Some B-Side Poems

New Note: From the vault: a gathering of poetic B-sides written across different places and phases — high school experiments, graduate-school bursts, open-mic oddities, and fragments that have lingered in notebooks for reasons I still don’t fully understand.

None of these pieces are “major” poems in my own internal ranking. Some are absurd couplets that make me laugh for no clear reason. Others are character sketches that appeared all at once and refused revision. A few feel like relics of earlier influences: nonsense poetry, limericks (clean and otherwise), and the general discovery that poetry can be playful, strange, and even a little ridiculous without apology.

Still, I’ve always been interested in process as much as product. The artistic life isn’t only the finished work; it’s also the fragments, the experiments, the throwaways, and the pieces that stubbornly stay in memory despite their minor status. These B-sides belong to that category.

Note: This post collects some shorter “poems” I have written at different times. In my opinion, none of these are as good as “Half Hours on Earth,” although “For Ann” could be if I could finish it. In other words, all of these are pretty minor, although “Check-Out Girl” is not bad. A more prudent writer might hesitate to publish fragments like “My Uncle” or “The Pomegranate.” I, for one, am always interested in the artistic process, and part of my process includes coming up with little pieces of stuff I don’t know what to do with. For each “poem,” I have included a comment—the comments are just there to provide a little context. Basically, these are all “b-sides.”

“My Uncle”

I think about my uncle
when my uncle comes to mind

Comment: This couplet is completely ridiculous, doesn’t rhyme, and doesn’t mean anything. I have no idea when I came up with it, however for some reason it sticks with me. So much so, in fact, that I closed my “set” at a poetry open mic in Tokyo a little while back with “My Uncle.” The audience there was surprisingly receptive. “Right on,” they said, “that’s when you do think about your uncle.” Thanks folks, means a lot.

“The Pomegranate”

The pomegranate is essential to the sophisticated palate
Far more evolved than onion, watercress or shallot

Comment: Another couplet from god knows when, this one at least rhymes so let’s call it complete.

The Proposal”

A potatoey fellow
skin papery yellow proposed to you once in the rain.
But though he bleated intently
from the back of his Bentley
you said ‘potato, you give me a pain.’

Comment: This is one of my sneaky favorites. It’s also totally absurd, and I don’t remember when I wrote it, however I think I had seen some guy getting blown off by a girl and so I came up with the potatoey fellow. Although not exactly finished, it also has nowhere to go, so let’s call this one done too.

“Mod-Con (for Joe)”

A friend remarked to me,
as we reposed I and he
“Which mod-con
could be improved on?”
And I,
dull and droned as a sun-drugged fly,
I didn’t know.
“The washing machine
I mean, dirty clothes revolving in
dirty water
come out clean?”
Hmm.

Comment: Back in the day I had a friend called Joe. Joe was kind of a sleazy dude, but he was a good photographer and taught me a few things about that. He also came up with some left field ideas, such as when he critiqued the entire concept of the washing machine. Joe didn’t get the washing machine, and so I wrote a poem about that. Although finished I don’t think this one is really very good, so I’ll just leave it here, as a b-side.

Overdue Haircut”

I’m gonna get my haircut soon
maybe in the month of June
man, it’ll be smooth

Way up in Bostontown
to Atlanta they’ll get down
with the news

I’ll have girls on every hand
who’ll all think I’m the man
I can’t lose

Yeah I’ll play that haircut game
to popular acclaim
among gentiles and Jews

Comment: One time I needed a haircut, so I wrote about that. This was a popular one with my readers back in the day, and I like it too.

