enormously while almost never choosing to play them. Great musicianship and personal taste are not always the same thing, and I’ve become more comfortable with that distinction as I’ve gotten older.

Perhaps because I never learned to play an instrument as a child, I became obsessed with listening to music instead. By the time I was fourteen, I was spending every spare dollar I could scrape together on cassettes, and then, almost overnight, CDs when they replaced cassettes as the dominant medium. Looking back, I probably should have tried to some of my money. Instead, I spent virtually all of it on music.

I have absolutely no regrets.

Music became my education. It taught me geography, history, politics, religion, literature, relationships, heartbreak, humor, and more than a little philosophy. Long before streaming services provided almost every song ever recorded, discovering a great new band required effort. Somebody recommended them. You took a chance. You saved your money. You bought the record. If you loved it, it became part of your life.

Some artists from my teenage years have stayed with me. Others have not. This is OK with me.

The first cassette I ever bought with my own money was Martika’s self-titled debut. I haven’t listened to it in decades, but I don’t regret buying it for a second. It was the beginning of a lifetime spent chasing songs.

Soon enough my classmates introduced me to bands like R.E.M., the Violent Femmes and Fine Young Cannibals. Before long I discovered Bob Dylan and the Replacements on my own, and after that there was no turning back.

By the time I arrived at Hamilton College in the fall of 1992, I was already spending almost every extra dollar on music. That habit has never really gone away. Today my Spotify library contains thousands of liked songs spanning almost every genre imaginable.

By the time I arrived at Hamilton music had become a major part of my life. I was into artists such as Bob Dylan, the Replacements, The Pogues, Dire Straits, R.E.M, the Violent Femmes, and several others. Many of my favorite bands would soon come to be described as alternative or indie rock. Looking back, I was only beginning to scratch the surface.

One of roommates freshman year, Jake, loved music almost as much as I did, although his tastes tended to run in a more traditional direction. The Beatles, the Rolling Stones, and the Kinks were his touchstones, and before long they became mine as well. We spent countless hours listening to records in our quad, arguing over songs, recommending albums to one another, and gradually building the sort of musical vocabulary that only develops when people live together and have far too much free time.

Next door lived Ian Murphy. Ian remains one of my closest friends to this day, and he is the only person I have ever met who knows more about music than I do.

That is not a sentence I write lightly. I’ve spent most of my adult life buying and listening to records, reading about records, ranking records, writing about records, and generally annoying other people by going on and on about. Over the years I’ve accumulated many thousands of CDs and listened to what must be hundreds of thousands of songs. Music has never really been a hobby for me. It’s simply part of the way I move through the world.

Ian somehow manages to go even further. When we first met, he introduced me to an astonishing range of artists, many of whom I may not have discovered on my own. Luna immediately became one of my favorite bands of all time. He also pointed me toward the Auteurs, Slowdive, My Bloody Valentine, This Mortal Coil, Ride, and dozens of other artists, particularly from Britain’s remarkable alternative scene of the late 1980s and early 1990s. Some of those bands became lifelong companions. Others I admired without ever fully embracing. All of them expanded my musical horizons.

What impressed me most, however, wasn’t simply the breadth of Ian’s knowledge. It was his curiosity.

Ian has always approached music the way an historian approaches a historical period or a scientist approaches a research question. He doesn’t merely listen to an artist. He disappears into them. If Nick Cave captures his imagination, he’ll spend months tracing every album, every collaboration, every side project, every live recording, and every obscure appearance he can find. More recently he’s done the same thing with classic country artists such as Merle Haggard and Steve Earle—a development that amuses me slightly, since I can still remember him gently teasing me about my own love of country back in college.

We continue to recommend records to each other today. I honestly can’t imagine what my musical life would look like if I’d never met him.

IV: Musical Genres I Like I Folk/ Americana

My favorite musical genre, without question, is folk music and its close cousin, Americana. Looking back, I suspect I know why.

When I was about six years old I discovered my parents’ tiny record collection. For reasons I still can’t explain, I pulled out an old folk compilation with the song “Big Rock Candy Mountain” on it. I played it over and over again in our living room. Not long afterwards I also found a Joan Baez record, and fell hopelessly in love with “Sweet Sunny South.” I had no idea what the lyrics meant. I just knew I wanted to hear the song again.


By about 2010, like many people as they begin to age, my ability to keep up with new bands began to wane somewhat. I did my best to keep up with the bands that I already knew and loved, however I found myself becoming less omnivorous in my listening. In the last couple of years, with the help of Spotify, I have endeavored to change this, and I’ve discovered dozens and dozens of new artists and bands that I really like.

Among my favourite folk and Americana artists are, in no particular order, Phosphorescent, Whiskeytown, Ryan Adams, Wilco, Uncle Tupelo and Conor Oberst.

I’ve only seen Phosphorescent and Wilco live. Whiskeytown no longer exists, Ryan Adams still tours, and Uncle Tupelo eventually split into Wilco and Son Volt. These days I probably listen to Son Volt more than I once did, but Wilco remains my favourite of the two.

I’ll never stop listening.

V: Musical Genres I Like II Indie

Alternative and indie rock became the soundtrack of my teenage years.

As I mentioned earlier, I inherited my classmates’ love of bands like R.E.M. and Violent Femmes. I discovered The Replacements on my own, and they remain one of my favourite bands of all time.

Some of my favourite indie artists today include Happiness, Daddy Issues, Giant Drag, The Jesus and Mary Chain, The Afghan Whigs, Luna, Car Seat Headrest, Yo La Tengo, Seam and many others.

Like folk music, indie has been a constant companion for almost forty years. I can’t imagine that changing.

I also love jazz and ambient music, but those are enormous subjects that deserve essays of their own.

VI: Musical Genres I Do Not Like

Then there are the genres I do not like. Mainstream hard rock has never really appealed to me. Bon Jovi and Van Halen simply aren’t my thing. Grunge is more complicated. I admired what bands like Soundgarden and Alice in Chains are trying to doing, but I just don’t like him.


I don’t especially like heavy metal, although I do like several glam metal bands, probably because glam metal becoming popular, right when I was an early teenager and really listening to music for the first time. My favorite of these are Cinderella and Poison and I still have a soft spot Skid Row.

Then there is Progressive Rock or Prog. Prog and I have simply never gotten along.

Yes leaves me cold. Kansas does absolutely nothing for me. Toto has me running for the hills. And Genesis deserves special mention.

Many years ago I wrote what I thought was an entirely harmless one-star Amazon review of the Genesis album The Lamb Lies Down on Broadway. I assumed perhaps three people would read it. Apparently every Genesis fan on Earth was one of those three people.

The abuse began almost immediately. It turned out that among the hundreds of glowing reviews of the record, mine was the lone dissenting voice. For weeks strangers explained, in increasingly colorful language, exactly why I was an idiot. Eventually I deleted the review, not because I had changed my mind, but because I was just sick of the whole thing. I still don’t like the album.

VII. Evening: My Evolving Sexuality

Between about 7 and 10 PM I spent nearly three hours staring at what might have been the worst website ever designed.

It was supposedly the best escort aggregator in Osaka. It certainly aggregated everything. Hundreds of women. Dozens of agencies. Flashing banners. Pop-ups. Prices that changed the moment you clicked through. Every page had to be translated, and every time I went back it reverted to Japanese and I had to translate it again. After a while I wasn’t browsing anymore. I was wrestling with the website.

Eventually I admitted defeat.

The practical lesson was simple enough. If I wanted reasonable prices, I was probably going to have to get over my preference for outcalls and start looking at incalls instead. Fair enough. That was useful information. Three hours for one sentence.

Then, just as I was about to give up entirely, two completely unrelated things happened.

The first was my friend Doug in China. He messaged to say he’d finally finished my recently published novel The Adventures of The Thin Man and Andrea.

His note was everything a novelist hopes to hear. He hadn’t read it as “Matt playing the Thin Man.” He’d read it as a fully realized novel that happened to contain pieces of me. That was probably the single nicest compliment anyone could have paid me. I had been wandering around wondering whether the evening had been wasted, and suddenly it didn’t matter anymore. Doug had already given me something far better.

=====

When I was six and seven years old I was badly abused by my aunt’s first husband. I detail these experiences here. Childhood sexual abuse is the worst, and this fucking guy is simply the biggest dick imaginable. Fuck off.

It has taken me more than forty years to overcome some the effects of the abuse. This may seem like a long time ago, however this is just how CSA works. It sucks. So hard. One of the major effects was my eventual questioning of my sexuality. Around the time I hit puberty at 14 to the ago of 16 I wondered if I was gay. I was deeply attracted to girls, however the gay idea was never far from my mind.

By the time I was sixteen I had begun dating girls, however awkwardly, and my thoughts that I might be gay gradually faded into the background.

Throughout my marriage, two affairs, and a few other relationships, I remained consistently attracted to women. I never seriously thought of myself as gay. Even so, the question never disappeared entirely. It simply became quieter.

A few years ago I found myself occasionally turning to pornography featuring trans women. My favorite actress is Daisy Taylor, who is so gorgeous and whose picture leads this essay. It isn’t perhaps my favorite genre, but I kept returning to it often enough that I eventually stopped dismissing it as a curiosity.

Eventually mere curiosity became practical curiosity. Over the past six weeks I have booked four escorts here in Osaka, all biological women. Tonight, I found myself browsing agencies that advertised trans women.

The first woman that caught my eye was Mio. She was purely feminine in appearance and was absolutely stunning. Sadly however, she was working in a different city and not available in Osaka tonight.

Then I saw Takane. She was also very beautiful, and looked like a women, however perhaps ever so slightly androgynous. Three years earlier I probably would have clicked away without another thought. This time I found myself thinking, why not?

Then I remembered the great John McAfee, the software pioneer who is totally outta control. Years ago, while happily disappearing down one of my periodic McAfee rabbit holes, I came across an interview—I think it was an interview, although it may have been buried somewhere in the fragments of the autobiography he never finished.

The interviewer asked him about dating trans women in Thailand. Were they actually woman, the interviewer asked?

McAfee shrugged it off.

“Dude,” he said, “trust me. They’re all woman.” Hilarious.

Whether you agree with him or not isn’t really the point. For some reason, trying to book a trans escort in my hotel room years later, that line floated back into my head.

So I rolled the dice, as I sometimes do, and called her agency. Not because I had reached some grand philosophical conclusion. Because curiosity had quietly outrun hesitation. I was ready to spend more than I’d planned and just see what happened. The guy from the agency quoted me the real outcall price. Thirty-three thousand yen. That ended the experiment rather quickly. I thanked him and said I would call him another if I changed my mind.

VII. Am I Bisexual?

Today, I think I may simply be naturally bisexual. Whether my abuse obscured this truth, complicated my understanding of it, or is largely unrelated, I cannot honestly say.

What I can say is, my sexuality seems to be evolving rather quickly. I really have no idea where this attraction to trans woman is coming, however I do know that I will need to do something sometime soon.

Dedication:

For Takane. And for John McAfee. Baby, you are totally outta control. But man are you funny. Dude, you rock. So damn hard.

The Days and Nights of My 50s III: Look, If I Want to Develop an Image I’ll Do It My Own Fucking Way.

