On the Most Outta Control People in History (aka You’re Outta Control!): #1 Keith Rainere

Note: This piece begins a new series, The Most Insane People of All Time (aka You’re Outta Control), which looks at extreme historical and contemporary figures whose behavior, movements, or belief systems veered dramatically beyond the bounds of ordinary reality. The tone is intentionally informal and impressionistic rather than academic, blending biography, cultural memory, and personal reaction. The goal is not exhaustive analysis but a clear read on just how outta control these figures became. This piece takes up the case of Keith Rainere.

Epigraph: 

“Out of control / You’re out of control…”

— Out of Control, The Rolling Stones

Keith Raniere began life in New York in 1960 and built his early identity around claims of extraordinary intelligence and unusual gifts. He cultivated a reputation as a prodigy, a polymath, and a moral philosopher, though many of these claims were exaggerated or unverifiable. In the 1990s he co-founded a multi-level marketing-style company that ran into legal trouble, then pivoted into what became NXIVM, a self-improvement organization marketed as executive success training. Participants attended workshops, advanced through ranks, and absorbed Raniere’s pseudo-philosophical teachings. He adopted the title “Vanguard,” cultivated an inner circle, and emphasized ethics, discipline, and personal growth. Wealthy backers, including Seagram heiress Clare Bronfman, funded the operation for years, allowing NXIVM to expand in upstate New York and attract professionals, actors, and seekers.

Behind the self-help veneer, however, the structure tightened. Raniere exercised increasing control over followers’ lives, and a secret subgroup known as DOS emerged, involving master–slave hierarchies, collateral-based coercion, and branding rituals incorporating his initials. Superman actress Allison Mack played a key role in recruiting members. Investigative reporting in 2017 exposed the group, leading to arrests. Raniere fled to Mexico, where he was found living in a villa with loyal followers, still holding late-night volleyball sessions and maintaining his guru persona. He was arrested in 2018, returned to the United States, convicted on multiple charges, and sentenced to 120 years in prison. The NXIVM empire collapsed, its mythology dissolving into court transcripts and testimony.

And yet what stands out most about Raniere is not grandeur but pettiness. The volleyball — endless, late-night volleyball as the center of spiritual life — already tells you everything you need to know. Important conversations at midnight on the court, guru hanging out in athletic shorts, disciples orbiting. It has strong George Santos energy: self-invented genius, weird rituals, faux casualness masking control. Then the egomania. The IQ mythology, the titles, the little cushion on stage so he’s physically higher than everyone else. It’s not even theatrical; it’s dreary. The branding scandal — initials burned into skin, coercion, sexual manipulation — pushed it fully into outta control territory. And all of it funded for years by the Bronfman money, which makes the whole thing feel even more surreal. Rich people with nothing better to do underwriting a volleyball cult.

What really kills it, though, is the atmosphere. It’s all so fucking boring. Endless seminars. Faux-ethical language. Guru perched slightly above the group. No charisma, no sweep, just control. I basically hate gurus, and Raniere is the worst kind: small, humorless, self-mythologizing. Even when he fled to Mexico, he didn’t become mythic — he just kept playing volleyball in a villa while the walls closed in. Outta control, yes, but also petty. Not a visionary gone wrong, just an egomaniac running a dreary self-help cult.

By contrast, Jim Jones has a sweeping, almost Shakespearean arc. He began as a Midwestern preacher in Indiana in the 1950s, preaching racial integration and social justice at a time when both were rare in American churches. His Peoples Temple grew steadily, and by the mid-1960s he relocated to Northern California, first to Ukiah and then to San Francisco, where he gained real political influence. The early movement was diverse, activist, and in some respects ahead of its time. But alongside the growth came drugs, paranoia, authoritarian theatrics, and increasing control. Facing scrutiny and defectors, Jones moved followers to an agricultural commune in Guyana — Jonestown — deep in the jungle. Life there deteriorated into long work hours, loudspeaker propaganda, and rehearsals for mass suicide. In November 1978, U.S. Congressman Leo Ryan arrived to investigate, accompanied, improbably, by Mark Lane, the JFK conspiracy lawyer hired by the Temple as a defender. After several members attempted to leave, Ryan and others were shot at a nearby airstrip, and Jones ordered the mass murder-suicide — cyanide-laced drink administered to more than 900 people. The trajectory is horrifying, but it has scale: idealism, power, paranoia, catastrophe. You can at least see how it built.