“For Ann”

Ann belle princess of the isles
the orbs whisper your name even if you’ve gotten piles
or if you’re on the game

Buxom barmaid or bellicose barfly
begs the inevitable question
booze improves the poet’s eye. but ruins her digestion

Comment: My friend Ann from Hamilton College went to England after graduation and she and I exchanged a few letters, back when people still wrote letters. She wrote me that she was drinking some, so I wrote a poem about my image of her over there. The original poem had two or three more verses, but they were terrible. Then a little while back I reconnected with Ann, which was great, and re-worked the poem, which wasn’t. It might have been a little better, but it was still bad. These two stanzas, on the other hand, are awesome, and maybe that’s all there ever needs to be said about Ann in England, you know?

“Jerome”

In a glade near his home roamed a boy called Jerome when he met with the sight of the devil

who asked for his soul in a Tupperware bowl in a voice smug and typically level

though of manner quite mild the cunning wee child prepared a surprise for the devil

who felt sorely deceived when the soul he received belonged to the neighbor’s boy, Nevil

Comment: This little poem is one of the first things I wrote that I liked. I wrote it sometime during high school. At that time I was influenced by limericks (both dirty and clean) and nonsense poetry such as Edward Lear. One doesn’t write stuff like this without having read a bunch of nonsense poetry.

“Check-Out Girl”

jim went to the store on Tuesday to buy eggs
and fell in love with the red-haired check out girl
jim of the drab brown suit and bifocals
of the pint size milk cartons on the floor of his car
jim who at sixteen thought he might have a calling
who would have made a good camp counselor
kids for christ
jesus youth,
jim fell in love with the red-hired girl and her little turquoise earrings
when he went for his groceries
jim of the tedious but inevitable self-gratification
jim who is definitely not (not) gay
who recently gave up hair tonic
but still has a fine head of hair for a man his age
(thirty four in september)
thank you very much
who always wanted to see Topeka, Kansas
just because of the name
Topeka
jim of no artistic pretensions
who nevertheless sits down to compose a poem
to the check-out girl
with the red hair, the turquoise earrings and the toothy smile
who’s nineteen if she’s a day
he’s in love
no question about it

Comment: I wrote this one in Flagstaff, Arizona when I was going to graduate school. I was playing basketball one day and this poem started to come into my head all at once. So I went home and wrote it down. I don’t know where any of this came from, but it’s not bad. Maybe it’s actually OK, I don’t know.

Note: If you like these poems, you may like An Open Book. You can find it here.

The Band: A Press Release

Some nights shine so strangely you can’t parse them/ Sometimes that strangeness is the whole point.

Moonface (Spencer Krug), refracted

New Note: At this point my first book of music, personal, and world history is underway. This book will feature new witting, pieces from my blog edited and expanded or compressed, as well as yet unpublished pieces that I have in my archive. Therefore on the event of tomorrow’s full moon, I will re-print “The Band: A Press Release.”

“The Band: A Press Release” is a second piece of “automatic writing,” writing that comes so fast it’s like it’s downloaded or something. I wrote it in 2018 while standing on a train platform waiting to change trains here in Kyoto. I had met some acquaintances the night before at a bar, and, as detailed in the piece, drew inspiration from their somewhat absurd banter. So I wrote this, in about 8-10 minutes, as if I was the press agent for the group. It was just a little conceit to get the piece going, but it also subtly makes fun of press releases and corporate communication in general. 

I really like this piece, despite the fact that it is undeniably odd. Some of the lines still make me laugh, such as “There is a Plan C. Plan C will be referred to as ‘Plan C’. Plan C is cancelation;” and “An extra? A fifth member? Is that a leak? Does the band leak? Does it, after all, hold water?” As I like to say, it’s funny to me.

But this piece is really based on Jungian interpretation of Christianity. So basically as I understand it Christianity has the trinity, the Father, the Son, and the Holy Ghost, which are traditionally recognized. However Jung argued, in essence, that there is a “fourth term,” which is a kind of background term, of the overall dynamic field that helps inform the other three archetypes. I guess I was just trying to outdo Jung; I’m a little competitive that way with my heroes. In any case, here is the piece. The quote toward the end if from David Berman of The Silver Jews.