STFU
—Everybody

Yo. Can you make that reverb pop a little bit for me?

Conor Obrest

Everyone’s a critic.
Slacker

I. Early Morning

Since my wife and I decided to get divorced about three months ago, I have noticed something curious. Almost everyone around me seems suddenly seems to have an opinion about how I should be conducting my life.

My family has opinions. My friends have opinions. Women I have dated have opinions. Women I have not yet dated have opinions. Complete strangers even seem to have opinions. Apparently becoming a fifty-two-year-old divorced man means acquiring an advisory board whether you requested one or not.

I am open to friendly advice from time to time. Good advice is one of life’s gifts. I have received plenty of it, and I have occasionally even followed some. But I am now fifty-two years old. I am newly divorced and dating for the first time in nearly thirty years. I am working hard to turn a thirty-year teaching career into a full-time writing career within the next ten months. I have finances to sort out, health problems to manage, a young adult son I love very much and need to keep showing up for, and a romantic life that presently resembles an international airport during a weather emergency.

I feel as though I have five full-time jobs. And everybody has a goddamn opinion.

My mother has opinions about my dating life despite not having dated since the Nixon administration. My on-again, off-again girlfriend Litz has various opinions about my daily habits. Men operating small medical clinics have opinions about where I should sit while smoking outside in the sun with my shirt off. Apps have opinions about which of my messages should be permitted to survive for more than twenty-four hours. Google Maps has various opinions, almost all of them wrong, about where I am, where I am going, how long it will take me to get there, and whether I should abandon the journey altogether.

Even the microwave in my hotel room had an opinion this morning. Its opinion was that it should be positioned ten feet from the nearest electrical outlet.

The day began around 3:30 AM after approximately four hours of sleep. This may not sound ideal. It was not unusual either. I have slept poorly since I was 14 years old, and I rarely get more than about 5 hours of sleep throughout the day.

I was staying at the Purple Eye hotel in Osaka, a wonderfully strange hotel with Art Deco ambitions that was once a love hotel, a large television, a karaoke microphone, a projector I had no intention of learning how to operate, and enough buttons beside the bed to launch a small spacecraft.

The room also has a flickering light behind my head that I cannot seem to turn off, and a water dispenser I can not operate without either burning my hand or extracting approximately a quarter-cup of cold water after several minutes of negotiation.

Both are out of control.

The phrase “out of control” has become increasingly important to me. Google Maps is out of control. Hotel appliances are out of control. Dating apps are out of control. My mother was especially out of control just this morning. Litz is often out of control, although in a different and generally more charming manner. I am frequently out of control myself, which is perhaps the point.

As the epigraph above says, everyone is a critic. Nobody perhaps is more committed to criticism than the man publicly documenting the behavior of everyone around him. I got dressed and walked to a nearby Lawson for a latte and some breakfast. I badly needed both.

The store was small and packed tightly enough to qualify as sushi-zume, a useful Japanese expression meaning crammed together like sushi in a box. The man behind the counter asked whether I wanted sugar in my latte, then prepared it himself behind the register. This felt like old Japan to me: the Japan of small courtesies, personal service, and coffee assembled by an actual human being rather than surrendered by a machine.

He mixed in the sugar. He handed me the cup. Perfect. Goldie Goldie baby.

Outside, the cicadas were screaming. Cicadas are called semi in Japanese, which I find funny because they are just about as loud as semi-trucks. They roared from every tree with the confidence of creatures who had waited underground for years and intended to make the most of their brief public career.

I sat on the stoop in front of what looked to be a deserted apartment block, right next to a small medical clinic. I drank my latte, smoked, and talked into my phone. A man arrived at the clinic pushing a woman in a wheelchair and asked me to move.

Technically, I was not on his property. It was none of his business. Spiritually, I was, apparently, obstructing the entire Japanese healthcare system. I ignored him and he went inside the clinic. This is the kind of thing that happens when everybody has an opinion. The opinion may be entirely reasonable. You may even comply with it. But you still resent its existence.

A few minutes later, another man approached me. He did not speak to me in either Japanese or English. He simply tapped me on the shoulder and crossed his forearms into a large X.

This was a far more efficient method of instruction. No explanation. No appeal. No philosophical argument. Just an X delivered by a masked man outside a clinic shortly after eight in the morning.

I put on my shirt, left it open, tucked a cigarette behind my ear, and returned to Lawson for two beers.

On the way back to the hotel, I considered the shape of the day. Pizza around eleven. A shower. Shisha at Shinsaibashi. Black wired headphones, because white Apple headphones look ridiculous and Bose headphones contain enough bass to flatten a small neighborhood. A haircut. Perhaps an early dinner. Perhaps a bar. Perhaps a date. Perhaps an escort. Perhaps not.

A great deal of my life presently exists in the word perhaps. The only definite plan was to call Litz.

The night before, she had told me that she wanted to marry me next year if I changed two habits. I was, let’s just say, quite surprised. This was a pretty big shift from her attitude just a day or two ago.

The first habit is my eating in bed.

This may sound more serious than it is. I do not generally eat full meals beneath the blankets. I am not lying there with a plate of Fettuccine Alfredo balanced on my chest. I eat crackers, Oreos, an occasional Snickers, perhaps a slice of pizza. Small foods. Bed-compatible foods. Foods requiring little more equipment than a hand and a functioning mouth.

Still, I could stop. I could eat at the kitchen counter. I could eat on the couch. I could even eat at the table like a civilized human. She eats in bed too, but whatever.

The second condition was that I listen to her more. This was also reasonable and yet considerably more difficult.

Everyone wants to be listened to. Litz wants me to listen to her. My mother wants me to listen to her. My friends want me to listen to them. I listen to my son. Even Google Maps wants me to listen, although Google Maps has forfeited that privilege through repeated incompetence.

I probably should listen more. I should also probably talk less. This became increasingly clear as I walked back to my room carrying two beers, breakfast, wine, Pocari Sweat, gum, cigarettes, and enough miscellaneous provisions to survive a modest siege.

Back in my room, I attempted to heat the breakfast wrap. The microwave would not start. I pushed buttons. I turned dials. I stared at Japanese instructions. I questioned the fundamental competence of the hotel in general.

Then I noticed that the microwave was not plugged in. The nearest outlet was, oddly, across the room. I had to lift the microwave from its shelf, carry it several feet, unplug something else, place the microwave on the floor, and stretch its cord across the carpet like a tripwire intended to kill me before lunch. The wrap heated beautifully. It was also hot enough to burn my mouth.

I thought back over the morning. Everybody seemed to have an opinion about what I should be doing this morning. My mother. Litz. The clinic men. The microwave. The cicadas. The apps. The hotel. The entire accumulated machinery of modern life.

And of course I had opinions about all of them. This is the complication.

I would like everyone else to shut the fuck up, but I am writing four thousand words about them and shipping the out on main for the whole world to read.

I may need to shut the fuck up most of all. Not yet, though. It is only nine in the morning.

II. Late Morning

Back in my room, I did what writers have always done after experiencing life for approximately six hours.

I immediately started writing it down.

The first draft is just to get things down. It exists in order to facilitate the second draft. Since today’s theme appeared to be criticism in all its various forms, I decided it would be hypocritical not to begin with my own.

“Conducting my life” was better than “living my life.”

“Nixon administration” was funnier than “Carter administration.”

Google Maps no longer merely had an opinion. It had forfeited its right to an opinion through repeated incompetence.

One sentence at a time, the morning crawled forward.

This is one of the stranger aspects of writing a journal. You do not simply remember your day. You improve your memory of it. You compress it. You rearrange it. You remove three dull conversations and keep the one line that somehow explained the entire day. The truth remains, and it becomes a better story.

As I edited, I put on Camper Van Beethoven. Their singer David Lowery has a way of making profound observations while sounding as though he is simply amused by the absurdity of being alive. That has always appealed to me.

Half the time I think life is a tragedy.

The other half I think it’s a government experiment, and we’re driving like hell.

=====

It was just about noon by this point.

Although I’d managed to check several small errands off my list the previous day—as described in A Day of Minor Annoyances—a few still remained. I needed a new SIM card, a pair of wired headphones, and a haircut. I also still wanted to smoke some shisha. I’d planned to do it the day before but never quite got around to it.

The afternoon, at least on paper, looked straightforward enough. I’d take the short train ride from Uehonmachi to Namba, wander through Shinsaibashi, pick up the things I needed, find somewhere for dinner, and take it from there.

As it turned out, almost none of this happened.

The one genuine success came when I stopped into a nearby SoftBank shop. The staff told me I could reserve a new SIM card and, even better, that it would be free. This was a bonus. With this small victory secured, I headed back toward the hotel to continue editing.

III. Afternoon

The afternoon was beginning to surrender to the evening. I began editing my morning’s work. The essay was already getting pretty long and.the spine was there. The Lee Marvin quote was there. The rest would come later. I wasn’t trying to finish it at this point. I was trying to make it better.

Editing has become one of my favorite parts of writing. Maybe even more than writing itself some days. A first draft is discovery. An edit is where you quietly remove everything that was standing in the way of the story all along.

Music took over after that.

Steve Earle first. I found myself arguing, as I always do, with my own rankings. The Week of Living Dangerously still sits at the top for me, though Guitar TownGoodbyeCopperhead Road and What’s a Simple Man to Do? all make convincing cases depending on the day. That’s the pleasure of living with music for decades. The rankings never stay still. The songs don’t change. You do.

Then came the band Happyness.

I put on my favorite song by them Montreal Rock Band Somewhere, and within seconds I remembered why it keeps finding its way into every conversation I have about favorite songs. Some records don’t ask for your attention. They simply drift into the room and improve the atmosphere. Happyness have always felt like that to me. Quiet confidence. Great guitars. No unnecessary drama. Just songs that seem happier to reveal themselves over the tenth listen than the first.

The playlist wandered the way my brain usually does: Whiskeytown, Pulp, Cracker, Sonic Youth, Mary Gauthier. I wasn’t looking for anything in particular. I was just following instinct. That’s still my favorite way to listen to music. One song reminds you of another, one artist opens a door to someone else, and before long you’ve traveled thirty years without ever leaving the bed.

By then I knew the afternoon was over. The shower could wait another few minutes. Osaka would still be there when I finally walked outside. One more song, I told myself. It’s a promise I’ve broken happily for most of my adult life.

IV. Dinner and Shisha at Shinsaibashi

Toward the end of my edit I dialed up Whiskeytown’s version Hey There Little Girl’s Don’t You Wanna Smoke Some Crack With Me, and for the hundredth time I found myself wondering whether a two-minute throwaway recorded at a concert nearly thirty years ago deserved a place among my twenty favorite songs of all time. The sensible answer is probably no. The honest answer is that it just might. Music has never cared much about running time or reputation. Every now and then a song simply grabs hold of you and refuses to let go. That one still does.

One of the pleasures of getting older is giving yourself permission to stop defending your taste. Twenty-five years ago I probably would have felt obligated to explain why a forgotten live recording deserved to stand alongside acknowledged classics. Now I don’t care. If a song moves me, it moves me. If it makes me want to walk a little slower through Osaka with a cigarette in one hand and nowhere in particular to be, that’s enough. Rankings are fun. I like them.