Marshall Applewhite is stranger still. A former music teacher who fell into an intense partnership with Bonnie Nettles, he constructed a theology blending Christianity, UFO lore, and apocalyptic expectation. After Nettles died, Applewhite grew more isolated and doctrinaire, leading the group known as Heaven’s Gate. Members lived communally, detached from ordinary life, waiting for a spacecraft they believed was trailing the Comet Hale–Bopp. In 1997, Applewhite convinced followers that they needed to leave their bodies to board it. Thirty-nine members died in a coordinated mass suicide in Rancho Santa Fe, California, wearing matching clothing and following a carefully staged sequence. The whole thing is eerie rather than theatrical — calm, methodical, and deeply surreal. Of the three, Applewhite may be the most bonkers, but also the most otherworldly, a teacher who wandered into cosmic delusion.

So the comparison is stark. Jones is tragic and terrifying, a charismatic reformer turned paranoid autocrat. Applewhite is cosmic and surreal, a gentle-seeming teacher convinced salvation lay behind a comet. Raniere, by contrast, is just small — petty control dressed up as philosophy, volleyball instead of vision, branding instead of belief. All three are outta control, but in different registers: tragic, cosmic, and contemptible.

On Larry King, the Radio GOAT

Epigraph:

“I listened to the radio / I waited all night long…”
— Radio Radio, Elvis Costello

Note: This piece reflects my personal memories of listening to Larry King’s overnight radio show in the late 1980s and early 1990s, along with later impressions from television appearances, interviews, and conversations with people who knew him. It is written in the spirit of appreciation and nostalgia rather than media criticism, and emphasizes the uniquely loose, humane, and unpredictable quality of King’s radio work, which for me remains the defining core of his legacy.

I grew up listening to Larry King’s overnight radio show between roughly 1988 and 1992, and in my opinion — which happens to be correct — the radio show was much better than the television version that later made him famous. The TV show was good, even great at times, but radio was longer, looser, freer, and far more unpredictable. It had weird guests, weirder callers, and the feeling that anything might happen at two in the morning. That’s where Larry really lived.

I would listen in my bedroom at my parents’ house in Spokane, Washington, the volume turned low, the house quiet, insomnia hovering. The Spokane AM station — KGA 1510 — carried the show from around 9 PM Pacific time, and then, wonderfully, they would run it again. So I’d listen from nine to midnight, fade, wake at two or three, and hear the same segment again in a half-dream. The effect was surreal. Didn’t I just hear that caller? Didn’t Larry just say that? It created a strange loop of late-night déjà vu that only made the whole thing more atmospheric. The show felt less like programming and more like a continuous nocturnal conversation.

My friend Kelly Rudd loved Larry too. When we were in high school we were both big fans of the radio show, and we talked about it constantly. There were a couple of things that we especially liked. The first was that Larry famously did no preparation. He knew a huge amount about the world, of course, but he didn’t read guests’ books ahead of time. He wanted to come in cold. If his guest was a firefighter, he’d ask, “So what’s it like to be a firefighter?” It sounds lazy, but it was brilliant. By staying open and getting out of the way, he let the conversation go anywhere. This way the show became eventful.

Another thing we loved was what happened after the guest left. Larry would open the lines and take questions about absolutely anything. Most of the time he was generous and patient, but when callers went off the rails he had a signature phrase. He’d cut them off gently: “Cold compress, ma’am,” or “Cold compress, sir.” Basically: lie down, ice your head, regroup. It was hysterical, especially because he used it sparingly. When “cold compress” dropped, you knew things had gotten weird.

Anyway, Kelly and I loved Larry so much that when the station suddenly dropped the show, Kelly proposed we drive to the radio station and protest. So we skipped school, drove across town, and rang the intercom demanding to speak to someone about the cancellation. The station manager eventually came down and heard us out. We knew we weren’t changing anything, but it felt right to try. Larry never came back to Spokane radio, and the show faded not long after, but the whole episode captured what the show meant to us. It wasn’t just background noise. It felt alive.