Note: A few years ago I was working on some major events, and thinking a lot about “event theory.” I’m not even sure event theory is a thing, but it was for me. Anyway, I was at an interesting old bar in North Kyoto called “Brown’s,” (since closed) when I ran into a guy I knew a bit called Jamie. Jamie and I are not, I would say, friends, and in fact I don’t know if I like Jamie all that much. However, I had once been to his apartment where he had a full in-home movie theatre set up and he showed us the film Rockers: It’s Dangerous, which is a bizarre film about some reggae dudes in Kingston Jamaica. The film is kind of hit or miss, however the soundtrack is amazing.

When I met Jamie at Brown’s he was with another friend of his. We were talking some event theory and Jamie started telling me about a “band” he and his buddy were putting together. (I should add here that it was during this evening that Jamie uttered the immortal phrase “an event should be eventful,” which I have appropriated and made my own ever since. So I guess I kind of like Jamie after all). Jamie and his buddy’s band was a fake one, he said, and although they played no music they were planning to travel to Boracay to discuss their plans. Haha, I said, could I join? No said Jamie, they were only recruiting women. That was it—Jamie’s concept was not very well fleshed out, but he gave me a seed of something. The next day I wrote this piece, called “The Band.” It’s tone is not like anything else I’ve ever written. I can’t exactly stand by this piece, but nor can I renounce it, so here it is.

To Whom It May Concern:

Good evening. I am here to introduce to you a new band. You will always remember this evening, as you are the first audience to hear about the band, which will go on to shake the music industry to the core. However, I’m sorry, I’m very sorry, but you will not be hearing from the band this evening. They are very busy preparing for the possibility of contemplating their first show, which you will hear about in a few minutes.

At that time, you will be given a inside tip about how to score FREE TICKETS for this gig, but first I should explain the membership arrangement of the band, as it is a bit special. The band is a trio consisting of two humans and a third member, a “third term”, which is referred to as “the floating concept.” The floating concept triangulates the members and makes the band structure as we know it possible. The band structure is therefore equivalent to a trinity. Without the floating concept, the band would spill apart in a matter of hours due to its own frivolity and according to the second law of thermodynamics.

Who are these band members, you will want to know? Of course you do. When something this special, this fresh, this frankly white hot, comes along it draws all eyes. Well, I can let you in on this much–the members are multi-talented young artistes on the cutting edge of fashion who are even as we speak enacting the first true artistic theory of the 21st century. They are considering and arranging all aspects of their performance, except those aspects that relate to the music to be played. There is a reason for this–the band can play no music, owns no instruments, and is in no hurry to learn their craft. They are instead, busy, very busy, honing their CONCEPT, Just as night follows day, and form follows function, the band believes, as its only tenant of belief, that craft follows concept.

Now, with the three members in place, is there room for more, you may ask. Yes indeed. In fact the band is actively recruiting a fourth member, and the position is wide open. There are some conditions on this member, however. First, the fourth member must be a woman, a female. Second, she must be gorgeous and bewitching. (For the time being, in advance of her arrival, we shall refer to her as the “background term.” Upon her arrival, the band will, momentarily, become a quaternary.) Third, and crucially, she must break up the band almost instantaneously upon joining it. There are no other conditions.

Now, you will be eager to know when and where the band will be playing as the break up of the band could occur at any time, in the blink of an eye, and is entirely at the mercy of the bewitching female, the eternal anima. Fortunately, plans for the band’s first gig are already well underway. The band will be convening in March of 2014 in Boracay, just 11 months from today, to discuss its next move. At this point we are thrilled to be able to announce that in Boracay the agenda point of a concert or live event of some kind IS a distinct possibility. In short, a performance concept MAY be discussed. What that performance might look like is currently a matter of the highest secrecy not to mention massive uncertainty. After all, as I am sure you will agree, the first true artistic theory of the 21st century, the theoretical descendant of surrealism, pop art, and the theater of the absurd, needs some little time to germinate. It cannot be rushed.