I headed north toward Shinsaibashi Station with no real plan beyond finding dinner and eventually making my way to Bar Nayuta. The streets were beginning to fill as the evening settled in. Restaurants were spilling light onto the pavement, smokers drifted in and out of doorways, security officers leaned on impossibly long wooden staffs as though they had all the time in the world, and every block offered another invitation to turn left instead of right. Osaka is one of those cities that rewards wandering. Even when you’re lost, you’re usually only a few minutes from somewhere worth finding.

V. Old Ghosts and Dinner

As often happens, I procrastinated leaving the hotel.

The afternoon disappeared into writing, music, a little wine, and the sort of gentle procrastination that always feels oddly productive when you’re a writer. Around six o’clock I finally got organized, walked over to Uehonmachi Station, boarded the short train to Namba, and wandered into Shinsaibashi looking for dinner.

On the way I noticed several policemen carrying long wooden batons tucked upright against their chests. They all carried radios clipped to their breastbone. They occasionally tapped the batons against the pavement as they walked.

Japan has remarkably little street crime. Shinsaibashi has even less. I still found myself instinctively straightening my posture and tensing up as I walked past them.

Some habits just persist that way.

Several years earlier I had a five month affair with a woman named Vicki. I met her at an upstairs open mic just a few minutes from Shinsaibashi Station. We spent five months together. I liked her very much. She eventually fell in love with me. Although I did like her, I was not in love with her, and in early 2019, as my life was becoming increasingly complicated, I ended the relationship.

I have not seen her since.

Recently I even looked into hiring a private investigator to try to find her again. The irony was that although I remembered her vividly, I somehow possessed remarkably little practical information that might actually help the PI locate her. The investigator’s fee wasn’t unreasonable, so the problem wasn’t the money. The problem was that memory doesn’t leave a forwarding address.

I still remembered where the old open mic was held, so I walked over and took the elevator upstairs, hoping against hope that she might be there. I glanced inside, saw there was nothing going on, and left. Some places deserve a brief visit simply because they remind you who you used to be.

I wandered around for a few more minutes looking for a restaurant I liked the look of. The streets were beginning to fill as the evening settled in. Restaurants were spilling light onto the pavement, smokers drifted in and out of doorways, security officers leaned on impossibly long wooden staffs as though they had all the time in the world, and every block offered another invitation to turn left instead of right. Osaka is one of those cities that rewards wandering. Even when you’re lost, you’re usually only a few minutes from somewhere worth finding.

Dinner itself was uncomplicated. I chose Café Bohemia because it is attached to what used to be the Hotel Unizo, where Vicki and I spent our second night together. The hotel has changed names since then, and is now a little more expensive than I care to pay, however Café Bohemia remains.

I ordered a Heartland beer, a plate of Bolognese, and some shisha. The pasta was smaller than expected but still excellent. The shisha was exactly as I remembered it—pleasant enough, but with an annoyingly weak draw that made every puff feel like work. After twenty minutes I’d had enough.

VI. Back At My Hotel

Walking back toward Namba Station, I found myself browsing escort websites again. I’d only been doing this for a little over a month, so I still knew very little about the industry. What fascinated me, oddly enough, wasn’t the women at first.

It was the pricing.

I have taught high school business for about 15 years, and I couldn’t stop wondering how the enormous price differences could possibly make economic sense. Some women charged modestly. Others charged sums that looked more like mortgage payments than hourly rates. All of them seemed equally attractive to me. For a while I found myself studying the market itself more carefully than the people in it.

Eventually I settled on a handful of women I was into it. By the time I reached the hotel, though, I had changed my mind.

There were essays waiting to be edited. Songs waiting to be ranked. A bottle of wine waiting for me. Suddenly, that sounded like the better evening.

From there the night settled into the familiar rhythm that has slowly become my profession: writing, rewriting, choosing photographs, adjusting SEO tags, publishing essays, and beginning the next one before the previous one had quite finished echoing.

The best nights rarely end with fireworks. They end with keys in the door, the familiar click of the lock, and the peculiar satisfaction of returning to a room that has slowly become your own. Home sweet home, even if home happens to be a small hotel room in Osaka. Two fresh packs of heaters hit the table beside a small mountain of convenience-store provisions: Pocari Sweat, a can of Ebisu beer, a bottle of wine, and a couple of small bottles of umeshu.

The room greeted me exactly as I had left it: clothes draped over chairs, chargers snaking across the floor, books stacked beside the bed, and the faint smell of tobacco that no amount of cracked windows can ever completely erase.

Before anything else came the little rituals. Plug in the phone. Hang the shirt that was almost dry and decide if my clothes from the day needed to be washed or not. Empty my pockets. Open the fridge. Take an inventory.

Somewhere in there I caught my reflection in the mirror and laughed. Another evening survived, another little expedition completed.

Outside, Osaka was still humming, but inside the room everything slowed to my preferred tempo. I checked the refrigerator. A Yona Yona Ale and some neglected soba that was quickly approaching its expiration date. I put the Pocari in to chill. I would drink the Ebisu first. Tomorrow’s problems could wait until tomorrow; tonight’s responsibilities extended no further than hydration, cigarettes, and deciding whether to eat the soba.

As the room settled into silence, music drifted from the laptop. A Michael… no, a Mark Kozelek song. His unmistakable voice. All of the sudden I found myself thinking about the movie Bound, still one of my favorite films from the Wachowskis. I have always preferred it to The Matrix. It’s tighter, stranger, funnier, and somehow more human. I especially love the line when the dude walks into a dark rom and says “It’s fucking dark in here” and then immediately gets capped. As I like to say, it’s funny to me. Great art has a way of sneaking back into your head when you’re doing the most ordinary things—sorting laundry, putting beers in the fridge, or brushing ash from the bedspread before company arrives.

By then the excitement of the night had largely given way to contentment. The room was as tidy as it was ever going to be. The bedspread had been rescued from a fresh snowfall of cigarette ash. My bladder, after several enthusiastic victories, had finally declared a ceasefire. The phone was charging. The drinks were cold. Whatever happened next would happen at its own pace.

It wasn’t one of those nights that changes your life. Most aren’t. It was simply another Osaka evening added to the ledger: a little wandering, a little music, a little planning, a little anticipation, and the quiet pleasure of returning to a place that, for now at least, felt enough like home.

VII. Late-Night Music Session

With what remained of my night, I meant to edit my most recent piece.

That was the whole plan. I drifted off to sleep for about half an hour around 3 AM, woke up, opened my draft, looked at it for all of thirty seconds, and then Conor Oberst showed up and threw a wrench in my plans.

It all started with his song Cape Canaveral. I had had it at number seven on my all time greatest song list for a while. I thought that this would still be about right, however when I played it again I suddenly realized that it was even better than I remembered. I played it two or three times, and came to the conclusion that it had, believe or not, jumped over Emmylou Harris’ Tulsa Queen, which has been my number song for the past decade. Just like that. After all these years, and all these arguments with myself, Cape Canaveral had somehow climbed to number one. I didn’t plan it. I didn’t force it. The song simply refused to lose,

I was listening to a version of the song on You Tube, and on this one Conor gives a short spoken introduction. He says:

“Yo… can you make that reverb pop a little bit more for me?”

It kills me every time. It’s such a small moment, a throwaway really, but somehow it makes the whole performance feel human. I laughed out loud every single time I rewound it. Little moments like these are why I love live recordings. They remind you there were actual people in the room making something instead of perfection arriving fully formed.

From there my night completely unraveled in the best possible way. Steve Earle. Ryan Adams. Sonic Youth, The Replacements. Moonface. Tindersticks. Lou Reed. The Church. Strand of Oaks. Craig Finn, naturally. Every time I thought I was done with my new ranking, another song would throw itself back into the fight. Easy Lucky Free jumped thirty places. Week of Living Dangerously reminded me just how much Steve Earle rules. Then Guitar Town barged back into the conversation like it had every right to be there. Which it does.

Somewhere in the middle of all this, I realized I hadn’t edited a single paragraph. I had taken a short nap, and taken care of another very ordinary biological need that I had passed in when I decided not to order the escort.. I drank another beer and stared out the hotel window into the night. I had spent nearly two hours arguing with myself over songs that have been following me around for half my life.

Honestly? Time well spent.

By six in the morning I made an executive decision. My days don’t end at midnight these days. They end when I finally decide to get some sleep. Six o’clock felt like a better border than midnight. So yesterday officially ended at 6:00 a.m. and Thursday began. I turned the music off, and made my way back to the Lawson for get some breakfast. The rankings, at least for now, were settled.

Conor was sitting at number one.

Tomorrow he’ll have to defend the title.

VIII. I Call My Mom

The last thing I had to do before breakfast was call my mother, Claudia, about a text I had sent her several hours earlier.

I stepped outside my hotel, sat down on the concrete stoop outside what appeared to be an empty apartment building, lit a cigarette, and dialed her number.

My mother and I have been engaged in a serious disagreement about my writing for over four years now.

She does not like that I sometimes use real names, real initials, and real events in my essays. I have tried to explain that many of the pieces she objects to recount events that took place thirty or even forty years ago. I have also pointed out that she and my father have long admired Gerald Durrell, whose autobiographical books affectionately—and yet often pointedly—make fun of his own family. I occasionally do the same. Every family piece I have ever written has been written with affection.

Until recently, our disagreements centered primarily around my essays about St. George’s School in Spokane, Washington, which I attended from first grade through graduation between 1980 and 1992.

From my perspective, this is all ancient history.

Most of the stories involve harmless episodes: a student pulling a fire alarm as a prank, a teacher dumping a garbage can over a student’s head, classmates getting into ridiculous situations that seemed important at the time and funny decades later. Many of the people involved probably do not even remember me, much less read my writing. A surprising number, however, do. I find this deeply gratifying.

I have been fortunate enough to accumulate many hundreds of readers for those essays, and several of my music and popular culture pieces have reached into the thousands. These are hardly world-beating numbers, however I enjoy checking my statistics almost every day to see how my pieces are doing.

Recently, however, our disagreement has taken a far more serious turn.

As mentioned earlier, my wife and I mutually decided to divorce a few months ago, and shortly afterward we filed our paperwork with Kyoto City Hall. We have agreed to divide our assets equally. She will return to her hometown of Kumamoto to help care for her aging parents. For the time being I will remain in Kyoto, continue teaching, and look for a modest apartment somewhere near downtown.

At the same time, I have become increasingly committed to making the transition from teacher to full-time writer as soon as possible, hopefully sometime next spring. I expect that transition to be challenging. Every day I find myself trying not only to become a better writer, but also to learn the countless small logistical tasks that accompany trying to make a living from writing.

My mother knows all of this.

Unfortunately, she does not seem to care.

Not long after the divorce, I joined several dating apps. Some have worked better than others. Some have proved to be too expensive. Most days these days I find myself talking to dozens of women online. Most of those conversations amount to little more than discussing our day, exchanging light flirtation, and making tentative plans that will probably never happen. A handful have developed into genuine friendships, and one has become a meaningful relationship, my on-again, off-again girlfriend, Litz.