Larry’s on-air style was the key. He was unbelievably relaxed. By the late ’80s you could tell he had done thousands of hours. Nothing fazed him. Weird guests, drunk callers, eccentrics — all the same to Larry. He absorbed everything. He had pet phrases — “cold compress” chief among them — and he deployed them like a veteran reliever, only when needed. He famously did no prep, and he leaned into naïve questions. He’d ask something simple and let the guest do the work. The effect was disarming. People opened up. He also had real humanity. He listened. He didn’t mock callers. He didn’t rush them. There was compassion there, and I think that’s what I loved most.

And the show could get wonderfully out of control. In one story Larry told from his old Miami days, an adult actress he was interviewing suggested they just have sex during the commercial break. Larry, amused, asked the producers to clear out — but there wasn’t enough time. That kind of anecdote captures the looseness of late-night radio. It wasn’t polished. It was alive.

Larry left the overnight Mutual Radio show in 1994 to focus on television. By then I had already drifted away, but I still caught Larry King Live on CNN over the years. I remember watching during the O. J. Simpson trial while at Otago University in New Zealand, when the show became part of the nightly noise. Later there were the Vladimir Putin interviews — classic Larry, conversational and oddly disarming. And of course there were the great comic moments, like the interview with Jerry Seinfeld where Larry suggested the show had been canceled and Seinfeld snapped back in disbelief, and the Norm Macdonald appearance where Norm kept repeating, “I’m a deeply closeted homosexual,” and Larry tried earnestly to parse it. “So that means you’re gay?” “No, Larry,” Norm replied, “it means I’m deeply closeted.” Pure Larry: sincere confusion meeting absurdist comedy.

Larry’s personal life was famously complicated. He married eight times, had several children — including sons Chance and Cannon later in life — and lived in a kind of perpetual romantic improvisation. The marriages came and went. The last ended painfully and publicly. He once joked he’d never leave his wife unless Angie Dickinson came along — and when she did, he married her. That was Larry: impulsive, affectionate, slightly chaotic. Despite decades of success, he didn’t leave the kind of massive fortune people assumed. The money came and went, as did the marriages. It was a life lived in motion.

My friend Sergio Mandiola actually knew Larry in his later years in Los Angeles. Sergio was running an independent studies program at Beverly Hills High School, and Larry’s sons Cannon and Chance, and he taught his sons for three years. Larry would come by for open nights or just to chat.

Sergio Mandiola: “Larry would come in from time to time and we would talk. He was lovely and open. He talked about his family and his career. One time he told me, ‘Sergio, you should totally have a radio show!’ I was flattered. One thing about Larry is his politics were more to the left than he let on on air. He had strong views and wasn’t afraid to share them in person. Larry was a true mensch and I’m glad I got to spend time with him. I miss him.”

In the end, I’ll say it plainly: for me, Larry King is the radio GOAT. There was no one like him, and there probably never will be. It wasn’t just longevity. It was the curiosity, the looseness, the humanity, the love of people, politics, baseball, and life. He trusted the conversation. He let the night unfold.

And then there was that absurd, wonderful USA Today column, which read like a diary gone completely outta control. Mets lose 6–4…Rain in Baltimore…Clinton flies to Ireland…You’d read it and think, Larry, baby, WTF is this? And also, Mr. USA Today, WTAF are you doing paying for this? But somehow it worked. It was pure Larry — fragmentary, observational, intimate.

And that’s how I remember him most clearly: late nights in high school, the radio turned low, insomnia hanging in the room, Spokane quiet outside.. Sometimes I’d listen from nine to midnight, fade, then wake again to the rerun, half-dreaming, half-aware, caught in that strange déjà vu — didn’t I just hear this? — while Larry kept talking, calm as ever, taking calls from truckers and insomniacs and eccentrics. My listening years were brief, but they stuck. And when I think of Larry now, that’s where I go back to: the low hum of AM radio, the half-fade, and the sweet sounds of his voice in my ear.

Dedication:

For the one and only GOAT, Larry Motherfucking King. RIP baby.