However, there is some information that we are prepared to release tonight. First, initial scouting has been undertaken on the island of Gibraltar, and very tentative discussions are being undertaken with representatives of the Zimbabwean government regarding possible locations. At present, we are referring to these as “Plan A,” and “Plan B.” In the event that either Plan A or Plan B materializes, you will be able to score FREE admission by simply attaching yourself to the flash mob which will storm the venue precisely 20 minutes after the band takes “the stage.” In order to join the flash mob, you will simply need to locate third member of the band, the floating concept, who will be leading the mob. Please be aware that the floating concept IS floating, and therefore by definition is subject to frequent re-definition and re-nominalization. In other words, by the time the third term reaches this putative future time/space conjunction it may well be styling itself as something entirely other. There is a Plan C. Plan C will be referred to as “Plan C.” Plan C is cancelation. In the event of cancelation, the concert/event will be simulcast across all platforms for viewing in the comfort of your own home.

I know that at this point you will be salivating to know more, that you will already be scouring the internet for more information about the band and its concept. What we can say is, anything you might read online is the purest of speculation. The band does not leak, in fact it does not even hold water. From an atmospheric point of view, however, the band is currently working under the following umbrella, and I quote:

Guinnevere orders one more beer in the smokey pick-up bar/ A burnt out tramp by the exit ramp waits for one more car/ The Latin teacher always smells like piss/ The census figures come out wrong/ there’s an extra in our midst.”

An extra? A fifth member? Is that a leak? Does the band leak? Does it, after all, hold water? Come and see, follow us across all social media platforms, tell your family, tell your friends, tell your neighbors, don’t tell a soul. The telos of the art world is about to be revolutionized, about to jump the shark, run rampant, build its own contingent, its own motherfucking army. Follow the band, tap into the excitement come and see a legend while it’s still being made! Ladies, gentlemen, I give you, THE BAND.

Dedication: For Jamie, I guess.

I’m Reading Anais Nin’s Diaries

Note: This is a post from a few years ago. As I am now also writing my “memoirs” with the Hamilton series, I thought it would be a good time to bring back Anais. She is an amazing writer and truth-teller.

I’m reading Anais Nin’s 1947-1955 unexpurgated diaries called “Trapeze.”  That’s what I am doing.

Anais Nin is high level. Anais Nin is a dangerous writer. Anais Nin is fucking excellent.  Here is a little bit:

“One handles the truth like dynamite. Literature is one vast hypocrisy, a slant, deception, treachery. All the writers have concealed more than they have revealed.”

“My father died mad. He did not understand what happened to him. I want my suffering to be useful. I want the novel to teach life. I want the novel to accomplish what the analyst does.”

“Great lovers never trust each other.”

And…

“The diary cannot ever be published.”

So that’s it.  I’m reading Anais Nin.

Scenes from St. George’s, Part IV: Mason Anderson’s Seven-Step Method for Picking Up Women

Note: This is installment four of our scenes from Saint George’s (SGS). Part I is here, Part II is here, and Part III is here.

Mason Anderson Fails to Pick Up Chicks

Classes at Saint George’s were not so large; I think our class graduated around 28 or so. The school is a private school, and relatively expensive for Eastern Washington, but I don’t believe it was that expensive, so I wonder what the school’s budget was like. I bet it was tight. There were a handful of students, including J.T., Kelly, our friend S.C., his younger brother Ben, L.W., and a few others, who were there from lower school all the way through high school. Others, tragically including N.C., left, while others still joined later on.