Several hours before calling my mother, I had sent her another unusually direct text asking her, once again, to stop criticizing my writing, my dating life, and my romantic decisions.

When I called, it was around six o’clock in the morning in Japan and early afternoon on the American West Coast.

She told me she only had about ten minutes. That suited me fine.

I told her I wanted to say a few things, then I would gladly hear whatever she wanted to say in return. I explained that we had now been having exactly the same argument for four years.

I told her that my writing was none of her fucking business. If she disliked what I wrote, she did not have to read it.

Likewise, she was certainly entitled to whatever opinions she wished to hold about my dating life, my romantic life, or my sex life. What I was no longer willing to do was listen to those opinions every single time we spoke. Or at all.

For the past eight months I have been dealing with somewhat significant health problems. I have seen multiple doctors, am taking various medications, and have gradually begun improving. During that time I have often called my mother for ten or twenty minutes simply because I wanted a sympathetic ear.

Inevitably, those conversations have drifted toward my writing and personal life.

While she has been consistently compassionate about my health, she becomes intensely—and, from my perspective, relentlessly—critical the moment the subject changes.

I find this utterly exhausting.

I am generally a laid-back kind of guy. I dislike conflict. I dislike unnecessary stress about little things even more. Over and over again I had explained that these are my stories, my relationships, and my decisions. Over and over again she has repeated the same criticisms.

By this point, I am completely over it.

I told her she still treats me like an infant rather than a fifty-two-year-old man living three thousand miles away, trying to build a second life after the collapse of a nearly thirty-year marriage.

Eventually I lost my temper.

I had never spoken to my mother this way before.

I said, “Mom, I know you don’t like profanity, and I’m only going to say this once.

Shut the fuck up.

Butt the fuck out of my writing.

I don’t ever want to hear another opinion from you about my writing, my dating life, my romantic life, or my sex life. Ever.”

I reminded her that she would almost certainly never meet any of these women. On the unlikely chance that I eventually settled down with one of them, she might meet her at the wedding and perhaps once or twice afterward.

Beyond that, they simply were not part of her life and none of her business.

She met my dad in 1969. They built a stable marriage that has lasted more than half a century. Like every marriage, I’m sure it has had its ups and downs, but I have always admired—and, if I’m honest, occasionally envied—the stability they created together.

My own marriage had just ended. That meant I was trying to figure out what the second half of my life might look like.

Not hers.

Mine.

After I finished speaking, I told her I was ready to hear whatever she wanted to say.

She paused.

Finally she said there really wasn’t anything she could add. She would send me a short text later.

I told her I was absolutely serious. If she could not respect this boundary—if she could not stop treating my writing and my private life as subjects she was entitled to supervise—I would never talk to her again. No son or daughter ever wants to have to say this to a parent, and I certainly did not today. However, I felt like she had backed into a corner and I could see no other out of it.

I wished her a good day. Then I hung up.

As of this writing, it is about four hours after our call. It is the middle of the day West Coast Time, and she has not reopened. I guess she is considering her response, and I suppose I would the same in her situation. I am fine to wait, because as I her told on the phone, I will not her call her for a few weeks, or even a month. If she wants to talk to me, she can call me anytime, and I will pick up. This is where we currently stand.

VI. Final Reflection

Overall, today was a pretty good day. The conversation with my mother was tough, however I do feel better haven gotten things off of chest, and essentially issues her an ultimatum. How she choses to respond, I have no idea. I truly hope that she takes the all time she needs to think it over and lets me know that she is willing to meet me half way. If she does so, I will meet her halfway as well. If she does not, all bets are off. We shall see.

Looking back over the day, I realize that my long running argument with my mother isn’t really about my writing at all. Writing is simply the latest battlefield. The real disagreement is much older than that. It is about autonomy.

I am fifty-two years old. I am a grown man. I have lived in Japan for nearly three decades. In this time, I have juggled three careers, been married and divorced, raised a wonderful son, taught thousands of students, written hundreds of essays, and somehow we were still arguing over whether I am allowed to tell my own stories.

I am simply no longer prepared to continue this conversation at all.

As I was starting this essay, I borrowed one of Lee Marvin’s great lines for the title. By the end of the day it no longer feels like a joke. In an interview with Roger Ebert from the early 1970’s, Marvin says:

“Look, if I want to develop an image, I’ll do it my own fucking way.”

I had spent much of the day getting lost, arguing with Google Maps, editing essays, thinking about old girlfriends, listening to Connor Oberst until dawn, eating convenience-store fried chicken, smoking and drinking wine, and having a very difficult conversation with my mother. And somehow all of it had become one story.

Nobody else could have written it exactly this way. That’s the point.

My mother doesn’t have to like what I write. Readers don’t have to like what I write. But the stories are mine, and so are the decisions about how to tell them.

Lee Marvin was right.

Nobody else gets to develop my image.

Nobody else gets to tell my stories.

That’s my job.

And, goddamn it—

I’ll do it my own fucking way.

Dedication:

For Lee. You sure make an image baby. You did your own fucking way, and you are my inspiration. You are my hero you glorious motherfucker.

On Bobby Fischer, the Greatest Chess Player of All Time

Epigraph:

Why not see a legend while it’s still being made?

The Silver Jews

Introduction:

This essay looks at the life and career of the greatest chess player of all time, Bobby Fischer.

This one is especially meaningful to me because my dad, Ross Thomas, taught me to play chess when I was a little kid. Neither of us has ever been a great player, but we both love the game. Ross still enjoys playing today as do I, and although I don’t follow competitive chess as closely as I once did, I’ve never lost my fascination with its history—or with the remarkable personalities who have shaped it.

Few personalities have ever been as brilliant, complicated, or tragic as Bobby Fischer.

In this essay I explore Fischer’s astonishing rise from Brooklyn prodigy to World Champion, the unforgettable 1972 Match of the Century against Boris Spassky, his extraordinary genius over the board, and the painful decline that followed. Like many towering figures, Fischer left behind a legacy that is impossible to separate from his contradictions.

Whether you’re a lifelong chess player or simply interested in remarkable lives, I hope you’ll enjoy the journey. As always, thank you for reading, commenting, sharing, and making these conversations possible.

I. Brooklyn

There are bogglers, and then there is Bobby Fischer.

History is littered with men who threw away fortunes, marriages, careers, and reputations. Every generation seems to produce a few gifted souls who wake up one morning, look at a perfectly good life, and decide to drive it into a ditch at seventy miles an hour. Howard Hughes belongs in that conversation. John McAfee as well. A handful of Roman emperors deserve honorable mention. But if I had to pick a patron saint of the truly bewildering decision, the gold medal still goes to Bobby Fischer.

Which makes the whole thing even stranger, because Bobby began as almost the opposite of a boggler. He was a skinny kid from Brooklyn who found a chessboard before he found the rest of the world and went on in short order to change the game forever.

I never saw Bobby Fischer play. By the time I was old enough to understand chess, he long gone. The World Championship in Reykjavík belonged to another era, and Bobby himself had already begun drifting into legend. I didn’t discover him through television or newspaper headlines. I discovered him through my father, who loved chess and spoke of Bobby the way baseball fans talk about Willie Mays or boxing fans talk about Muhammad Ali. Bobby wasn’t simply another grandmaster. Bobby was Bobby.

Even if you know almost nothing about chess, you’ve probably heard the name. That’s rare.

Most world champions become famous inside their sport. Bobby transcended the board entirely. For a brief moment in 1972, during the height of the Cold War, a chess player became one of the most recognizable people on the planet. He wasn’t just trying to beat Boris Spassky. Millions of people saw him as the lone American challenging decades of Soviet dominance in the game’s intellectual heartland.

He won.

And then… Well. This is where the boggling really begins.

II. Brooklyn & Chess

Every legend has to begin somewhere. Abraham Lincoln had the log cabin. Muhammad Ali had Louisville. Bob Dylan had Hibbing. Bobby Fischer had a small apartment in Brooklyn, a single mother, and a chessboard.

Not exactly the ingredients from which you would expect history to emerge.

Bobby wasn’t born into wealth or privilege. There was no grandmaster father waiting to pass down generations of chess wisdom. There was no Soviet state pouring unlimited resources into his development. There was just a skinny, bright kid who discovered a game that somehow made more sense to him than almost everything else around him.

The game never let him go.

Neither, apparently, did he ever let go of it.

I never saw Bobby Fischer play.

By the time I was old enough to understand what a chessboard even was, Bobby had already disappeared from competitive chess. I was born in 1974, just two years after Reykjavík, so I missed the whole thing. My Bobby wasn’t the Bobby of television broadcasts and newspaper headlines. My Bobby came secondhand through my father.

Dad loved chess.

He wasn’t a master by any stretch, but he loved the history, the personalities, and above all Bobby Fischer. Long before YouTube breakdowns, Twitch streams, and chess engines stronger than every human being who has ever lived, my father told me stories about this kid from Brooklyn who walked into a game the Soviet Union practically owned and somehow beat them anyway.

To a little kid, that sounded impossible.

And maybe that’s why Bobby has fascinated me ever since.

Not because I became a serious chess player—I didn’t. Not because I memorized openings or dreamed of becoming a grandmaster. I didn’t do that either. Bobby fascinated me because even before I knew the details, he already felt larger than life. Some people become famous. Others become myths. Bobby somehow managed to become both before he was thirty.

There’s another thing I like about Bobby. He wasn’t polished. He wasn’t exactly charming. He wasn’t selling anything.

He didn’t seem remotely interested in being a celebrity. If anything, fame looked like something that had happened to him against his will. He wanted to play chess. The rest of the world insisted on turning him into a symbol.

That’s a dangerous bargain. Especially for someone who already viewed the world with suspicion.

The irony, of course, is that the qualities that made Bobby great at chess were probably the same qualities that made ordinary life so difficult. Absolute concentration. Endless preparation. Refusing to accept conventional wisdom. Seeing threats and possibilities invisible to everyone else. Across sixty-four squares those qualities made him nearly unbeatable. Outside the chessboard, they often made life bewilderingly complicated.

The boy from Brooklyn had found the one place in the world where everything made perfect sense. The trouble began when he had to leave the board.

III. Bobby’s Rise

The funny thing about genius is that it rarely announces itself politely. It doesn’t knock on the door. It kicks the damn thing in.

By the time Bobby Fischer was in his early teens, the whispers had already begun. Chess players who had spent decades studying the game found themselves losing to a kid who wasn’t even old enough to drive. Adults who expected to teach him lessons instead received one themselves. Tournament after tournament, Bobby kept climbing until people slowly stopped asking whether he was unusually talented and began asking a much stranger question:

How good can one human being actually become?

That question haunted the chess world for the next decade.

Remember, this wasn’t today’s chess. There was no internet. No YouTube lectures. No databases containing millions of games. No engines instantly pointing out every mistake with the emotional warmth of a tax auditor. If you wanted to improve, you studied books until they fell apart. You replayed famous games by hand. You stared at positions for hours. Chess was slower, lonelier, and in many ways far more mysterious.

Bobby loved every minute of it.

Or perhaps “loved” isn’t the right word. He consumed it. The game became less a hobby than an ecosystem. Everything else seemed secondary. School. Friends. Ordinary teenage life. Those things existed somewhere off to the side while Bobby disappeared deeper into sixty-four squares.