One student who joined I think in 9th grade was Mason Anderson. Mason’s had a younger brother named Mark whom Mason called “Marky J. Muffin” for some reason. Mason and Marky J.’s parents were divorced and they lived with their mother who Mason called Robbie A. (A for Anderson.) My sense is that Robbie A. was working pretty hard to keep everything organized on the financial front. Mason’s dad was a big churcher, and I don’t think Mason saw him all that much. Sometimes Mason would report that his dad had given him some money, but overall I think his dad was too busy churching to provide much oversight. As a result of all of this, Mason was pretty much left to his own devices most of the time. Also, whatever the family situation, Mason didn’t do much to keep things together because although he’s a great guy and totally hysterical, he was, and still is, chronically lazy.

Lazy as he may have been, Mason actually had a job at a sports cards shop called Chalmer’s. I guess Chalmer’s was owned by some guy called Chalmer, and this dude thought it would be a good move to just leave the shop in Mason’s hand for extended periods of time so he could enjoy the sweet life of a successful businessman. This, however, was not a good move at all, because Mason stole all his baseball cards and all his money and Chalmer’s had to go out of business. Mason never stole from his classmates as far as I know, but he felt Chalmer was fair game.

As I mentioned, our class was pretty small and John Innes, who joined in middle school, and I got to know Mason pretty quickly. High school life can be a little repetitive and it’s good to break things up with a little humor. Mason may have been a lazy thief (or perhaps more charitably an indolent appropriator) but in the humor department he was a solid addition to the school. Mason had a particular way of speaking where he would add emphasis to certain words to make them funny, and he also loved the words “total” and “totally.” My own speech and writing has been totally influenced by this habit of Mason, an influence apparent on this blog. Mason also liked to abbreviate noun phrases.

All these quirks came together in Mason’s favorite term, which was “total babe,” or more commonly, “TB.” He would use this appellation dozens of times a day to describe various girls in our class and the classes above and below us. Although SGS classes were small, there were definitely some TBs running around, and some regular old Bs as well. My own tastes in this area were less for the TBs and more for the SBs (“sneaky babes”). I like sneaky anything, sneaky babes, sneaky favorites, sneaky staircases, the whole deal. Probably my theory was that TBs were already out of my league, and SBs were just more on my level. Also, I just thought SBs were cuter than TBs. I still think I’m right about this, but Mason disagreed. He was into the TBs, the totaller the better. Now one thing about TBs, obviously, is they can be super selective. Craig Finn says “boys go for looks/ and girls go for status.” I’ve found this to be pretty true, and TBs also like money as well as, I think, funny guys (or gals depending on a given TB’s particular orientation). Although he played on the baseball team, Mason was not exactly “high status,” whatever that consisted of back then, and although he had the Chalmer’s money he certainly wasn’t loaded. He was very funny, and should have leaned into this with the TBs, but for some reason his method for TB intriguing didn’t quite see him leaning into his strengths.

Mason’s interest in TBs was not limited to mere expressions of appreciation; instead he would work out elaborate TB seduction campaigns in his head, which he would describe to John Innes and me at great length. Mason was, for some unknown reason, a huge fan of the professional hockey team the Philadelphia Flyers and their goalie Ron Hextall, and he had one, or maybe several, Philadelphia Flyers pins that he would wear on the outside of his jacket. His TB pick-up plans always revolved around the Flyers’ pin and associated Flyers paraphernalia. I am not going to be able to do justice to the complexity of Mason’ campaign plans, however they would have gone something like this (I don’t believe he has taken the time to patent this method so I think this is fair use):

Step 1: Select a TB to approach.

As mentioned, Mason would choose one of the biggest TBs, a girl who was obviously completely out of his league, and start putting together a sequence of moves.

Step 2: Name the campaign.

Mason’s campaigns would be named after the first initial of the TB’s first name; thus if the TB was called “B…” the B campaign would just be “Plan B.”

Step 3: Pick a location to approach the TB.

Mason would specify a certain spot where he planned to initiate his campaign, say at the TB’s locker, while waiting for the bus before a basketball game, or when she first came in the door of the school in the morning.

(As a side note, John Innes also employed the locker move when in 9th grade he offered me 10 dollars to switch lockers with him so he could have the locker next to a certain TB called S. I agreed, but John Innes didn’t really have any money because his father had spent it all on his political aspirations, and I don’t think he ever paid me. That was a bad deal on my part; I should have stuck with the locker.)

Step 4: Lead with the Flyers’ pin.

Mason would design the first actual contact with the TB to center on the Flyers’ pin, as noted above. In John Innes’ and my opinion, this is where the plan started to wobble. Mason would specify exactly what he would say to the TB as an opening salvo. This would be something like:

“Hey there B, I couldn’t help but see you hanging out by your locker here. I wonder if you’ve seen my new Philadelphia Flyers pin?“

Now I don’t know a huge amount about hitting on women, but I know a little bit, and I’m just not sure this is the right first move. Guys who are really good at picking up women (I’m not referring to the super sus subculture of PUAs, but to individual guys who just happen to have a lot of game) usually start with something a little more open-ended, and also maybe focussed on some aspect of the girl, not one of their own accessories. I mean I don’t know, maybe this can work—can you picture a guy at a bar approaching a woman and saying something like:

“Hey there, I don’t know you but I just wanted to let you know I bought this new scarf today. Isn’t it something?”

The more I look at it the more I lean no. The Flyers’ pin opener was not, however, the biggest issue with Mason’s approach. The biggest issue was that he expected the TB to come back with a very specific, indeed exact, reply.

Step 5: Elicit a specific TB response.

After Mason had asked the TB to check out his Flyers’ pin, she was supposed to come back with the right answer, which is this case would be something like:

“Wow there Mason Anderson. I didn’t know you had a new Flyers pin. That’s a pretty sexy pin you got there.”

Now I respect the effort that Mason put into his plans, but I’m sorry, this is just all wrong. First of all, this is a pretty unlikely answer for a TB. I mean, something like this is theoretically possible; however there are a lot of other possibilities that Mason was not accounting for. You see, he needed the TB to stick pretty much exactly to the script in order to get to his next move. But the problem was, the TB didn’t have the script in advance. I mean imagine you’re a TB and some medium dorky guy comes up to you and flashes his new Flyers’ pin. I think you might respond in one of the following ways, ranging from more to less promising:

i) “I haven’t seen your pin. Where did you get it?”

ii) “Who are the Philadelphia Flyers?”

iii) “Why are you showing me this?”

iv) “What are you talking about?”

v) “You’re weird. Go away.”

My theory is that Mason really needed to be prepared for all of these possible responses, and many others. He needed, in other words, to build a little flexibility into his plan. And John Innes and I would tell him this.

“I don’t know Mason, I mean the Flyers’ pin is great and all, but I don’t think you can count on her telling you it’s sexy. She might come back with something else you know.”

“No,” Mason would reply. “She’ll come back with what I have planned. It’ll work.”

But she wasn’t going to come back with what he had planned. She just wasn’t. John Innes and I knew this, but there was no talking Mason out of it. Plan B was full steam ahead.

Step 6: Get to the end game.

After the TB came back with the right Flyer’s pin response, the next two items in the plan would be designed to get Mason to the close. This would go like something like this:

Mason: This is a sexy pin. But it’s not as sexy as you are.

TB: Oh my god, you’re so charming and funny.

Now, the dialogue is approximate, however the idea remained the same—the conversation had to go exactly this way. In military circles there is a saying that goes something like “no battle plan survives the first shot fired” or whatever. The point being, once a campaign kicks off there is no telling what the actual sequence of events is going to be. A good plan, in war, with TBs, or just in life in general, needs to be adjustable. Or, in NLP terms, the planner needs to understand that the map is not the territory. Mason had the map, but his map was not going to get him safely though the territory.

In any case, by this point Plan B would be pretty far advanced. It was time to seal the deal.

Step 7: Close.