That kind of obsession usually scares people. Sometimes it should. But every now and then history rewards it.

By the late 1960s Bobby wasn’t merely America’s best player. He had become the only serious obstacle standing between the Soviet Union and permanent ownership of the World Championship. For decades the Soviets had treated chess almost as a national project. They produced champion after champion with an efficiency that bordered on the industrial. To beat one Soviet grandmaster was impressive.

To beat all of them? That sounded ridiculous. Bobby apparently didn’t’ received the memo. What amazes me isn’t simply that he won. It’s how he won. He didn’t scrape through on lucky breaks. He didn’t sneak across the finish line. He flattened people.

Strong grandmasters—men who had dedicated their lives to becoming the best in the world—found themselves losing in ways that almost never happened at that level. His Candidates matches became the stuff of legend. The scores looked less like contests between equals than demonstrations of what happened when somebody operating on a different frequency sat down at the board.

There are athletes who win. There are athletes who dominate. Then there are the rare few who make everyone watching wonder whether the rules somehow stopped applying.

Babe Ruth. Wayne Gretzky. Michael Jordan. Michael Phelps. Usain Bolt. Bobby Fischer belongs in that conversation.

That’s the point people often miss. Bobby’s greatness wasn’t confined to chess enthusiasts. His rise had the unmistakable feeling of witnessing something unprecedented. You didn’t need to understand the Sicilian Defense or the King’s Indian to recognize that this skinny kid from Brooklyn was forcing an entire establishment to panic.

And somewhere along the way, Bobby stopped being just another chess player. He became a symbol. Americans wanted him to humble the Soviets. Journalists wanted a story. Television wanted a star. Sponsors wanted a celebrity. Everyone wanted a piece of Bobby Fischer. I’m not sure Bobby wanted any of them.

Looking back now, that’s the first place I can see the seeds of The Greatest Boggler beginning to sprout. Before the paranoia, before the disappearances, before the bizarre interviews and the years wandering from country to country, there was already a young man who seemed profoundly uncomfortable with everything that came attached to success except the game itself.

He wanted chess. The world insisted on giving him everything else. And history has a habit of charging interest on bargains like that.

IV. The Wooden Click

By the summer of 1972, Bobby Fischer had become something no chess player had ever really become before. A global celebrity. That sentence still sounds strange.

Golf has Tiger. Basketball has Jordan. Boxing has Ali. Baseball has Ruth. Tennis has Federer. Even if you’ve never watched them play, you know their names.

Chess? Chess wasn’t supposed to work that way.

Yet for a few extraordinary weeks in Reykjavík, Iceland, it did.

The Cold War had turned sixty-four squares into a battlefield. Bobby Fischer wasn’t simply challenging Boris Spassky for the World Championship. Fairly or unfairly, millions of people saw him as one American standing against an entire Soviet chess machine that had dominated the game for decades.

Every move became news. Every expression became news. Every delay became news. The entire world seemed to be watching a board covered in little carved pieces of wood. Most people would have loved every second of it. Bobby Fischer looked like he wanted to crawl under the table.

Here’s where “The Greatest Boggler” first begins to make sense. Most celebrities worry about bad reviews. Most athletes worry about losing.

Bobby worried about everything. The lights. The cameras. The spectators. The photographers. The chairs. The draft. The conditions. If there was a distraction available, Bobby could find it.

Reading about Reykjavík today, I can’t help but laugh at one recurring image. I picture Bobby sitting at the board convinced there were eyes in his soup. Not literally, of course, but psychologically. Somebody was always watching. Somebody was always listening. Somebody was always trying to gain an advantage.

The walls had ears. The soup had eyes. The room itself felt hostile. To the outside world, this looked ridiculous. To Bobby, I suspect, it felt completely real.

The most famous example has become almost comic. The noise. Specifically…

The little wooden click.

Imagine devoting your entire life to becoming the greatest chess player on Earth. You arrive for the biggest match in the history of the game. Billions of people—well, what feels like billions—are watching. Your opponent reaches for a knight. He places it on the board.

Click.

Bobby couldn’t stand it. Now, I admit, this is where my sympathy and my sense of humor collide. Part of me wants to put an arm around Bobby and say,

“Buddy… it’s a knight.”

“It’s made of wood.”

“It’s going to make a little wooden click.”

“It just is.”

“Have a cup of tea.”

“Take a breath.”

“Let’s play.”

Because the knight isn’t going to stop clicking. It just isn’t. The cameras aren’t going to disappear. The reporters aren’t going to go home. History has arrived. You’re Bobby Fischer. This is the price.

But another part of me wonders what that match must have felt like from inside Bobby’s own head.

Imagine carrying not only your own expectations but those of an entire country. Imagine believing every sound matters. Every movement matters. Every distraction matters. Imagine sitting across from the Soviet World Champion knowing that one lapse in concentration could cost you everything. Suddenly the little wooden click doesn’t seem quite so funny anymore.

It becomes symbolic. The click isn’t really about the knight. It’s about a mind that could never completely switch itself off. That’s Bobby.

The same obsessive concentration that allowed him to discover combinations invisible to everyone else also made ordinary imperfections almost unbearable. His gift and his burden may have been the very same thing. The remarkable thing is that none of it ultimately mattered.

Not the cameras. Not the click. Not the endless negotiations. Not the circus surrounding the match. Bobby won. Against all the noise, all the distractions, all the pressure, he became World Champion. For one shining moment, the kid from Brooklyn stood alone at the top of the chess world. It should have been the beginning of a long reign. Instead, astonishingly, it proved to be the beginning of something else entirely.

The greatest boggler had finally reached the summit. Now he was about to begin climbing back down.

V. The Walk Away

History loves a coronation. It has far less patience for an abdication.

If this were a Hollywood movie, Bobby Fischer wins the World Championship in Reykjavík, returns home a conquering hero, defends the title half a dozen times, writes a bestselling book, gives exhibitions around the world, settles into a comfortable house somewhere in California, and spends old age dispensing colorful stories to admiring grandchildren.

Instead… He walked away. Not immediately. Not dramatically. Just… steadily. Like a man fading into the California sun. That’s the image that stays with me. Not the young genius lifting the crown. The older Bobby, somewhere in Los Angeles, drifting farther and farther from the life everyone assumed he would lead.

People forget just how extraordinary this decision was. Imagine Michael Jordan retiring forever after his first NBA title. Imagine Tiger Woods winning the Masters once and never entering another major. Imagine Bob Dylan releasing Highway 61 Revisited and deciding he’d said everything he needed to say.

That’s the scale of Bobby’s disappearance. He simply stopped defending the thing he had spent his entire life trying to win.

Officially, there were disputes over match conditions, prize funds, and the rules proposed by FIDE. Bobby wanted changes. FIDE accepted some, rejected others, and when agreement couldn’t be reached, he refused to play. In 1975 the title passed to Anatoly Karpov by default.

No final game. No dramatic defeat. Just… Silence.

That, to me, is the first truly monumental boggle. Because Bobby had finally reached the summit. The hard part was over. History was his.

He could have defended the title once, twice, maybe five times. He could have become the elder statesman of American chess. He could have written books, taught children, appeared on television once a year, smiled for the cameras, and lived comfortably for the next forty years.

Instead he disappeared.

The farther Bobby drifted from chess, the farther he seemed to drift from almost everyone else. His relationship with his mother had always been complicated. She had encouraged his early interest in chess but also worried, understandably, that it was consuming his life.

As Bobby became more famous, the distance between them widened. Their relationship fractured, and by adulthood they were largely estranged. There is something deeply sad about that. The person who first helped place a chessboard in his life became someone increasingly absent from it.

Then came the paranoia. Now, I want to tread carefully here. It’s tempting to diagnose people after the fact. Every eccentric becomes “obviously” this or “clearly” that. Real life isn’t that tidy.

What we do know is that Bobby became increasingly distrustful of institutions, governments, journalists, organizers, and eventually whole groups of people. The suspicious streak that had surfaced during Reykjavík seemed to expand until almost nothing escaped it.

The cameras weren’t merely annoying. People weren’t merely mistaken. The soup still had eyes. Everywhere Bobby looked, somebody seemed to be watching. Somebody seemed to be cheating. Somebody seemed to be plotting.

And perhaps the saddest part is that the world kept giving him reasons to feel besieged. Fame invites attention. Attention attracts opportunists. The more Bobby withdrew, the more mysterious he became, and the more mysterious he became, the more people pursued him.

Round and round it went. By the 1980s, he had become almost a ghost.

There were periods when he was reportedly living with remarkably little money. Accounts differ on exactly how precarious his circumstances became, but there were stretches in Southern California when he moved from place to place, staying with acquaintances, in modest accommodations, sometimes even homeless, living a life almost unimaginable for the most famous chess player in the world.

That image boggles my mind. The undisputed World Champion. The man who had conquered the Soviet chess empire. A man without a stable home. How does that happen?

Then there is even a darker chapter. This is has to with Bobby’s antisemitic statements. There is no graceful way around them. They were ugly.

They became more frequent as he grew older, and they permanently damaged his reputation. The bitter irony, of course, is that Fischer had Jewish ancestry through his family background, making his rhetoric all the more bewildering. Whatever mixture of grievance, paranoia, anger, or ideology produced those statements, they caused real harm and deserve neither excuse nor romanticization.

This is where the essay stops being merely funny. Because up until now we’ve been laughing about wooden clicks. About photographers. About impossible demands. About eyes in his soup. Now we’re watching a genuine hero unravel in public. That’s different. It’s heartbreaking.

I keep coming back to the same question. What if Bobby had simply found peace?

Not perfection. Just peace. A little house. A morning walk. A cup of coffee. Chess club on Tuesdays. A few exhibitions every year. Maybe a family, maybe not. Just… enough.

Instead, the world champion kept walking. Farther from chess. Farther from home. Farther, it sometimes seemed, from himself.

And the California sun kept getting lower

VI. The Long Decline

There’s an old saying that every man dies twice. The first time is when his heart stops. The second is the last time someone says his name.

If that’s true, Bobby Fischer may never die.

Even people who couldn’t explain en passant or the Sicilian Defense know who Bobby Fischer was. The tragedy is that millions know him for the wrong reasons. The years after Reykjavík don’t unfold so much as scatter. He’s here. He’s there.

Budapest. The Philippines. Japan. Iceland. Anonymous apartments. Hotel rooms. Friends’ spare bedrooms. Long disappearances.

Then suddenly he’d surface again, as if he’d been underwater for years. The world would remember. Then he’d vanish once more. His life begins to feel almost impossible to narrate because it no longer has a center.

There’s no career. No family life to anchor the story. No steady work. No annual rhythm. Just movement. Always movement.

I’ve known people like that. Not world champions. Just drifters. Men who are always leaving. Always beginning again. Always convinced that the next city, the next apartment, the next job, the next relationship will finally outrun whatever has been chasing them.

It never does.

Because the thing following them is themselves. That’s Bobby’s sadness. No matter where he went, Bobby Fischer came too. There were occasional bursts of hope. Every few years somebody would announce that Bobby was coming back.