This stage, obviously, was where Mason would throw down his final zinger and the TB would be won. The last part of Plan B would have Mason saying something like:

“I know I’m charming and funny. I guess I just can’t help it. Hey I’ve got a great idea. Why don’t you and me get together and call ourselves an institute?”

And the TB would swoon into his arms.

=====

Now, we have already identified a number of holes in Mason Anderson’s Seven-Step Method for Picking Up Women. And these holes are significant. But the biggest hole in Plan B, or Plan C, and any of his other plans is that he never tried to implement any of them even once. All of this, the casual approach, the Flyers’ pin, the elaborate conversational sequencing, was entirely theoretical. Mason would talk about Plan B incessantly, workshop it with us, and generally refine and tinker with it, but he would never actually put in to the test. I don’t know why this was. Was it because Mason knew the TBs were out of his league and just enjoyed fantasizing about his campaigns? Or did he actually intend to put Plan B into practice sometime and just never had the nerve to try it? Or, perhaps, the plan was never totally good enough in his own eyes and just needed that last little tweak to get it perfect? I don’t know, but man were Plan B and Plan C entertaining.

Today Mason lives in the tri cities area of Washington State where he messes around with nuclear energy or something, believe it or not. In his free time he makes a lot of pizza and instagrams about it. I believe he has also had some success on the Tinder there—John Innes told me he was mixed up with at least one women of that ilk a few years back. I’ve never met any of Mason’s Tinder connections, and I don’t know if they are TBs or not, but I know one thing. Deep down Mason still wants to lead with that Flyer’s pin.

to be continued…

Dedication: For Mason, you totally rock baby.

Postscript: It turns out that Mason Anderson will be cooking pizza for my brother Mike’s wedding this coming summer. Weddings are a good place to score, so I do hope he is working on a plan. Pizza might just be a better hook than the Flyers…

Andrea’s Travels, Part II: The Street Guy

Never ever been a blue calm sea/ I have always been a storm

Stevie Nicks

Dateline Seoul: Saturday Afternoon

Andrea gets off the second leg of the flight to Seoul around 14:30. She has quasi-slept, faded somewhere into her subconscious anyway, for an hour and a bit. Andrea is not a heavy explorer of her subconscious, more like she knows where it is. On the flight, up there under an ocean of ozone, black window spiders jousted with a velvet gloved countess and bunches of green grapes for supremacy of the space. That was all fine, she was essentially sober, Mr. Brown had been rendered comatose by hour one, and as she rolls into customs she feels, if not exactly happy, at least ready. Ready for the industry conference and its banalities, ready for the Lotte Hotel downtown with its wall of kimchi options at breakfast, ready, even, for a puleun or two. Maybe. We’ll just have to see.

The conference “event” is set to kick off at 8 Wednesday morning, and Andrea has no intention of being on time. Events, by and large, are well planned and poorly designed. They are programmed to run and be completed, and the narrative arc conception is, well, often bad. The Seoul event would be no different. “An event should be eventful,” someone once told her, and Andrea has held on to that guy like a tailsman. Also, sometimes when an event lacks eventfulness, well, you gotta inject a little of that yourself. She giggles at the thought; the possibilities were many. She got game, our girl. Watch the fuck out boys.

Dateline Seoul: Saturday, 22:47

Andrea is on the STREET. Can’t learn it in the office, gotta learn it on the STREET. Monsieur Puleun 1 is strolling with a feathered friend on the boulavard. Site of a protest from earlier in the day that Andrea missed. Another peanut tantrum? Korean scandels are unrivaled in their bizarre and byzantine nature. And, the assassin chick of the brother of the NK head dude wore an LOL shirt. So 2017. Check the video. Check the record/ check the guy’s track record. (Le) homo sapien sapiens, them’s bizarre. Puleun 1 sees Andrea; she sees him. Opportunity presents itself–Andrea, she needs a token, a takeaway, a reminder that she was here at all.  At the “event” site no doubt volunteers are cross-stressing before cross-dressing. She couldn’t care less—that’s all paid for by the company. Event spaces are super permeable. So is the puleun. Andrea swings into action.

“My friend, do you know how to get to Sungnyemun?”

“Yes I do. Go with me?”

Andrea pondered. On the one hand, well, you know. Street guy? Seriously? And on the other, well, she is on vacation. A. B, she has her needs. Not what you are thinking brother. Andrea’s needs are a little more, well, esoteric.

“For a little while. Let’s walk.” Andrea slips her arm under his and feels him thrill to her touch. Hooking, hooking is easy. She’s a natural, it’s pretty clear.

Sungnyemun is a no. Sungnyemun can wait. Andrea steers P1 toward the Lotte, before having second thoughts. That’s not the move girl, too predictable. Someone is always watching Mr. Mulder. She needs to re-frame.

“Let’s get a room,” says Andrea. Yes, it’s a high-level cliche, up there with “what’s your number,” and “baby, what’s your sign.” Cliched, therefore effective. The effect on P1 is immediate. Where, he asks? Right here, she says, pointing to a boutique environ that looms over the couple. An art hotel. Sure.

P1 pays with a card as the desk clerk smirks. I didn’t have to come to Maui, but then neither did you. Fast feel, he feels her material. Matters progress, fast. Bloodrush, bloodbuzz, and she is not immune. And yet, Andrea is playing a deeper game, the most dangerous one perhaps. Room ingress and second base. Time for her to make a move.

“Baby, I have to use the bathroom. Freshen up.” The meta-historical language of the female has a beauty all its own. Le floraison is off for our young suitor. Sorry pal. Hit the bricks.

But it’s not that simple. Andrea’s needs have been stimulated, not met. She emerges from the bathroom, face washed, mask of determination.

“Baby,” she says, “I need to go to the shop.”

“Room service will provide.”

“Room service is asleep at the wheel; I’ll be right back.”

Famous last words. Andrea carries a a tote bag–the remainder of her belongings are back at the Lotte. In the bag rests a white robe from the art hotel as well as a sampler of cosmetics from the bathroom. Not because she needs any of these items, more like, well, she wants them. She blows P-san an air kiss, the least she could do, a good trade. P1 collapses on the bed with a sigh. You get what you get P1; we won’t be seeing you again. With her would-be down for the count, Andrea takes a final, critical, step. She pockets the key, an actual metal object (!?!), and slides out the door. Now, remember the room is in his name. The robe, the robe is gone. As is the key. These are with Andrea. And Andrea is back at the Lotte in her PJs. Someone’s always paying for that banter baby.

Dedication: For the Street Guy. Sorry about that buddy.

to be continued…

Half Hours on Earth (A Poem)

Note: I wrote this poem in Auckland in 2009 however it is based on an encounter I had in Adelaide a few days prior. (There are a lot of mussels served in Auckland, incidentally.) The theme here is pretty obvious; it’s about an encounter, or, more precisely, an event, during which time compressed itself almost to a standstill. You have probably had this experience if you have been knocked of your bicycle by a car or something like that. When this happens over a half-hour, that’s a bit of a different guy.

This is one of my favorite poems that I have written. The title, and the repeating coda, are borrowed from the band The Silver Jews.

The quality of experience in half hours
is not uniform.
Some half hours are simply wasted;
in others, something occurs,
leads into something else.

“Half hours on earth/ what are they worth?/ I don’t know”

With the occasional half hour
something actually happens,
(in the Raymond Carver sense)
something that matters.
The air is charged, and thin;
butterflies roil one’s viscera;
and something is on the line.

“Half hours on earth/ what are they worth?”

These electric half hours
even if isolated in time
are frightening, or better
giddily upsetting, and dangerous.
They sear themselves into the memory,
rippling the fabric of the universe.

“Half hours on earth”

Dedication: For Molly. And for David Berman, RIP.