Maybe another match. Maybe another appearance. Maybe another interview. Maybe this time everything would settle down. It never quite happened.

Instead, Bobby became almost mythological. People told stories.

“I heard he’s living here…”

“I heard somebody saw him there…”

“I heard he’s working on this…”

Like Elvis or Howard Hughes, the man slowly disappeared while the legend continued multiplying.

The saddest thing about isolation is that eventually it becomes self-reinforcing. If you believe everyone is watching you you stop trusting people. When you stop trusting people you become lonely. Loneliness makes suspicion stronger. Suspicion creates more loneliness.

Round and round it goes. Eventually the circle becomes almost impossible to break. I don’t pretend to know exactly what was happening inside Bobby’s mind. None of us can. It’s easy—far too easy—to diagnose historical figures from the comfort of an armchair decades later.

Life isn’t a psychology textbook. Human beings rarely fit neatly into categories. What we can say is simpler.

Bobby became increasingly isolated. Increasingly angry. Increasingly suspicious. And increasingly difficult for the people who cared about him to reach.

Those are observations. They’re almost enough. The truly heartbreaking part is that flashes of the old Bobby never seemed to disappear. Whenever chess came up, the brilliance was still there. He could still see the board in ways almost nobody else could.

He advocated for Chess960, arguing that modern opening preparation had become too mechanical. Whether or not one agrees, it was another reminder that Bobby never stopped thinking deeply about the game itself. Even after decades away from the championship, his mind was still searching for new possibilities.

That fascinates me.

Because it suggests Bobby never really abandoned chess. He abandoned the world surrounding chess. Those are two very different things. People sometimes ask why geniuses so often end badly. I think that’s the wrong question.

Most geniuses don’t. Most extraordinarily gifted people build long, productive lives. The better question is why some geniuses seem unable to find a place to stand once the applause stops. For Bobby, victory solved the one problem he’d devoted his life to solving. After that…

What remains? You can spend twenty years climbing Everest. You can’t spend the next twenty standing on the summit. Eventually you have to come down. Most people descend into ordinary life. Bobby never really did.

He remained, psychologically, somewhere on that mountain. Still listening. Still watching. Still hearing the tiny wooden click. Still looking for eyes in his soup. And that’s why I keep resisting simple explanations. Was Bobby a hero?

Absolutely. Was he also capable of saying ugly, hateful, indefensible things? Absolutely. Both can be true. History isn’t obligated to give us clean characters. Some lives remain stubbornly contradictory. Perhaps that’s why Bobby still fascinates us more than fifty years after Reykjavík.

Not because he was perfect. Not because he was monstrous. Because he was profoundly, bewilderingly human. Gifted beyond measure. Flawed beyond measure. A man who could see twenty moves ahead on a chessboard and sometimes seemed unable to see the next move in his own life.

Then came one of my favorite Bobby stories.

For years, chess fans traded rumors that Bobby had quietly returned to the internet, anonymously playing blitz games against unsuspecting opponents. The greatest of those stories involved English grandmaster Nigel Short, who later said he believed he’d been playing Fischer himself.

Was it really Bobby? Nobody knows for certain. Maybe yes. Maybe no. That’s almost beside the point. The story sounds like Bobby, so I like to think that it is true.

The greatest chess player in history, hiding behind a screen name somewhere, refusing interviews, refusing publicity, refusing to tell anyone who he was, and simply playing chess because that was still the one language that made sense to him.

Whether it happened exactly that way almost doesn’t matter anymore. It has become mythology. And Bobby, by then, belonged as much to mythology as to history.

VII. Checkmate

Every story has to end somewhere. It’s fitting, I suppose, that Bobby Fischer’s ended in Iceland. Not New York. Not Brooklyn. Not Los Angeles. Not Moscow. Iceland.

The little island where, for one extraordinary summer in 1972, he became the most famous chess player who had ever lived. It was the only country that would still welcome him.

Life has a strange sense of symmetry. After years of drifting through countries and controversies, after the endless rumors, the disappearances, the interviews that shocked the world, the legal battles, the wandering, Iceland quietly opened its doors to him one last time.

In Iceland, at least, Bobby found something resembling peace. Not complete peace. I’m not sure Bobby Fischer was ever built for complete peace. But enough. Enough to walk. Enough to think. Enough to play a little chess. Enough, possibly, to grow old.

He did a couple of interviews just before his death and I have read one or two. In them he sounds, if not exactly becalmed, at least somewhere approaching peace. This is a good note to end on.

Bobby Fischer died in Reykjavik January 2008 at tixty-four years old. A chessboard has sixty-four squares. Just one of those funny coincidences I guess. It’s hard not to smile. The number somehow feels right. When Bobby died, the obituaries arrived almost immediately. Some celebrated the genius. Some dwelled on the paranoia. Some focused almost entirely on the antisemitism and the bitterness of his later years.

All of them were telling part of the truth. None of them were telling all of it.

That’s the difficulty with Bobby Fischer. He refuses to fit inside a headline. He wasn’t simply a genius. He wasn’t simply a crank. He wasn’t simply a hero. He wasn’t simply a tragic figure. He was all of those things. That’s what makes him so fascinating.

Earlier I called Bobby Fischer the greatest boggler who ever lived. I stand by it. Not because he was the strangest. History has produced stranger people.

Not because he was the cruelest. History has produced far crueler men.

But because no one ever stood so close to having everything and then walked away from so much of it.

That’s the boggle.

Not the wooden click. Not the cameras. Not the soup with eyes. Those were symptoms. The real mystery is simpler.

How does a boy from Brooklyn become the greatest chess player on Earth and never really find a place to live in the world outside the board?

I don’t know. I don’t think anyone does. Maybe that’s why we’re still talking about him. His chess itself is immortal. The combinations still sparkle. The games are still taught. The brilliancies are still breathtaking.

Young players who weren’t born until decades after Reykjavík still sit in quiet rooms and replay Bobby’s victories, shaking their heads at moves that seem impossible until suddenly they aren’t.

That’s one kind of immortality. The other is stranger. Some people leave behind answers. Bobby Fischer left behind questions.

Questions about genius. Questions about obsession. Questions about loneliness. Questions about the terrible price that brilliance sometimes demands.

Suppose Bobby Fischer were sitting across from us now. No cameras. No reporters. No photographers. No Soviet delegation. No championship. Just a quiet chess club on an ordinary Tuesday afternoon.

I’d like to think we’d set up the board. He’d reach for his knight. It would land with that tiny…

click.

I’d smile. He probably wouldn’t.

Then we’d play.

And for a little while at least, the world would make perfect sense again.

Dedication:

For Bobby. And for my dad, who taught me everything I know about chess. Dad you are my hero and I love you.

The Days and Nights of My 50s I: 7/20/26, the Unwritten Libretto.

Author’s Note:

Five days ago, I made what may prove to be the most important professional decision of my life.

For months—years really—I had been thinking about giving up my teaching career and becoming a full-time writer. I have talked to many of my family and friends about this and taken several small steps in this direction. I recently published a novel, have written and published hundreds of essays, and written almost every day for eighteen years. I have hundreds of pages of dream records, journals and letters, some sent and some only in draft form. I am hard at work on the sequel to my first novel, and am currently working on five books with many more in the making.

Over this time I have also become very good at making excuses. School is too busy. Life is complicated. The timing isn’t quite right. Next month. Next term. Next year. One day. It was all true, and yet it barely matters. A few days ago, I finally admitted what had been staring me in the face for a long time: if I wanted to call myself a writer, I had to stop waiting for someone else to make that decision for me. Whether I eventually succeed or fail is almost beside the point. The decision itself changed something in me. I stopped thinking about the life I wished I had and started taking responsibility for the one I actually have.

Today wasn’t the happiest day of my life, nor the saddest. It wasn’t the day I got married, the day my son was born, the day I published my first book, or the day I realized my marriage was ending. Objectively speaking, it was an ordinary Monday in Osaka. I listened to music. I wandered the city. I shared dinner and my bed with a woman whose path happened to cross mine for a couple of hours before diverging forever. By tomorrow morning she would be somewhere else, and so would I. Yet somewhere between checking into a modest hotel, thinking about my future, and sitting alone quietly after she left, something finally clicked. My teaching career is rapidly coming to a close. The marriage that defined most of my adult life is over. The books I dream about haven’t been written yet. The cities I may someday call home are still only possibilities. The people who will matter most over the next twenty years are, at this moment, complete strangers.

For the first time since I was a young man, there is no obvious script. That realization is exhilarating. It is also terrifying. Most of all, it is deeply liberating.

So this seems as good a place as any to begin this series.

Epigraph:

Yesterday is history. Tomorrow is a mystery.

Anonymous

Anything could happen.

Bash and Pop

I: My General Situation As of Today

For the better part of thirty years, my life had possessed a remarkable amount of structure. I graduated from college. I moved to Japan. I found a teaching career almost by accident and stuck with it for a quarter of a century. I got married, and my wife and I bought a house together in Kyoto. We raised a wonderful son together who we both love more than words can say. We have paid bills, argued over groceries, worried about our dear dog Daisy, taken vacations when we could afford to, and slowly accumulated the ordinary rituals that eventually become a life. There were wonderful years and there were difficult ones, but there was almost always a next step waiting patiently in front of me. Whether I liked the script or not, there was a some kind of a script.

Then, almost imperceptibly at first, it disappeared.

My marriage ended not with a single dramatic explosion but with the gradual realization that two decent people could simply reach the end of the road together. My teaching career, once the defining feature of my adult identity, began to quietly recede into the background. Friends scattered across countries and continents. My parents grew older. I turned fifty-two without feeling especially old, but with the unmistakable sense that I had entered the second half of whatever story remained.

It is a peculiar thing to discover that freedom and uncertainty are twins. For years I imagined freedom as something uncomplicated. Finish work. Write books. Travel. Meet interesting people. Drink coffee in strange cities. Listen to music until two in the morning. Wake up whenever I pleased. Answer to no one.

There is truth in that fantasy. There is another truth as well.

Freedom also means that no one hands you tomorrow. No institution is waiting to promote you. No family obligation automatically determines your next decision. No invisible current carries you downstream. Every meaningful choice becomes your responsibility. Every success belongs to you. Every failure belongs to you too.

That realization can feel less like opening a door than standing on the edge of a cliff. You can step forward. Or you can spend the rest of your life admiring the view. Five days before the evening you’re about to read about, I decided I was done standing still.

I wasn’t retiring, not yet anyway. I wasn’t exactly reinventing myself. I wasn’t chasing some impossible dream. I was simply acknowledging something that had probably been true for twenty years. I am a writer. I feel like I was born to be one. Whether anyone else eventually agrees is, in many ways, beside the point. The work itself has become the destination. Everything else—the cities, the books, the women, the music, the bars, the victories, the humiliations, the friendships, the failures—is simply material for my work.

This series is an attempt to pay attention to the contours of my daily life, in whatever form the may take. And, perhaps for the first time in my life, to trust that the story doesn’t need an outline before it begins.

II: Osaka

Osaka has always felt different to me than Kyoto.

Kyoto is the city where I built my adult life. It is where I have worked, and lived for more than twenty years with my life and son. It is where the mortgage was paid and our dog was walked, where ordinary afternoons quietly accumulated slowly into decades. I know its rhythms inside and out. I know which coffee shops open early, which bridges are worth crossing at sunset, and where to stand beside the Kamogawa when I need to remember that almost everything eventually passes.

Osaka has always been to me something else entirely.

It has never asked me to be responsible. When I come here, I feel somehow lighter. Less like a teacher. Less like a husband. Less like the man who spent twenty-four years inside the same corporate institution. Osaka has always given me permission to become, if only for a day or two, a slightly different version of myself. Not a better man or a worse one. Just someone with fewer expectations resting on his shoulders.

Perhaps every city we visit has a role to play in our lives. Kyoto has been my home. Tokyo has often been a dream. Singapore has long been my favorite escape. Osaka, though, has become my intermission. A place where I can step off the stage for a little while before the next act begins. A place to just get away.

This Monday afternoon I checked into a small APA Hotel not far from Shinsaibashi Station, which I affectionally call Mr. Shin. Like most APA hotels, it is clean, efficient, and just a little too compact. The room isn’t exactly designed for lingering. It is designed for sleeping, showering, and moving on. My suitcase for neatly against one wall. The desk is barely large enough for my laptop and a cup of coffee. The large television in front of my bed I will barely use. It suits my current mood perfectly.

I took a taxi to the hotel from Shin-Osaka Station and arrived around 7:30 PM. I dropped my overnight bag on the floor, drew the curtains apart, and looked out over another slice of Osaka. Nothing spectacular. Just traffic, apartment buildings, and the quiet machinery of a city getting on with its day.

I remember thinking how strange it felt to have absolutely nowhere I needed to be. No lesson to prepare. No meeting to attend. No papers to grade. No one waiting for me at all.

That realization no longer frightened me the way it once might have. It felt… spacious. There are moments in life when freedom announces itself with fireworks. This wasn’t one of them. It arrived almost silently. Like an empty afternoon. Like a city that has never asked me to explain myself. My hotel room is simple. It is what I can afford.

Outside, Osaka continued exactly as it always had. Inside, almost without me realizing it, the next stage of my life had already begun.

III: Meeting Yuki

I should flash back briefly here to introduce my date for the evening. There are evenings that require months of planning. This was not one of them.

The plan, such as it was, consisted of very little. Conversation. Sex. Cigarettes. Dinner. That was enough. As I stepped out of the taxi, I saw her standing quietly on the street.

She was slightly built, dressed in a simple black skirt, and carried herself with the quiet confidence of someone accustomed to meeting complete strangers. There was no dramatic meeting, no cinematic slow motion, no instant thunderbolt. We smiled, introduced ourselves, and within a minute or two were walking side by side into the hotel through the warm Osaka evening as though we had agreed to meet as old friends rather than someone we had never laid eyes on before.

Her name was Yuki.

We went up to my room and made the sort of awkward conversation that strangers always make at first. Where are you from? Where do you live today? Had I been to Osaka often? Was I enjoying the summer?

Nothing remarkable. Which, in retrospect, was itself remarkable. There is something deeply comforting about ordinary conversation. For a little while, neither of us had to be anything more than two people just getting to know each other.

Eventually, because pretending otherwise would have been absurd, the reason we had met entered the conversation. She is thirty-six and works as an escort. I had hired her for the evening.

There is no point dressing those facts up in prettier language. They are neither the whole story nor something I feel any particular need to defend. They simply belong to it. Human lives are untidy. We make decisions for reasons that are sometimes noble, sometimes lonely, sometimes curious, and sometimes impossible even to explain to ourselves. This was one of mine.

I went into the bathroom to wash up, took my clothes off, and hung them neatly on the hangers on the wall. By the time I came out of the bathroom she was naked too. That was what we were there for. I put on one of my favorite bands Whiskeytown, lay back on the bed for a few minutes, listened hard, and let the sweet sweet sounds of Ryan Adams’ voice wash over me. I was, briefly, in heaven.

Then, inevitably, we began to kiss. She is a smoker and tasted like stale tobacco and faintly like green peas. I am a smoker too so I am sure I tasted the same. She unwrapped one of the condoms that I had bought earlier for occasions just like this and began to pleasure me with her mouth. While I do enjoy oral sex to some extent, it is far from my favorite sexual act and I have never been able to cum this way. Not for lack of trying, I simply find that the women who have performed the act on me can never sufficiently been able to get their teeth out of the way. It is not their fault at all, but it is just that simple.

Soon enough, I asked her to climb on top of me. My penis was already erect and she was slick as well, and I entered her cleanly and easily. After a little while, we flipped around and began to engage in the missionary position. I was on the urge of cumming when I pulled out, turned over on my back, and finished my self off with two hands. Nine times out of ten I finish this way if I finish at all. After all, I know my own equipment better than else, so to speak. Before we began to have sex I put on some porn. I chose very quickly as we were on the clock. I selected some perfectly nun priest porn, totally chalk. Of course we both barely watched it as our eyes were mostly closed. The moment I came I toweled off, shut off the porn, and immediately pressed play on the Whiskeytown video I had paused before sex.

Then a funny thing happened. During sex she had repeatedly asked me to turn down the porn and to shush in general. She said we were at a business hotel and that we were bothering the other guests. Although I love to be babied. I do not like to mothered at all. It is just not my thing, and I have written about this at some length here. I already knew that I would not book Yuki again, and this moment helped crystalize my decision. She is sweet and cool, and I am glad I met her for one night, however she is just not my jam. And also, nobody shushes my boy.

Anyway, she asked me to turn my music down. I just laughed and cranked it. Then she laughed too and the mood lifted and passed. Neither of us was yet in the mood for a shower, mostly because we were on the clock and by this point only had about 40 minutes left in our appointment. I did not feel like a round two, so I suggested we head down to the street to smoke for a smoke and then get a little dinner. Although we had less than an hour left and the hotel restaurant was a little busy, she agreed to have dinner with me.

We finished our cigarette and entered the first floor hotel restaurant. We sat down and briefly consulted the menu. The restaurant specializes in pasta, so I ordered tomato pasta with eggplant and she ordered the zucchini linguine. The food took a while to arrive, so halfway through the meal she asked for a doggie bag. I quickly finished my meal and we went upstairs so she could pack her bag.

The evening had never pretended to be anything it wasn’t. Neither of us confused it with romance. Neither of us imagined it was the beginning of some extraordinary love story. It was simply two lives crossing for a few hours before continuing in different directions. There is something quietly beautiful about that too.

Outside, Osaka was still very much alive. Trains rattled somewhere in the distance. Traffic rolled steadily beneath the hotel windows. Thousands of strangers were beginning nights that had nothing to do with ours. Ours, quietly and without complaint, was coming to an end.

I told her I was going to wash up for a minute. She said through the door that she had to leave. I said goodbye babes and she replied in the same fashion. When I came back out, she was already gone.

And I didn’t even kiss her goodbye.

IV: Coda

For most of my adult life, my future had always arrived with an outline. There was always another semester to teach. Another report to write. Another mortgage payment to make. Another family holiday to plan. Another school year waiting just over the horizon. Even when life became difficult, I almost always had a sense of what would come next. The details may change, but the broad shape of the story had already been sketched.

And now it hadn’t.

As I write this the marriage that defined nearly half my life has come to an end. My teaching career, after almost thirty years, is slowly coming to an end. My son is a grown man, trying his best making his own way in the world and earning his own money. My wife and I are immensely proud of him as well we should be. Our house of 19 years will soon belong to someone else. My life is rapidly becoming quite different and everything that had once seemed permanent has become part of the past.

This all may sound just a bit sad. Some of it may be, sure. It also happens to be exhilarating. Tomorrow I might wake up in Kyoto. Next month I might find myself in Singapore. A year from now I may be living in Osaka. Anything could happen.

Perhaps I’ll write ten more books. Perhaps no one will read them. Perhaps I’ll fall in love again. Perhaps I won’t. There will be close friends I haven’t made yet. There are cities I have not yet wandered. There are songs I haven’t fallen in love with, thank god.

There are mistakes waiting patiently for me. There are joys I cannot yet possibly imagine. For the first time since I was in my early twenties, the next chapter of my life has not yet been written.

As I stood there in that little Osaka hotel room, listening to Whiskeytown waft through the room, I finally understood what life had trying to tell me for days.

My life hadn’t fallen apart. It had, in fact, opened up. And somewhere beyond everything I thought I knew, waiting patiently for me, was the unfinished libretto.

Dedication:

For Yuki. Thanks for a lovely evening. I’ll never see you again, babe. Go with God.

On Why My Friend Litz and I Are No Longer Boyfriend and Girlfriend—for Now

Epigraph:

Some people claim there’s a woman to blame but I know it’s my own damn fault.
—Jimmy Buffett, “Margaritaville”

I. Meeting Litz Online

I met Litz on Tinder right around the end of April 2026, just about two and a half months ago today. Relationships often begin before either person realizes that anything has begun. Two strangers exchange a few messages, one of them sends a photograph or a joke, and suddenly an event that seemed inconsequential at the time becomes the first scene in a story.

Within a few days, Tinder suspended my account after yet another unsuccessful attempt to satisfy its increasingly byzantine photographic-identification system. I had failed this test many times before. The platform’s technology remained unable to determine that the large, slightly tired-looking man holding the phone was the same large, slightly tired-looking man depicted in the photographs directly beneath him. I found this highly frustrating, although by then it hardly mattered. Litz and I had already begun speaking elsewhere.

The first thing she sent me was a voice message. It lasted only a few seconds. I believe she simply introduced herself. What I remember best is her voice: low, warm, and unexpectedly musical. Litz had once been a professional singer. In her early twenties, she had received a recording contract in South Korea despite speaking little or no Korean at the time. I still do not entirely understand how that arrangement came about, but after hearing her speak I understood why someone might have wanted to record her.

Her voice reminded me slightly of Margo Timmins of Cowboy Junkies—not because they sounded identical, but because both possessed a quality that is difficult to manufacture: intimacy without effort and deeply sensual. To be frank, her voice turned me on immediately, and almost as quickly she did too. Litz could make a routine greeting sound private. Even when she was discussing work, groceries, family obligations, or the weather in Kochi City, I sometimes had the feeling that she was singing under her breath.

I told her how much I loved her voice. She later told me that she had fallen for me almost immediately. I cannot honestly say that I proceeded with greater caution.

Over the next six weeks, we talked almost every day, usually several times a day. Some calls lasted twenty minutes. Others lasted an hour, two hours, or longer. There were mornings when we spoke shortly after waking, afternoons when one of us called while walking somewhere, and nights when we continued talking long after both of us had run out of any practical reason to remain awake. By the time we met in person, we had accumulated hundreds of hours of conversation.

We discussed our families, our marriages, our children, our work, our financial worries, our health, our failures, and our hopes for whatever remained of the future. I have one adult son; she has two adult children. We spoke about the different paths that had carried us into our early fifties and about the lives we might still construct from there. We talked about music, food, travel, friendship, jealousy, loneliness, and sex. We also talked about nothing at all, which may be the greater test of intimacy. It is relatively easy to tell another person the dramatic events of one’s life. It is harder to remain interested while that person describes a difficult customer, a delayed train, an irritating piece of paperwork, or what she intends to eat for dinner.

With Litz, those ordinary conversations rarely felt ordinary.

At the time, I was emerging from a marriage that had lasted twenty-nine years. My wife and I had mutually decided to divorce earlier that spring, although the practical and emotional consequences of that decision were still unfolding. I had not lived as a single man since my early twenties. I had almost no recent experience of dating and even less understanding of how quickly two people could create a private world through their phones.

My mother and several other people cautioned me that Litz and I might be moving too fast. They were not hostile to her, nor were they trying to discourage me from beginning a new life. They had simply lived long enough to recognize acceleration when they saw it.

In retrospect, they were right.

At the time, however, the speed felt less like recklessness than recognition. After so many years inside one relationship, I mistook the intensity of discovery for certainty. Litz and I had not yet confronted the thousand small realities that distinguish knowing someone from imagining that one knows her. We knew one another’s histories, preferences, fears, and fantasies. We knew how to make each other laugh. We knew when the other person sounded tired or distracted. We knew which subjects produced excitement and which could quietly darken the mood.

That felt like knowledge. Some of it was. Some of it was projection. We also became virtually intimate before meeting in person. We had phone sex only twice, although the number is less important than what the experiences represented. Both of us had been lonely, and the intimacy provided a necessary outlet and a sense of closeness across a considerable distance.

At other times, when her work schedule or my obligations made a longer encounter impossible, we exchanged photographs or allowed each other brief intimate glimpses through the phone.

I do not include this information to be provocative. It matters because the relationship did not begin as a cautious friendship that slowly became romantic after a series of conventional dates. Emotionally and sexually, we had already moved far beyond introduction before we occupied the same room. By the time I traveled to Kochi, we had created expectations that neither of us fully understood.

For most of those six weeks, we had almost no disagreements. Litz sometimes expressed concern about whether I brushed my teeth frequently enough, an impressive question given that she was hundreds or thousands of kilometers away and had never stood close enough to inspect them. I assured her that I did. She remained unconvinced. This should perhaps have told us something.

Mostly, though, we were happy. We called each other baby. We spoke openly about becoming engaged and, eventually, getting married. We discussed travel plans and imagined a shared domestic future with the confidence available only to people who have not yet attempted to share a bathroom, a schedule, a kitchen, or a narrow futon.

I knew we were rushing. I rushed anyway.

I returned to Japan on June 12, two days before my fifty-second birthday. Almost immediately, I began arranging the trip to Kochi. Traveling there from Kyoto or Osaka is neither impossible nor particularly convenient. The round trip cost roughly ¥25,000, and the journey consumed much of a day. At fifty-two, a man should perhaps think carefully before spending that amount of time and money to meet someone he knows primarily as a voice emerging from a small electronic device. I went nonetheless.

By the time I reached Kochi Station, it was close to eleven at night. The late arrival eliminated any possibility of a proper birthday dinner. We bought snacks and wine instead and carried them back to a hotel near the station, where we did our best to turn convenience-store provisions into a meal.

There was an unavoidable strangeness in seeing her at full human scale. For six weeks she had existed inside photographs and rectangles, her face appearing or disappearing according to the strength of the connection. Now she was standing beside me, very small and entirely real. Litz is only four feet eleven inches tall. I am six feet three. The physical contrast between us was nearly comic, although neither of us seemed troubled by it.

We talked, drank wine, ate our improvised dinner, and gradually adjusted to the fact that the person we had imagined was now close enough to touch. The transition was easier than it might have been. Her voice was the same voice. Her humor survived the journey out of the phone. The affection between us did not vanish under the brighter and less forgiving light of an actual room.

We slept together that night and again the following morning. The sex was very good, but what mattered more was the sense of confirmation surrounding it. Whatever else we had misunderstood, the attraction was real. We were comfortable enough to laugh, to pause, and to begin again. Nothing felt forced. The night seemed to promise that the emotional and virtual intimacy of the previous six weeks could become an ordinary physical life.

Had the visit ended the following morning, I might have returned home convinced that we had been right about everything.

But eight hours together seemed inadequate after six weeks of anticipation and a ¥25,000 journey. Litz had an apartment in Kochi City, and I asked whether I might stay with her for a few days. She kindly agreed and began rearranging her work schedule so that we could spend more time together. I was, and remain, deeply grateful for that generosity. Inviting someone into a small home is an act of trust. Inviting a new boyfriend who is more than a foot taller than you and has arrived carrying the accumulated habits of twenty-nine years of marriage may be an act of courage.

I expected to remain for several days.

I stayed for ten.

For the first time, Litz and I would no longer be two people describing our daily lives from a distance. We would have a daily life together. We would wake in the same room, eat the same food, negotiate the same space, and discover whether the ease of our conversations could survive the pressures of proximity.

For the first few days, it did.

II. On Learning Someone in Person

By the end of my stay, I had remained in Kochi for about ten days.

Those ten days contained enough happiness to convince me that our relationship had real promise. They also contained enough friction to suggest that promise alone would not be enough.

Very quickly we settled into something resembling a small domestic partnership. Litz would go to work, though she had generously arranged her schedule so we could spend much more time together than originally planned. I cooked when I could, helped with the laundry, cleaned the apartment, ran errands, and generally tried to make myself useful. In the evenings we wandered around Kochi, stopped for drinks, browsed little shops, cooked simple meals together, and continued discovering one another in the quiet rhythm of ordinary life.

Those ordinary moments are, after all, where real relationships actually live. The first few days were wonderful. Then, almost imperceptibly, small tensions began to appear. The first involved something so minor that I still find it difficult to believe it became an issue at all.

I am a smoker. Rather than smoke inside Litz’s apartment, I stepped onto her small balcony several times a day. While smoking I would occasionally call my family or a close friend back in Kyoto. I was speaking quietly, during the daytime, on private property. To me it seemed entirely unremarkable.

Apparently one of Litz’s elderly neighbors felt otherwise.

The neighbor contacted the building management company and complained that the foreign guest next door was smoking and talking on the balcony. The management company called Litz and politely asked if her guest could simply take phone calls inside the apartment instead. That was all.

There was no threat of eviction. There was no confrontation. Nobody came to the apartment. No police appeared. No lease violations were mentioned. It was, from everything I could tell, a routine request that could have been solved in approximately thirty seconds.

I would gladly have stopped taking calls on the balcony. Instead, something else happened. Litz panicked.

When she told me about the call she was visibly shaken. She was close to tears. She repeatedly told me she might lose the apartment she had worked so hard to obtain. She imagined herself forced to leave. She imagined financial disaster. She imagined the worst possible outcome almost immediately.

I asked her a simple question.

“Baby, did the management company actually say you were going to be evicted?”

“No.”

“What did they say?”

“They asked that you talk on the phone inside.”

“I can absolutely do that.”

For me, the problem was already solved. For her, it had barely begun.

Looking back now, I understand that this was not really about balconies, cigarettes, or phone calls. It was anxiety. Real anxiety.Not theatrical anxiety. Not attention-seeking anxiety. Genuine anxiety that transformed relatively ordinary inconveniences into looming catastrophes.

I had not fully understood the depth of that tendency while we were talking online because online relationships naturally allow each person to present a calmer, more edited version of themselves. Daily life removes that luxury.

Unfortunately, her anxiety had an unfortunate side effect. It triggered my own. There are many unpleasant emotions in life, but few I dislike more than chronic stress. I can handle sadness. I can handle disappointment. I can even handle uncertainty reasonably well. Constant anxiety, however, is simply not good for me.

As Litz became more anxious, I found myself becoming more anxious in return. Neither of us wanted that. Neither of us knew quite what to do about it.

Other small disagreements gradually appeared. From my perspective they were simply the kinds of adjustments every new couple eventually faces. From her perspective they often carried greater emotional weight than I expected.

For example, she became increasingly interested in my daily routines.

How many times was I brushing my teeth? Why had I skipped shaving that morning? Was I taking proper care of myself?

These were perfectly reasonable questions in another context. Had we been married for twenty years, they might have seemed almost affectionate. But we were not married. We were not engaged. We had only recently met in person after knowing one another online.

I was fifty-two years old. She was in her fifties as well. I thought that certain decisions about my grooming, my appearance, and my daily habits still belonged primarily to me. I tried to explain this as gently as I could, just as she tried to explain why these matters genuinely concerned her.

Neither of us was entirely wrong. We were simply beginning to discover the practical differences between two people who had fallen in love through conversation and two people attempting to share everyday life. The gap continued to grow.

Reflecting on our first six weeks together, I am increasingly struck by something that I already knew to some extent. There is, in fact, a tremendous difference between getting to know somebody online and getting to know them in person. This may seem obvious. However, my time with Litz underscored that truth in ways I genuinely did not expect.

By the time I finally left Kochi, we were still together. We were still affectionate. We were still physically intimate. We still considered ourselves boyfriend and girlfriend. But beneath the surface, the first fault lines had begun to appear.


III. One Day at a Time

When people hear that a relationship has ended, they almost always want a simple explanation. Someone must have been the villain. Someone must have made the cheated. Someone must have loved less, cared less, tried less, or failed more spectacularly than the other. Real life rarely works that way in my experience.

Litz is one of the kindest people I have ever met. She is generous with her time, devoted to her children, remarkably hardworking, and capable of great tenderness. She also struggles with anxiety in ways that sometimes make ordinary life much harder than it needs to be. I, meanwhile, have my own collection of flaws. I rush into things. I value independence almost to a fault. I can be stubborn, dismissive of worries that seem obvious to others, and too quick to believe that every problem has a quick solution. These qualities have served me well in some areas of my life. In this relationship they sometimes made matters worse.

Neither of us was trying to hurt the other. We were simply carrying different histories into the same room. And perhaps that is what every relationship really is: two biographies attempting to occupy the same present tense. Sometimes they fit together naturally. Sometimes they require patience neither person yet possesses. Sometimes they arrive at exactly the wrong moment, even when the feelings themselves are genuine.

I do not regret meeting Litz. I do not regret falling in love with her. I certainly do not regret the laughter, the conversations that lasted until sunrise, the train rides, her little apartment in Kochi, or the quiet mornings when, for a little while at least, building a future together felt entirely possible. Those moments were real. They remain real.

Today, Litz and I are no longer boyfriend and girlfriend. We are, however, still good friends. We continue to care about one another and talk on the phone, and we both hope that time will provide perspective where emotion sometimes could not. We are discussing the possibility of traveling abroad together later this year. If this happens it happens and if it does not it does not. In either case, we will travel as friends, not as a couple.

The challenges in our relationship were the product of two imperfect people, each bringing old habits, old fears, old hopes, and old wounds into something new. That is not failure. It is simply the complicated business of being human.

So I will keep trying. To become a better man. A better friend. And, if circumstances ever allow, a better boyfriend. I hope Litz finds the same peace she has always wished for me.

Some people claim that there’s a woman to blame. But I know it’s my own damn fault. Perhaps.

Dedication:

For my friend Litz. Let’s just take things one day at a time, baby.

Note: Interested readers may also wish to read the love poem I wrote for Litz during the early part of our relationship. This poem is linked below.